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        Movies and Mental Illness

        Using Films to Understand Psychopathology

        by Danny Wedding, Ryan M. Niemiec

        Explores flms according to the diagnostic criteria of DSM­5 and ICD­11 • Provides psychological ratings of nearly 1,500 flms • Includes downloadable teaching materials   Films can be a powerful aid to learning about mental illness and psychopathology. Movies and Mental Illness has estab­lished a great reputation as a uniquely enjoyable and highly memorable text for learning about psychopathology. The new edition of this acclaimed book has been updated to in­clude the latest flms and new topics. Includes downloadable material for teachers and discussion groups.

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        January 2000

        Mord am Oxford-Kanal /Finstere Gründe

        Zwei Fälle für Inspektor Morse

        by Dexter, Colin

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        October 2022

        From Dream to Trauma: Mental abuse in partnerships

        by Caroline Wenzel

        The level of domestic abuse has been increasing for years, but often only cases of physical abuse hit the headlines. Hardly anyone talks about the mental, or psychological, abuse that usually precedes a physical or sexual assault. Those affected do not usually recognise the destructive dynamic in their relationship until far too late. In this book, three case histories illustrate the typical forms of mental abuse in relationships. In addition, experts explain the topic from psychological, therapeutic, political and legal perspectives, and the head of a counselling centre for male victims of mental abuse also has his say. An important and startling book.

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        The Arts
        January 2019

        Jack Clayton

        by Neil Sinyard

        In François Truffaut's opinion The Innocents was 'the best English film after Hitchcock goes to America'. Tennessee Williams said of The Great Gatsby: 'a film whose artistry even surpassed the original novel'. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton's creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story 'The Enchantment' - as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.

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