DeA Planeta Libri’s products include books for children (fairy tales, boardbooks, novelties, non fiction, ativity etc.), MG& YA fiction, non ficton and essays and it operates with the brands DeA, De Agostini, DeA Planeta, UTET, AMZ, Abracadabra. Our foreign righst catalogues are available on: https://www.deaplanetalibri.it/aiuto/foreign-rights
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Alexander de Graaf is a young, recently graduated doctor. He works in the department of gastrointestinal diseases in the Mallera hospital and is fighting for a training place. His supervisor's attitude and a number of unexplained deaths seriously jeopardise his career. And then there is his turbulent love life.... The young doctor and the angel of death is a modern doctor's novel. Captivating from beginning to the surprising denouement.
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Assisted suicide has been the subject of much passionate debate in many societies. The philosopher and theologian Jean-Pierre Wils does not deny autonomy, but asks – on the basis of his profound historical and ethical knowledge – about the social consequences. Does the right to assisted suicide not in the long run lead to the obligation to decide for or against it? And does not the pressure towards a supposedly reasonable decision increase, as soon as the causation of one‘s own death is seen as a final act of self-realisation and emancipation, or even commended as such? Wils makes a strong plea for the debate to be held in a broader context, to remove our finiteness from cultural amnesia – and in doing so, lays the foundation for a contemporary discussion on assisted suicide.
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Looking at royal ritual in pre-revolutionary France, Death and the crown examines the deathbed and funeral of Louis XV in 1774, the lit de justice of November 1774, and the coronation of Louis XVI, including the ceremony of the royal healing touch for scrofula. It reviews the state of the field in ritual studies and appraises the status of the monarchy in the 1770s, including the recall of the parlements and the many ways people engaged with royal ritual. It answers questions such as whether Louis XV died in fear of damnation, why Marie Antoinette was not crowned in 1775 and why Louis XVI's coronation was not held in Paris. This lively, accessible text is a useful tool for under- and post-graduate teaching which will also be of interest to specialists on this under-researched period.
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This series provides texts central to medieval studies courses and focuses upon the diverse cultural, social and political conditions that affected the functioning of all levels of medieval society. Translations are accompanied by introductory and explanatory material and each volume includes a comprehensive guide to the sources' interpretation, including discussion of critical linguistic problems and an assessment of recent research on the topics covered. From 1348 to 1350 Europe was devastated by an epidemic that left between a third and one half of the population dead. This source book traces, through contemporary writings, the calamitous impact of the Black Death in Europe, with a particular emphasis on its spread across England from 1348 to 1349. Rosemary Horrox surveys contemporary attempts to explain the plague, which was universally regarded as an expression of divine vengeance for the sins of humankind. Moralists all had their particular targets for criticism. However, this emphasis on divine chastisement did not preclude attempts to explain the plague in medical or scientific terms. Also, there was a widespread belief that human agencies had been involved, and such scapegoats as foreigners, the poor and Jews were all accused of poisoning wells. The final section of the book charts the social and psychological impact of the plague, and its effect on the late-medieval economy.
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What to do if someone close to you has an incurable disease? Where to run, where to seek support, how to behave with a sick person? This book contains practical recommendations that provide answers to these and other difficult questions. The book is written is a friendly, simple language, with the knowledge of the Ukrainian medical and social realities, sometimes with humor. It contains sincere and poignant stories of real people who share their own experiences in similar situations, showing that even illness and death will not seem so terrible if you approach them consciously and with love.
