Saga Publications
Independent Press
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View Rights PortalFocusing particularly on historically oriented sagas, Saga emotions identifies and examines a range of emotions from across Old Norse-Icelandic saga literature. Each chapter begins with a discrete emotion term, such as reiði (anger), gleði (joy), or the peculiarly Old Norse víghugr (killing-mood), exploring its usages within the broad saga corpus, and focusing on its contextual meanings and narrative purposes. The contributions explore the specifics of the lexical terms used for different emotion states and offer in-depth case studies that consider how various emotions manifest within particular examples of saga literature. The book offers the emotional granularity lacking in current studies of Norse emotion and serves as an essential foundation for future research and study into emotional depiction in Old Norse-Icelandic saga literature.
A turbulent era. An impossible love affair. A moving saga. Hamburg 1886. Lily, whose father is a ship owner, dreams of becoming a writer. During a ship-naming ceremony, Lily gives a short speech during which her hat is blown off her head. One of the workers tries to get it back for her and is badly injured. Lily is shocked that no one sympathises with the young man’s fate. Then Johannes Bolten comes to the ship owner’s villa to demand compensation for his injured friend. Lily wants to help and allows herself to be drawn into a dangerous game of hide-and-seek. She begins a passionate affair with him. But Jo, who comes from the notorious gangland area, has a secret that Lily must never discover…
Drawing from the latest research on interoception— which examines how our senseof self arises from subjective appraisal of bodily signals and how those appraisal habits develop in childhood—the book argues for a reframing of depression, anxiety, PTSD, and other “mental health” issues as social-emotional illnesses rooted in the body. Saga Briggs harnesses psychedelic science to show how interoception can be altered by psychoactive substances, providing an additional framework for understanding their therapeutic benefits.
This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel? It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal - understood through environments, territories, pasts and futures - and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.
Ventura, a beautiful young Turkish woman, travels to Mexico because her family has arranged her marriage to a fellow Sephardic immigrant. With a trunk full of hopes and traditions, she bravely faces the unknown, as she embarks on a surprising journey to start a new life, far from her homeland. The arrival, the nostalgia, the heart-wrenching uprooting and the adoption of a new homeland will mark her adventure as a migrant, until the long-awaited return to Turkey. Ventura will live each event with intensity and will season her days with the aromas, flavors, rhythms, colors and proverbs from the Far East. Amid recipes and customs inherited from her ancient culture, she will find the best antidote to homesickness, even if her memory cannot forget the Moons of Istanbul.
Originally, The Motherland Saga ended in 1983, and what came thereafter was a brief epilogue. However, the past thirty-eight years have witnessed unimaginable changes in the fabric of the people, the culture, and the politics of Turkey. The emerging history of this great land compelled the writing of this fourth volume, THE FOOTSTEPS OF FOREVER. While the period from 2005 to 2020 has witnessed a sea change in the fortunes of this tortured nation and what appears to be a complete reversal in Turkey’s international alliances and its worldview, THE FOOTSTEPS OF FOREVER, Volume Four of the saga, concentrates on the period 1983-2005, which set the scene for what occurred thereafter. While it might be helpful to the reader to read LEGACY, EMERGENCE, and COMING OF AGE first, it is not really necessary, for you are traveling on a time train through the Twentieth and into the Twenty-First Century, and if you choose to get on the train in 1897 or today, your ultimate destination will be the same. Perhaps one day there will be a sequel … and another … and another. Published by Pangæa Publishing Group,2019 Volume Four - 328 pages – 23 cm x 15 cm
Die Geschichte der lebenslangen Freundschaft zwischen Lila und Elena begeisterte Millionen. Als Kinder begegnen sich die beiden zum ersten Mal im Neapel der 50er Jahre. Sehr bald gehen sie getrennte Wege. Jede für sich erlebt Liebe, Arbeit, Ehe, Mutterschaft, die Umwälzungen im Land, das Vergehen der Jahre, und doch bleiben sie zeit ihres Lebens unmissverständlich aufeinander bezogen. Bis die eine spurlos verschwindet und der anderen nichts bleibt, als dagegen anzuschreiben: Die Neapolitanische Saga beginnt. Vier Bände, ein literarisches Ereignis, jetzt im Schuber zum großartigen Preis.
A hundred years of history from two branches of a Jewish family, set against the backdrop of Tsarist Russia, from the early 19th century to their migration to Argentina in the early 20th century. It's not just the tradition of the Jews from Eastern Europe, but a vivid portrayal of the characters that inhabited this complex and diverse society of declining nobility, gypsies, and Bolsheviks. Clandestine loves, uprisings, and persecutions are described with nostalgic detail, alongside an unexpected display of Hasidic humor and magic.
Sweet Darusya, Maria Matios’ best-known novel, has been rightly called "a tragedy matching the history of the 20th century", and Darusya herself is "an almost biblical figure". This “drama in three lives” has nothing unambiguous: neither characters nor circumstances nor resolution. There are no epoch-making people or events, heroes or villains, but, as one critic noted, "your heart breaks when you read this book." Sweet Darusya recreates the true spirit of the past through a family saga and touches upon topics that until now prevent a part of modern society from perceiving Ukrainian history without omissions, censorship and irritability. This unique view that Maria Matios offers in this novel, measures the essence of human urges, suffering, true love, and human nature in general. Authentic writing style, deep psychologism, and a complex plot that unfolds in reverse chronological order create a unique piece of prose.
This novel has been recognized by Ukrainian and foreign critics not only as the most outstanding work of Ukrainian literature since independence, but also as one of the most important in all Eastern European literature since the fall of communism. Awarded the Central European Literary Prize "Angelus" (2013), translated into English, German, Polish, Czech, Russian, repeatedly awarded as "Book of the Year" (in Ukraine, Germany, Switzerland, Poland), "Museum of Abandoned Secrets", Nobel novel class ”(Newsweek Polska); rightly became the calling card of new Ukrainian literature. This is a modern epos of contemporary Ukraine: a family saga of three generations, the events of which cover the period from the 1940s to the spring of 2004. Great literature and ugly truth about the power of the past over the future, about love, betrayal and death, about the original war of man for the right to be himself.
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
When Jenny von Sperber first met Fritz, the gorilla didn’t let her out of his sight. He was already over 50 years old then, but he was still extremely charismatic. One thing matters for the journalist: she wants to find out everything about Fritz’s life. Born in 1963, he was captured in the wild and came from Cameroon to Germany in 1966. At that time, apes were still regarded as a curiosity in zoos. When a ban was declared on the wild gorilla trade, Fritz was already a father of many youngsters. This fascinating gorilla-family saga not only recounts the eventful life of Fritz, but also shows the development in European zoos in handling wild animals. Nowadays, things have certainly improved. But there are still questions, for example, what does it do to us when we marvel at our closest relatives behind glass? And is it even still current to confine apes ... was it ever?