Practical Inspiration Publishing
The home of books that mean business
View Rights PortalGema Insani is one of the largest publishing houses in Indonesia. The company was established in 1986 and has published various genres of books including children books, fiction andnon-fiction as well as books on Islam. Some titles have been translated into different languages and Gema Insani has maintained good relations with other publishing houses in Asia, Australia, and Europe. Gema Insani is always committed to serving the society by publishing valuable and innovative books. Beside the publishing books, Gema Insani has also involved in printing and other businesses.
View Rights PortalThe Story of Y, fits inside the genre of Memoir without being a linear biography or a reflection at a distance. With its first person of the present narrative point of view, it insists in jumping back in time to understand what was brewed there and if it became (or not), a crucial part of what is today. The main character, driven by a tragic event - the death of her father, whom she never saw again since she was nineteen- reluctantly must rearrange the boxes in that closet in which, when she was young, managed to pile the unnecessary and close the door…until today.
A WOMAN THAT HATH IMPUDENTLY PASSED THE PART OF WOMANHOOD AND BEEN A GREAT SPOILER AND CHIEF COMMANDER AND DIRECTOR OF THIEVES AND MURDERERS AT SEA … SHE HATH BEEN THE MOTHER OF ALL REBELLIONS FOR FORTY YEARS … , the “Pirate Queen of Connaught,” was thus vilified by those English authorities who tried to bring stubborn, recalcitrant Ireland to its knees in the Sixteenth Century. Twice married, twice widowed, a passionate lover, gambler, pirate, sea captain, politician, mother of heroes, and, above all, a symbol of the indomitable human spirit and Irish independence. She was a force to be reckoned with by anyone – man, woman, even the sovereign of England, who tried to cross her path. AMAZING GRACE swaggered boldly across the world stage for more than seventy years. These were turbulent times of Henry VIII and “Bloody Mary” Tudor, and Queen Elizabeth – the age of discovery when the remnants of the Middle Ages were dying – except in the provinces of Ireland – and the Renaissance was in full flower – the days of the “discovery” of America by Spaniards, the exploration of Africa and India by Portugal, the launching of the Invincible Armada, and the great schism of two contending forces of western Christianity. Armed with courage and daring to match that of any man, AMAZING GRACE lived a life “larger than legend.” More sinner than saint, she is remembered throughout western Ireland more than four hundred years after her death, celebrated in story and song. In a time when women were very much “second class citizens,” GRACE O’MALLEY did not need a women’s rights organization – she was her own force, and if you tried to cross her, you’d best beware. Sir Henry Sidney, the English Lord Deputy of Ireland, said it best: “There came to me a most feminine sea captain called Grace O’Malley, with three galleys and 200 fighting men. She brought a husband with her, and she was, by sea and by land, well more than Mrs. Mate with him. This was a notorious woman in all the coasts of Ireland.” , nationally famous American trial lawyer, world traveler, whose books have been translated into Portuguese, Czech, Turkish, Hebrew, and German, and author of international bestsellers , , , and , lives in Carmel, California with his wife Lorraine, a writer and teacher. Together they have raised five grown children. Published by Pangæa Publishing Group, 402 Pages, 2019. 23 cm x 15 cm
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
The first volume of memoirs of the outstanding Ukrainian scholar Yuriy Shevelyov (Sherekh) is an invaluable source for understanding Ukrainian history of the first half of the twentieth century. The publication is first illustrated and contains 248 photographs; part of them - from the Shevelyov family album - is published for the first time. The text is complemented by 1626 notes and a name index. The preface is written by the compiler of the publication, Mr. Serhiy Vakulenko.
