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Dundee had an interesting role to play in the jute trade, but the main player in the story of jute was Calcutta. This book follows the relationship of jute to empire, and discusses the rivalry between the Scottish and Indian cities from the 1840s to the 1950s and reveals the architecture of jute's place in the British Empire. The book adopts significant fresh approaches to imperial history, and explores the economic and cultural landscapes of the British Empire. Jute had been grown, spun and woven in Bengal for centuries before it made its appearance as a factory-manufactured product in world markets in the late 1830s. The book discusses the profits made in Calcutta during the rise of jute between the 1880s and 1920s; the profits reached extraordinary levels during and after World War I. The Calcutta jute industry entered a crisis period even before it was pummelled by the depression of the 1930s. The looming crisis stemmed from the potential of the Calcutta mills to outproduce world demand many times over. The St Andrew's Day rituals in Calcutta, begun three years before the founding of the Indian Jute Mills Association. The ceremonial occasion helps the reader to understand what the jute wallahs meant when they said they were in Calcutta for 'the greater glory of Scotland'. The book sheds some light on the contentious issues surrounding the problematic, if ever-intriguing, phenomenon of British Empire. The jute wallahs were inextricably bound up in the cultural self-images generated by British imperial ideology.
When Gopu’s father (Baba) falls sick, the visually impaired Gopu knows he would have to step out alone. He negotiates the crowds, the markets, and the traffic of the city of Calcutta, all by himself, to reach his grandma’s house to get her to cook Baba’s favourite fish curry. Does he succeed in bringing it home to him? In this book, Richa Jha writes as much about the courage of Gopu as she does about the sounds and smells of a bustling metropolis. Sumanta Dey brings alive the city of Calcutta between the covers of this book and makes the readers feel they are walking alongside Gopu.
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A furious storm rips across Calcutta, bringing thunder and rain! At #5 Jorasanko, the floorboards creak and the windows rattle. The lightning turns shadows into monsters. Young Abanindranath pulls his razai close and shivers. What would you do if you grew up in a house bigger than the world? How would you know if the house is a friend or a foe? Find out about the life of celebrated artist Abanindranath Tagore and his childhood home in the Art Exploration Series.
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Two young boys seeking to be initiated into the order of warriors, find their lives upturned when an accident wakes a vengeful goddess. This story, weaved from the oral lore and magic of the Igbo takes the reader on a journey through the lake where mermaids and crocodiles contend for power. And through enchanted kingdoms ruled by mythical spirits. A curse has been unleashed that would cause the destruction of the world. An army of both humans and mythical creatures must be raised to defend the world. Only a white heart can lead this great army.
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
This book presents a comprehensive knowledge on the diseases and pests of fibre crops, causing economic damage. It covers major disease and pest damages with the methods to combat them in fibre crop cultivations. The diseases and pests are described elaborately, giving emphasis on both morphological and molecular characteristics of pathogens and biology of different insect pests. The latest and most up-to-date knowledge on these aspects which acquired from diverse, complex, contemporary scientific discoveries in the field of fibre crop diseases and pests are compiled and presented in this book. This book is written in eight major chapters, each representing a certain type fibre crop, except for chapter 2 (two) which deals with both Mesta (kenaf) and Roselle for their similarities in disease and insect pest attacks. Each of the eight chapters is again subdivided into 2 or 3 (only for Chapter 2) subchapters to deal with different types of diseases and pests separately. This is a reference book in textbook format which intended to provide undergraduate, postgraduate and research personnel a means to acquire deeper knowledge on diseases and pests of nine major fibre crops, viz., cotton, jute, kenaf, roselle, sunnhemp , sisal, ramie, flax and hemp. Plant pathologists, entomologists and agricultural research scientists, and in academia, may find much of great use in this book.
The city of Kolkata was known as a city of processions and demonstrations until the ‘Spring Thunder’ crashed over Naxalbari in 1967. Since then, this historic city–shot down many a time–witnessed a saga of heroic struggles, undying revolutionary optimism and self-sacrifice. Inspired by Mao Tse-tung Thought and Charu Mazumdar, radical youth, students and workers rebelled against reaction to ‘make the ’70s the decade of Liberation’ in a way never seen before or after. This is the first modest attempt at writing the history of the city during that tumultuous phase. It includes rare photographs of activists, buildings and columns of importance and cover pages of original Party booklets and leaflets.
