UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book, the first sustained engagement with Siqueiros's work in the English language, focuses on the artist's late murals, which are both aesthetically innovative and politically provocative. It places Siqueiros in an international context, revealing that the dogmatism he has been charged with was in reality a complex phenomenon. It provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
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How to play Mexican Bingo and other random entertainments gives an account of the text. It portrays the Mexican everyday universe: landscapes, people, customs ... The Mexican Photographic Lottery is a lesson in ethnography and art.
Four children have to deal with the killing of their father in violent, 1970's Northern Mexico. Grief does not stop because nobody in the family wants to talk about the murder for fear of disrupting family unity. The story is written from the perspective of four narrators. The first is a woman who tries to find the truth using her own recollection, photographs and a USB. A second narrator is a police detective who was the lead investigator of the killing and keeps a detailed file and realizes something doesn´t quite add up. A third narrator is a middle-aged woman, facing a cancer diagnosis and who, in the middle of treatment, starts remembering things about her father. The novel takes us deep into the dark wolrd of the 23 September Communist guerrilla in Mexico, weaving elements of historical fact and fiction, and trying desperately to answer questions about the need to for the truth.
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As the foods and recipes of Mexico have blended over the years into New Mexico's own distinctive cuisine, the chile pepper has become its defining element and single most important ingredient. Though many types were initially cultivated there, the long green variety that turned red in the fall adapted so well to the local soil and climate that it has now become the official state vegetable.To help chefs and diners get the most from this unique chile's great taste–without an overpowering pungency–Dave DeWitt, the noted Pope of Peppers, has compiled a complete guide to growing, harvesting, preserving and much more–topped off with dozens of delicious recipes for dishes, courses, and meals of every kind.
In the historical context of the Austro-Hungarian Empire and the height of the Romantic era, the 19th century, Anton Bruckner, the famous Austrian composer and organist, falls in love with the imposing Countess Henriette. She had been appointed lady-in-waiting to Princess Charlotte of Belgium, the wife of Prince Maximilian of Habsburg, to attend to her during the couple's Mexican endeavor. They had been named Emperor and Empress of Mexico and would embark on a journey to America for this mission. Bruckner meets the countess by chance at the funeral of Maximilian, who had been assassinated in Querétaro in 1867, during the so-called Second Mexican Empire. On the recommendation of a musician friend of Henriette's, who sees him at the funeral, she takes piano lessons with Bruckner. When she tells him that she had accompanied the empress to Mexico, the composer becomes enchanted. He admired Maximilian and was passionate about Mexico; he had even wanted to accompany the emperor. Ultimately, the only trips he made were to give organ concerts in London and another at Notre Dame in Paris. Between classes, the countess tells him of the Atlantic crossing, the arrival in Veracruz, and the entrance to Mexico City. Gradually, they grow closer. In one of his concerts, Bruckner meets Franz Liszt, who was a patron of Maximilian's empire in Mexico. Meanwhile, the countess and the organist plan a Requiem, which will be the turning point between them.
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Eagle, grasshopper, jaguar, butterfly, dog, monkey, feathered serpent, all these animals, real or mythological, tiny or majestic, carry a message. Forty works drawn with pen or brush have a dialogue with the texts of Elisabeth Foch, By taking us to a journey through the museums of Anthropology, the Templo Mayor in Mexico and the collections of the musée du quai Branly in Paris, this book takes us into the world of an ancient Mexico.
From the day that old Nana Reja found a baby abandoned under a bridge, the life of a small Mexican town forever changed. Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can, visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats, both human and those of nature; Simonopio’s purpose in Linares will, in time, be divined.
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Tapachula, Chiapas: a small city on the southern border of Mexico bearing the weight of a continental migratory crisis. Migrants trapped between bureaucracy, misery, and violence. Tens of thousands of bodies halted in front of the invisible wall of the United States. This book seeks to explore migration from the inside out. Its field of exploration encompasses not only the physical border but also the narrator's personal experience as an immigrant in Mexico. It is a hybrid work that weaves through chronicles, personal essays, autobiography, and travel writing, considering the migratory phenomenon not just as a collapse but as a space for profound subjective elaboration. The story of a religious leader expelled from Angola, the adventures of a former Colombian guerrilla threatened by the dissident factions of the FARC, and the nostalgia of an exiled Sandinista from Daniel Ortega's dictatorship blend in a common chorus with the narrator’s voice, son of a father killed by the Venezuelan state and a mother seeking asylum in Mexico. More than a chronicle, "El espejo animal" seeks to be a spoken portrait of migration in Latin America. It is an artifact that enables and amplifies the voices of migrants where they cannot be heard.
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Photography and memory in Mexico traces the 'life stories' of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history. ;
Deep in the Mexican desert, paleontologist David Fernández makes an unsettling discovery among the fossilized bones of a dinosaur.News of the discovery of a strange object goes viral create deep divisions in the scientific community. After recent statements by the United States government, regarding the existence of unidentified flying phenomena, and a growing wave of sightings across the world, a frenzied race starts to uncover the truth behind the discovery of a supposedly alien artifact.Everybody wants a piece of it: fans, UFO researchers, scientists – even a band of local drug dealers. But it is NASA researcher Victoria Collins who has the means to analyze it and prevent it from falling into the wrong hands.What David does not know is that Victoria is an agent from a covert American organization – one who will do whatever it takes to fulfill their mission.