The author of the book served 10 years in prison in a concentration camp and was in exile in Brezhnev times for participating in the Ukrainian Helsinki Human Rights Group (UHG). It was the first legal, not underground, group of the Resistance Movement, which, acting for a long time, revealed to the whole world the situation with the human rights in Ukraine under the Soviet rule. Born in Galicia after the World War 2 and brought up in a Soviet school, the author shows in his memoirs the role of the Galician family in shaping the position of resistance to the totalitarian regime. He tells vigorously, interestingly and frankly about life in Kiev under the Soviets in the era of the Helsinki movement, about the activities of the UHG and its members, about unjust arrests, and Soviet crooked justice. He recounts in detail the life of political prisoners in a concentration camp, describes the circumstances of his exile in Kazakhstan. He pays great attention to the spiritual growth of a person, shares his reflections on dissidence and the nature of totalitarianism. And conclusively, he condemns the communist system.
A story of bravery and false starts, Autobiography of a Zen Monk candidly recounts the author’s development from a highly mischievous Japanese boy into a world-renowned Sensei (Teacher) of Zen. While countless memoirs exist written by Zen students and teachers, few are as engaging and as tantalizing as Taisen Deshimaru’s. Looking back at his early life, growing up in Japan, from the viewpoint of his status as a Zen teacher in Paris, the author reflects on his earliest misadventures—from defacing a valuable painting of Bodhidharma as a child, to turning the “Zen stick” on a young monk during a retreat. Adventures abound with stories about alcohol and women, during his student years, and his activities during World War II in working for the arms industry in Malaysia, where he was sympathetic to the underground freedom movement. This first English-language translation of Taisen Deshimaru’s autobiography will be prized for its clear and honest documentation of this great master’s life. Many people all over the world have been influenced by Deshimaru’s Zen teachings, especially his book on Zen and the martial arts. This memoir fills an important gap in our knowledge of his teacher, Kodo Sawaki’s influence on the world of Zen. The story of how Deshimaru met Sawaki as a boy, even slept in the same room with him, and later received monastic ordination is the story of a lifelong friendship of two extraordinary characters in the history of modern Zen. Deshimaru’s influence extends beyond Zen practitioners, though, especially in those interested in the martial arts, as he touches on his martial arts experience as a young man and offers a look into the master’s early training. Additional interest extends to historians who recount the supposed “scandals” of Zen masters’ participation in the war effort. Although Deshimaru’s viewpoint is decidedly subjective, he was intimately acquainted with priests and generals alike, and approaches the difficult subject with a refreshing lack of judgmental disdain which counterbalances many other more lopsided works. Translator, Richard Collins, a longtime Zen practitioner, and currently the Abbot of the New Orleans Zen Temple, is a literature scholar and author of several books including No Fear Zen, Hohm Press, 2014. His knowledge of the subject matter and his finesse with language combine to make this book a delightful read for those who appreciate wellwritten memoir.
“Excuse me, but the war has begun.” These words of the writer Vladyslav Ivchenko marked the beginning of February 24th. It was the day when life changed forever. Standing in line at the draft board, he realized that he had his own war story now. “My granny had one, my parents had none, and I was always sure that I’d never have mine own.” After the 24th is a collection of short stories and poetry about war, a record of what Ukrainians have experienced and are experiencing now. The book is about those who are ready to die for freedom and those who are ready to survive at any cost; it is about lovers and beloved; it is about losses that make one howl in pain, and laughter that helps preserve sanity. It is about betrayal and fear; it is about those at the frontlines and those away from them. Something is true to life and something is fictional. Be careful as the texts are deceptive, and often the ones you will believe to be true, will turn out to be fictional and vice versa.
On February 24, 2022, Ukrainians woke up in another reality: the sky was torned by the roar of Russian fighter jets, Russian missiles were flying at Ukrainian cities, subway stations have become the shelters. In this new reality, the concept of absolute security no longer existed. The first days of the war were very emotional and scary. You don't know what to do, you can't keep up with the news. You can't do anything because of these news... For not allowing anyone to rewrite our history, to put in it something that did not exist, like the Russians do when they swear black is white, we decided to collect people's memories of the first days of a full-scale invasion. To remember...
The book Volunteers: The Strength of Those Who Care tells about volunteering as a social phenomenon that has powerfully declared itself since 2014, when conscious citizens joined in the development and support of the Ukrainian army. The book includes 28 stories told in first person, which represent various aspects of volunteering related to the Russian-Ukrainian war: support for the army, aid to the wounded, assistance for the population that became hostage to this war.
