EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
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View Rights PortalAny reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
However, the age-old tradition of oral storytelling is on the decline. Rapid urbanisation, the breakdown of the extended family, technology and so on have altered our social fabric. Whilst our daily lives are still peppered with snippets of remembered words of wisdom and proverbs, the reality is that a new generation of Africans have never had the pleasure of listening to a story being told by a storyteller. Story, Story! Story Come! is a contribution to larger efforts to revive storytelling in Africa and beyond. Through a global online contest, Positively African invited African writers, wherever they lived and whatever their age, to write a folktale – either based on an old one, or newly imagined. The challenge was to develop new narratives that speak to issues that are fundamental to Africa’s development in a way that is unconventional but true to our past traditions of folktale and oral storytelling. The stories needed to contain life lessons that are relevant for both young and old, however writers were invited to be as inventive and disruptive as they wished in terms of theme, form, language, characters, imagery and context. The ten winning stories are refreshingly imaginative and tackle a mix of issues. We criss-cross from South Sudan to South Africa, Mali, Niger, Nigeria, Ghana, Kenya and Zambia. Some stories offer valuable moral lessons on greed and pride; others celebrate bravery, perseverance and friendship. One story takes us to a real archaeological site in Niger where a young girl imagines the future. In another, African water spirits share a world with a Beyoncé-obsessed teen that is taught a big lesson in humility. We have also included two additional stories, one by author and publishing partner Zukiswa Wanner and another by the editor of the anthology, Maimouna Jallow. One thing that they all have in common is that they speak to issues we face globally today, from an African perspective.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
Six-year-old Iyaji loves going to school in Igede, Benus State. One day, her father tells her she has to go and work as a housegirl in a big house in Lagos. Little IIyaji works as hard as she can but she misses home, her family and her books. Just when Iyaji begins to lose all hope of going back to school, a policewoman follows her home.
Baji goes to Kwoi in Kaduna State to spend the weekend with Baba, his grandfather. Baba takes Baji to his farm, but soon discovers that Baji does not often do as he is told. As an eventful day on the farm comes to an end, fun-loving Baji has an interesting encounter with a stubborn donkey.
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
Marcus Hammerschmitt schreibt Science-fiction-Erzählungen, die technologische Phantasie, psychologische Einsicht, Lust am gedanklichen Experiment und poetische Erfindungskraft vereinen. Wie Herbert W. Franke oder Peter Schattschneider basiert er seine Geschichten auf einer soliden Grundlage, entwickelt seine Szenarios und Fabeln spielerisch, verknüpft sie aber dramatisch mit den größeren Problemen von Ökologie einerseits und den Zweifeln und inneren Konflikten des einzelnen andererseits.
Book 1 in Shizu Historical fiction series: Twins Safari and Betty are thrust into the Kasigau community during WWI, where a mistaken betrayal between British and German forces leads to deadly consequences.
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. A hundred years later, a massive earthquake broke the box of the imprisoned aliens, and the aliens escaped! They raided the Antarctic research station and ransacked the Golden State to worship the Golden City, making a large number of vicious incidents. Their next goal is the country that the children have built—the brave city of the capital of Papa, and a new battle is about to start. Can the young heroes of Papa State resist the invasion of aliens and save the earth?
Mafoya is an accomplished sprinter but she is tired of being second-best. She hatched a wicked plan and succeeds in beating Amina in the 100-metre dash. Elated by her victory, Mafoya decides to employ the same trick again in the athletic championships but things take an unexpected turn. In the middle of the race, a strange whirlwind sweeps Mafoya away to Musanga Kingdom – the land of talkin animals and birds. Mafoya faces both hostility and friendship as she travel an impossible journey back to the world she knows.
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. Aliens have invaded Earth! This is a group of aliens from the ghost planet who cannot be killed. How to do? In this critical situation, the brave primary school student Dididi, the intelligent Dr. Guima, the wise Witch Gurit, the Hiroshima atomic bomb victim Shuiyunjingzi gathered together to form the "Save the Earth Four" group. A fierce battle with the aliens started ...
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. The "Dragon" super space warship crossed the universe wormhole. It took only a few minutes to reach the distant space of 1400 light years from the earth. A series of challenges are waiting for the "Dragon" teenagers, steel planet, cosmic disease, cosmic whales, elf kingdom, thunder kingdom, lightning country, illusion planet, nebula storm... Can they pass over all these challenges one after the one other?
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. The "Dragon" spacecraft successfully passed through the nebula storm but fell into the singularity of the universe; having finally left the black hole but met the space pirates... After all the hardships, the "Dragon" teenagers finally reached the crystal star, but immeidately faced a terrible locust crisis. Can they successfully get the magic instrument to romve the planet pollution? The 100-day deadline is coming soon. Can they still return to Earth? Even if they could return to the earth, how could they defeat and expel the alien villains that invaded Earth?