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Atemberaubend spannend! Der zweite Band von Killing November Ein paar Wochen im tödlichsten Internat der Welt zu überleben, war eine Sache. Aber jetzt kommt die eigentliche Prüfung: Kann November Adley ihren verschwundenen Vater finden, bevor ihre Feinde sie finden? In dieser spannenden Fortsetzung von "Killing November" von der Autorin des New York Times-Bestsellers "How to Hang a Witch" ist Täuschung das Gebot der Stunde. Nachdem sie einen Crashkurs in Spionage an der mysteriösen Academy Absconditi überlebt hat, kennt November nur ein Ziel: ihren verschwundenen Vater zu finden. Zusammen mit ihrem Kommilitonen (und Schwarm) Ash folgt November den Hinweisen, die ihr Vater hinterlassen hat, und begibt sich auf die tödlichste Schatzsuche ihres Lebens. Der erste Hinweis befindet sich in ihrer Heimatstadt, wo alte Freunde locken und unerwartete Feinde hinter jeder Ecke lauern. Der zweite Hinweis befindet sich in Europa, wo Enthüllungen über die Geschichte ihrer Familie sie in ein internationales Netz aus Täuschung, Lügen und Intrigen stürzen werden. Der dritte Hinweis befindet sich tief im feindlichen Gebiet, umgeben von den fähigsten Attentätern und Meisterstrategen, und wo jeder sie und ihren Vater tot sehen will. Kann ein Mädchen mit begrenzter Ausbildung eine jahrhundertealte Organisation infiltrieren, die mächtig genug ist, um Imperien zu stürzen? November weiß nur, dass sie alles tun wird, um ihren Vater zu retten ... oder bei dem Versuch zu sterben. Hochspannender Thriller mit Sogwirkung – fesselnd bis zur letzten Seite. Ein geheimes Internat und eine mörderische Schnitzeljagd quer durch Europa. Von der #1-New-York-Times-Bestsellerautorin Adriana Mather.
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Drawing on the everyday experiences of 43 British-Bangladeshi Muslims living in East London, this book explores stories of migration and belonging vis-à-vis dress and language. In narrating those stories, the book is framed within the broader socio-political conversations happening regarding Muslims in Britain and their 'place' in this society. Recent work on Muslims focuses on their religious identity and its formation, not paying attention to the role of dress and language. With the former, much of it tends to, obsessively, focus on Muslim women only. This book, alternatively, explores religious identity formation in addition to examining the British-Bangladeshi Muslim community's relationship with their ethnic identity vis-à-vis dress and language. As such, the analysis provides a rich, bottom-up analysis of the community, and readers will be able to understand a community holistically, away from the over-sensationalised community within broader socio-political context.
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On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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Making a bold intervention into critical security studies literature, this book explores the ontological relationship between mortality and security. It considers the mortality theories of Heidegger and Bauman alongside literature from the sociology of death, before undertaking a comparative exploration of the memorialisation of four prominent post-terrorist sites: the World Trade Centre in New York, the Bali bombsite, the London bombings and the Norwegian sites attacked by Anders Breivik. By interviewing the architects and designers of these reconstruction projects, the book shows that practices of memorialisation are a retrospective security endeavour - they conceal and re-narrate the traumatic incursion of death. Disaster recovery is replete with security practices that return mortality to its sublimated position and remove the disruption posed by mortality to political authority. The book will be of significant interest to academics and postgraduates working in the fields of critical security studies, memory studies and international politics.
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The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It investigates how the multifarious strands of the Gothic and the concepts of death, dying, mourning and memorialisation ('the Death Question') - have intersected and been configured cross-culturally to diverse ends from the mid-eighteenth century to the present day. Drawing on recent scholarship in such fields as Gothic Studies, film theory, Women's and Gender Studies and Thanatology Studies, this interdisciplinary collection of fifteen essays by international scholars combines an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known. This area of enquiry is considered by way of such popular and uncanny figures as corpses, ghosts, zombies and vampires, and across various cultural and literary forms such as Graveyard Poetry, Romantic poetry, Victorian literature, nineteenth-century Italian and Russian literature, Anglo-American film and television, contemporary Young Adult fiction and Bollywood film noir.