This story behind this biographical memoir of a great artist begins before Narbut’s death. The best-known experts were invited to participate and contribute articles, which they spent many years preparing. But the Soviet censors “trimmed” the texts to their liking. When it was finally published in 1933, nearly all the authors had been repressed or executed. The anthology went under the knife at the printing press. It was a shame, too, because the paper was beautiful, specially allotted by the state printing press, as was the print. Only two incomplete copies remain, both in private collections. Serhii Bilokin first proposed the idea of the Narbut Anthology to Rodovid Press ten years ago, and now it is finally came to fruition with the support of the Ukrainian Cultural Foundation. This is thanks to Bohdan Zavitii, Anastasia Bilousova, and entire project team including designers Sasha Bychenko, Oleksii Salnykov, and Alina Bielova. The Institute of Art History, Folklore, and Ethnology, the National Art Museum of Ukraine, the Kharkiv Art Museum, and others assisted with the illustrations and texts. Heorhii Narbut was a decisive figure in twentieth-century Ukrainian art, yet the Communist taboos of the Soviet period ensured he remained unknown to a broader audience. This unique project fleshes out a significant aspect of art history and puts certain things back where they belong. Content and introduction: Serhii Bilokin Editors: Anastasiia Bilousova and Bohdan Zavitii Design: Sasha Bychenko and Numo Team
Minusnyky (outcasts) are a verbal and social creation of the Soviet state, which, through repression, discrimination and control, created communities of "friends" and "foes", branding the latter with punitive methods and forming a specific language to denote them. The book talks about a special category of citizens of the "Soviet country" who were recognized as "socially dangerous" and punished by a ban on settling in a number of areas of the USSR after forced "removal" from their places of permanent residence, as well as serving time in the Gulag system. The researchers analyze the process of constructing the Bolshevik concept of the geographical isolation of the "disloyal" and determine the logic of creating the Soviet space as a space of prohibitions. The regularity of the Soviet territories is analyzed not only as a manifestation of Stalin's repressive policy but also as an organic part of the functioning of the totalitarian mechanism which picked up momentum when the Bolsheviks seized power.
Ein junger New Yorker mit nigerianischen Wurzeln kehrt nach Nigeria zurück. Er wohnt in Lagos bei Verwandten, trifft alte Freunde, durchstreift die Straßen der Stadt seiner Kindheit. Doch die ist ein Moloch: jeder Beamte korrupt, jede Begegnung ein Wagnis, jede Nacht ein vergeblicher Versuch, Ruhe zu finden. Und jeder Tag ein Spiegel, in dem er sich selbst immer klarer sieht. Er erlebt die Stadt wie eine große, schrecklich enttäuschende Liebe. Soll er bleiben oder fliehen? »Ein phantastisches Buch … Memoir, Reportage, Selbstbetrachtung, Literaturgeschichte. Ein Bericht auch über die Schule der Gewalt, über die Ursprünge der Massenmorde von Boko Haram im Norden Nigerias.« Volker Weidermann, FAS »Ein lebenspralles Buch von der Verzweiflung eines Nigerianers über seine Heimat, die ihn zugleich anzieht und abstösst.« Regula Freuler, NZZ »Mühelos erzählt und voll sinnlicher, bisweilen magischer und aufwühlender Bilder … große Literatur.« Jan Wilm, FAZ
Feed intake is the central issue in animal husbandry, being the key factor in determining health, welfare, environmental impact and productivity. With the focus on these issues, this book has been developed from the 5th Zodiac Symposium held in Wageningen in April 1998. The book reflects research conducted by observing natural behaviour, by investigating form-function relationships, physiology, metabolism and genetic make-up, and by offering choices of feed and environment. Information from studies on humans, wildlife and fish, as well as farm animals, is presented. It is divided into three parts:Natural Feeding, Feeding Modes, Preferences and BehaviourPhysiological Regulation of Feed Intake: Genetic, Metabolic, Hormonal and Neural RegulationsEnvironmental Factors and Feed Intake: Feeding Behaviour, Feed Choice and Feeding HabitsContributors include leading research workers from several European countries and Africa.