WHAT WILL IT TAKE TO SAVE TY? This is the question that haunts Claire and Shep Durant in the wake of their four-year-old’s disappearance. Until this moment, Port Blair’s British surgeon and his young wife, a promising anthropologist, have led a charmed life in the colonial backwaters of India’s Andaman Islands—thanks in part to Naila, a local girl who shares their mysteriously mute son’s silent language. But with the war closing in and mandatory evacuation underway, the Durants don’t realize until too late that Naila and Ty have vanished. While Claire sails for Calcutta, Shep stays to search for the children. Days later, the Japanese invade the Andamans, cutting off all communication. Fueled by guilt and anguish, Claire uses her unique knowledge of the islands’ tribes to make herself indispensable to an all-male reconnaissance team headed back behind enemy lines. Her secret plan: rescue Shep and Ty. Through the brutal odyssey that follows, she’ll discover truths about sacrifice that both shatter and transcend her understanding of devotion.
Intrigue and imminent danger await the young men brave enough to join ‘The Great Game’, the political conflict between the British and Russian Empire, and Captain David Ingle is one the bravest as he saves a Fort in India from attack, disguised as a Muslim Holy Man. Returning to Calcutta, David is congratulated by the Viceroy for service to his country, but warned that the Russian agents he thwarted now threaten his life. More importantly his grandfather, the Marquis of Inglestone, has died in an accident and the family title and estate is his. Excited at returning to England to see Ingle Hall and the lovely grounds he remembers from boyhood, he is horrified to discover that his eccentric grandfather had become a miser and allowed the estate to fall into disrepair, refusing to spend a penny on it. Even more oddly, he had withdrawn the large family fortune, in coinage, from the bank and hidden it. David finds Ingle Hall dilapidated and without any servants. The only ray of light is discovering the presence of a distant cousin, Bernina Falcon, and her nanny. Bernina is beautiful, young and very innocent, and they grow closer daily as they hunt together for the hidden treasure. Just as they are exhausting their search, a girl from David’s past in India arrives, Stella Ashworth. She is stunning, sophisticated and very interested in David - now she knows he is the Marquis. Determined to get her man, Stella will stop at nothing to get a ring on her finger. With threats from the Russians, pressure from Stella and the constant fear of poverty and letting down the village that rely on him, David is beset on all sides. The only person that offers him constant support and encouragement is Benina, but will that be enough to save Ingle House and all that live and work there?
Autobiography of legendary singer of last century, who portrayed the city life of Calcutta – the cultural capital of India.
Biman Saha’s collection of poems, Alone on the Aisle, vividly captures the heart of Bengali life and culture, where the Bengal terrain represents the canvas upon which he paints man’s drama, his despairs and his hopes. The landscapes so beautifully created here express a reverence for the homeland, a longing for times past. And yet, while Mr. Saha’s poems radiate a rich nostalgia, they are by no means naïve to the striking contrasts and realities of life. Mr. Saha’s work inhabits an environment where hope and sadness intermingle with memory and nostalgia, as is delicately conveyed in the poem Embers, where the mother river weeps for the parched earth around her, ‘despairing for the unborn seed’ which rises like a phoenix from the charred ground, transformed from smoldering embers to verdant, fertile provider of life. Or in the poem In Search of Ambrosia, which like the Roman god Janus, embraces both the past and the future, the weight of history and the lure of that magical fruit of the gods—the desire for the unknown ideal. Mr. Saha’s use of language is imbued with the creative forces that enable us to experience the simultaneity of life and guides us with sensitivity from the burdens of the past to the hope of the future. He not only pays tribute to the intoxicating lure of a simpler time under the mystical cloak of Nature’s life forces beneath the depths of the star-filled sky and its fragility—men returning to the hearth so protective of the ‘life force of Nature’ harbored there—but also celebrates how Bengali culture—her lyrical, musical traditions and her great gurus—spring forth from her diverse, yet collective history. In this first bilingual edition, non-Bengali readers are now able to experience Biman Saha’s inspired use of the Bengali language and lyricism in English. This adept and articulate translation offers us the opportunity to inhabit the emotional and intellectual landscapes Mr. Saha has created through his poetry, and in turn gain a closer glimpse into the Bengali culture and psyche.