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Destruction and human remains investigates a crucial question frequently neglected in academic debate in the fields of mass violence and genocide studies: what is done to the bodies of the victims after they are killed? In the context of mass violence, death does not constitute the end of the executors' work. Their victims' remains are often treated and manipulated in very specific ways, amounting in some cases to true social engineering, often with remarkable ingenuity. To address these seldom-documented phenomena, this volume includes chapters based on extensive primary and archival research to explore why, how and by whom these acts have been committed through recent history. Interdisciplinary in scope, Destruction and human remains will appeal to readers interested in the history and implications of genocide and mass violence, including researchers in anthropology, sociology, history, politics and modern warfare.
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Death in England provides the first ever social history of death from the earliest times 500,000 BC to Diana, Princess of Wales.. The book reveals how attitudes, practices and beliefs about death have undergone constant change: how, why and at what ages people died; plagues and violence; wills and deathbeds; funerals and memorials; beliefs and bereavement.. Richly illustrated - striking and often very powerful images.. In time with the spirit of the age and coming Millenium key scholars in their field write on their respective periods.. With the recent upturn of popular interest in death - through films,TV, books and newspapers - this book will prove stimulating to the general reader; to students of archaeology, art, history, medicine and sociology. ;
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Oʻlim oʻpqoni' by Temirpoʻlat Tillayev is a gripping narrative that explores the theme of death and its impact on human lives. The book delves into existential questions and the profound consequences of mortality, providing readers with a thought-provoking examination of life's ultimate reality.
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Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Eine uralte Fehde verbietet ihnen, zusammen zu sein. Trotzdem erliegen sie einander. Einst von den Göttern verflucht, kann die 24-jährige Elena die Toten sehen – eine Bürde, die schwer auf ihr lastet. Die Seelen der Verstorbenen sind völlig entfesselt. Elena befürchtet, dass sie etwas mit den mysteriösen Todesfällen zu tun haben, von denen ihr Dorf heimgesucht wird. Als der attraktive, aztekische Gott Nan Elena erscheint, schließt sie widerwillig einen Pakt mit ihm, um ihre Gemeinde zu retten. So reist sie an seiner Seite ins Reich der Toten. An jenen Ort, an dem der Hass zwischen Menschen und Göttern geboren wurde. Doch Elena erkennt zu spät, dass sie dort unten nicht nur ihr Leben, sondern auch ihr Herz verlieren könnte … Chosen by Death: Tauche ein in die aufregende und prickelnde Welt der aztekischen Mythologie. Spannende Fantasy-Geschichte: Das Buch „Chosen by Death“ entführt dich in eine faszinierende Welt aztekischer Mythen und Legenden und bietet eine mitreißende Handlung, die dich nicht mehr loslassen wird. Perfekt für junge Erwachsene: Die New Adult Geschichte eignet sich ideal für junge Erwachsene ab 16 Jahren, die sich für Fantasy und spannende Abenteuer begeistern. Passendes Geschenk: Das Young Adult Fantasy Buch eignet sich perfekt als Geschenk für alle Fans von „A Touch of Darkness“ und „Kingdom of the Wicked“. Wenn du diese Bücher liebst, wirst du auch von „Chosen by Death“ begeistert sein. Genial ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen. Gewinnerin des Moon-Notes-Schreibwettbewerbs: Die Autorin Rebecca Humpert hat mit ihrem Talent bereits einen Schreibwettbewerb gewonnen und beweist auch in diesem Buch ihr Können.
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The manuscript has been lost several years ago. Perhaps then it was not the time to read it. But 15 years later, in the age of the developed Internet and social networks, the writer's son receives back a notebook with a puppy on the cover. And it was that very notebook in which the old sick writer wrote his last novel, 'The Last Wish'. Is it necessary and possible to solve all the secrets of the past? At least it is worth striving for. Only conscious knowledge gives that freedom, without which the birth of a conscious person of the future, who would become the master of his or her own destiny under any conditions, is impossible.
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After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world's peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