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In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds. This volume illustrates how - rather than simply helping to tell the story of - songs in Hispanic and Lusophone cinema commonly upset the hierarchy of the visual over the aural, thereby rendering their hearing a complex and rich subject for analysis. Screening songs... constitutes a ground-breaking, interdisciplinary collection. Of particular interest to scholars and academics in the areas of Film Studies, Hispanic Studies, Lusophone Studies and Musicology, this volume opens up the study of Hispanic and Lusophone cinema to vital, new, critical approaches. The soundtracks of films as varied as City of God, All About My Mother, Bad Education and Buena Vista Social Club are analysed alongside those of lesser-known works that range from the melodramas of Mexican cinema's golden age to Brazilian and Portuguese musical comedies from the 1940s and 1950s. Fiction films are studied alongside documentaries, the work of established directors like Pedro Almodóvar, Carlos Saura and Nelson Pereira dos Santos alongside that of emerging filmmakers, and performances by iconic stars like Caetano Veloso and Chavela Vargas alongside the songs of Spanish Gypsy groups, Mexican folk songs and contemporary Brazilian rap.
Against the backdrop of recent large migrations to Europe, Always A Banishment is the real story of a little migration that originates in late nineteenth-century France. Forced by poverty, driven by hope, three peasants from the Upper Savoy see in the Veracruz coasts of Mexico the possible answer to their desperate situation. Betrayals, far distances, luck and nature play, then more than ever, a decisive role in the fortunes of migrants, who see their homeland, their people and their customs fade away before they can carve a place for themselves in Mexican lands. Based on the actual letters sent by migrants, this novel remembers a reality that shows that every migration story, regardless of its outcome, is Always A Banishment.
Ventura, a beautiful young Turkish woman, travels to Mexico because her family has arranged her marriage to a fellow Sephardic immigrant. With a trunk full of hopes and traditions, she bravely faces the unknown, as she embarks on a surprising journey to start a new life, far from her homeland. The arrival, the nostalgia, the heart-wrenching uprooting and the adoption of a new homeland will mark her adventure as a migrant, until the long-awaited return to Turkey. Ventura will live each event with intensity and will season her days with the aromas, flavors, rhythms, colors and proverbs from the Far East. Amid recipes and customs inherited from her ancient culture, she will find the best antidote to homesickness, even if her memory cannot forget the Moons of Istanbul.
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This work created from drawings of volcanoes by the artist, with the collaboration of the poems of Pacheco, Bracho, Blanco, Jacobs and Millán give us clues about how to build a volcano, ink and letters. Vicente Rojo's Volcanoes are descriptive forms, which contain a deep love for the artistic profession, and reveal an external structure that speaks of the infinite complexity of the universe. They are a creative effort to unravel the mystery of volcanoes. The use of descriptive and functional forms, characteristic of Vicente Rojo's work, allows establishing an interpretive parameter, which in poetry has been reflected in mysterious and evocative ways.
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American supermodel Lena Miles go to a paradise Mexican beach resort to celebrate her birthday along with her rockstar boyfriend and some friends, but she disappears all of a sudden. Now it's the turn for police detective Erendira Sandoval to solve the mystery. But just when the FBI gets involved to hurry up procedures, Erendira finds out the amount of Mexican anonymous women who have also vanished and tries to solve their cases as well.
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America is being systematically destroyed – not by terrorists from without, but by vested interests from within! It’s being destroyed by politicians, talk show hosts, media moguls, and populist rabble rousers who seek to preserve their “territory” at any cost – by obstructing the passage of beneficial laws, by scandalous lies and accusations, by negative campaigning, and by gratuitous insults. These “saviors” pose absolutely no constructive ideas of their own to resolve the morass in which our country now finds itself. The politicians think no further than getting themselves elected or re-elected. The lure of $100,000 in lecture fees is a powerful aphrodisiac. The lure of power is an even greater aphrodisiac. Politicians, fearmongers, “talking heads,” and captains of industry revel in their fame, their glory, and their self-styled wisdom when the country is in greater debt than any other nation in history, and when we are more and more quickly slipping toward becoming a third world nation each year. If the public starts putting two and two together, the answer should come out “four.” But so far, the “average” American can still be led to believe that 2+2 equals whatever number the spin masters want to make it. What is even worse, more than 40% of Americans are buying into the politics of fear, dissension, and abuse without stopping for even a moment to consider exactly what these political hatemongers are offering in exchange for turning one faction out and securing the benefits of power for themselves. But regardless of political infighting or outfighting, what we are doing is akin to two fleas fighting over who owns the dog. We don’t seem to realize that we have run out of time and money; that we no longer have the luxury of political gamesmanship and needless, stupid bickering. While this timely book points the finger at who’s to blame, it also goes one step further and tells how America, the most powerful nation on earth, can take back control of its destiny and cure its own disease! HUGO N. GERSTL earned a degree in political science and history at UCLA, then went on to graduate from the UCLA School of Law. He turned down an invitation to run for Congress on the Republican ticket as it meant running against his friend and fellow-lawyer, Leon Panetta, who was just finishing his first term in Congress. Gerstl has been a nationally known trial lawyer for forty-six years and remains eternally optimistic about the resilience of the American people. An English eBook Edition was published in fall 2012 by Samuel Wachtman's Sons INC., C.A. 454 pages, 15x22.5cm
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If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;