London, Mitte der Siebziger. Die Popkultur wird neu erfunden, in der revolutionären Ursuppe des Punk scheint alles möglich. Aber gilt das auch für Frauen? Gibt es außer Groupie, Elfe oder Rockröhre noch andere Rollen? Besteht vielleicht zum ersten Mal die Chance, mit allen Typical-Girl-Klischees aufzuräumen, statt selber eins zu werden? Viv Albertine wurde zum Riot Girl, lange bevor es diesen Ausdruck gab. Bei den legendären Flowers of Romance kreierte sie neben Sid Vicious (später Sex Pistols) und Keith Levene (später PIL) ihren individuellen Gitarrensound. Um dann mit den Slits, der ersten autonomen Frauenpunkband, die Türen aufzustoßen, durch die später Madonna oder Lady Gaga eigene Wege gehen konnten. Wie die Punkszene entstand, wie sie aus weiblicher Sicht erlebt und feministisch neu erfunden wurde und welche Rückschläge es dabei gab – all das wurde noch nie so plastisch und zugleich so reflektiert, so abgeklärt und zugleich so amüsant geschildert wie von Viv Albertine in ihrem umwerfenden Memoir. Shoes off!
The 'overtourism' phenomenon is defined as the excessive growth of visitors leading to overcrowding and the consequencial suffering of residents, due to temporary and often seasonal tourism peaks, that lead to permanent changes in lifestyles, amenities and well-being. Enormous tensions in overtourism affected destinations have driven the intensification of policy making and scholarly attention toward seeking antidotes to an issue that is considered paradoxical and problematic. Moving beyond the 'top 10 things you can do about overtourism', this book examines the evolution of the phenomenon and explores the genesis of overtourism as well as the system dynamics underpinning it. With a rigorous scientific approach the book uses systems-thinking and contemporary paradigms around sustainable development, resilience planning and degrowth; while considering global economic, socio-political, environmental
Divine Fish Carries Qu Yuan tells the story of the renowned poet Qu Yuan. Legend has it that after Qu Yuan immersed himself in the river, a divine fish carried him on the back upon the river and there on the back of the fish he spoke out his inner feelings. The pictures are toned with the traditional Chu-style lacquer ware and lacquer painting.
Auf seinen Reisen durch Europa, die er in A Tramp Abroad höchst amüsant schildert, macht Mark Twain auch Bekanntschaft mit der deutschen Sprache. Bemüht sich, sie zu erlernen, verzweifelt aber schier an Kasus, Parenthese, Satzstellung und Geschlecht: Die Steckrübe ist weiblich, das hübsche Mädchen aber nicht. Und ist es der Regen, die Regen oder das Regen? The Awful German Language bietet Trost für all jene, die sich mit den Schrecken der deutschen Sprache beschäftigen.
Kaum ein anderer Dichter hat eine so immense Wirkung auf seine Leser:innen ausgeübt wie Hermann Hesse. Generationen von ihnen entdeckten und entdecken etwas in seinem Werk, das sie ermutigt und elektrisiert – sei es die Ermunterung zum Eigensinn, zum Engagement oder zur Selbstbehauptung, sei es, dass sie durch ihn einen anderen Blick auf die Welt und ihr Leben gewinnen. Nicht wenige haben sich auch künstlerisch von ihm inspirieren lassen, indem sie seine Gedichte in hunderten von Liedern und Songs vertont oder seine Romane und Erzählungen verfilmt haben. Aber auch Schriftsteller:innen haben sich immer wieder produktiv mit ihm auseinandergesetzt – und das bis heute: In Inspiration Hermann Hesse kommen deutschsprachige Autor:innen zu Wort, die sich von Motiven oder Figuren aus Hesses Werk zu neuen Erzählungen, Essays und autobiographischen Skizzen haben anregen lassen. Die Ergebnisse sind so vielfältig, überraschend und aufregend wie die Impulse, die Leser:innen auch heute noch bei der Lektüre »ihres« Hermann Hesse erfahren.