She was abandoned at the Sealdah Railway station by her husband as she was barren. When Mashi sought help from the police they gang raped her. But she didn’t feel humiliated. Her husband had done worse. Over time she became the richest and most powerful woman of The Street! Your brethren you have treated with disrespect,You have denied them their simple human rights.You have made them stand and wait before you,And not given them a place in your affection.You must share with them all, their ignominy. This excerpt from the poem Apomanito by Rabindranath Tagore sums up how street children are shunned and abandoned by society in India. Even though we see them everywhere around us, we prefer to treat them as invisible beings. “Where he’ll be the next day or what he’ll do, I do not know, nor does he.” But Boomba and Toomba and many others like them exist—with their philosophy, their aspirations of life and love, their challenges, thrills and excitements. Is it time society began treating them like human beings?The Street goes beyond and explores the daily struggle for survival of street children, and the freedom they cherish and aspire.
Lal-kalo, a book for children written nearly a hundred years ago in 1930, is one of themost curious examples of Bengali juvenile literature. Its author, Girindrasekhar Basu,is regarded as the father of Indian psychoanalysis. In 1911, he began a decade-longcorrespondence with Sigmund Freud on cultural variations in psychoanalytic conceptsand founded the Indian Psychoanalytic Society in Calcutta in 1922. Lal-kalo, a delightful story about the battle between the red ants and the black ants, with an all-singing and dancing cast of owls, geckos, frogs, snakes and the like, has remained a perennial children’s favourite ever since.
In the recent era, the ability to future generation to produce food and enjoy productivity decreases in a faster rate due to the depletion of the natural resource base through high external input based agriculture. It is believed that, the decline of ancient civilizations in Mesopotamia, the Mediterranean region, Pre-Columbian southwest U.S. and Central America is strongly influenced by natural resource degradation from non-sustainable farming and forestry practices. In this backdrop the sustainable agriculture is utilizing the existing natural resource base and low external input for regenerating the productive capacity of the same along with the minimization of harmful impacts on ecosystems.
How did trans-territorial tendencies of repression from above and resistance from below connect Bengal with Punjab, East Asia and the Americas? Focused on Bengal, this monograph acts as a link in the existing works of scholarship that have traced the spread of radical anticolonial currents which connected Punjab with Southeast and East Asia, and the Americas. Calcutta during the early twentieth century was not just a point of passage within the British empire, but a key centre of colonial power and a crucial laboratory of imperial repressive practices cultivated and applied elsewhere. The urban space and the hinterland served as zones of employment for migrant labour related to the powerful institutional edifices of colonial capital in eastern India with international reach across global markets. The histories of the Ghadar Movement or the Komagata Maru’s trail, while describing the circumstances in detail and offering rewarding perspectives on Punjabi Sikh migrants, have overlooked this aspect of concentrated colonial power in the city and the region, and failed to adequately investigate why the ship was brought to Bengal and why overwhelming imperial vigilance, locally organized, was imposed on the ships that arrived soon afterwards. Drawing on colonial archival records as well as the fragmentary references found in autobiographical accounts, the monograph steers the history of Komagata Maru’s journey in new directions. Radical responses to ‘racialized subjecthood’, imposed by the colonial state on Punjabi, especially Sikh, migrant workers in Calcutta and its suburbs during the First World War and the following decades are examined. Racist regulations of class, labour and social relationships underlined the politicization, self-awareness and formation of radical collectives among the migrants. Tracing the routes of self-assertion by workers from Punjab in Bengal at a micro-historical level, unknown and neglected aspects of the last stretch of Komagata Maru’s journey and its immediate and longterm local effects are unravelled. The monograph touches on the links between inter-imperial geographies of surveillance and monopolistic working of colonial capital, the responses of the local Hindu and Muslim intelligentsia to the ship’s controversial voyage, the voices of the detained passengers of Komagata Maru, and the entry of the Sikh working-class diaspora into local revolutionary, left and labour movements. The monograph engages with war-time Ghadar and post-war Punjab Kirti Dal and Naujawan Bharat Sabha’s influence on the actions of Sikh workers in south Bengal. Also recorded is the interplay between acts of recollection and regional constitution of radical circles and associations in the wake of the ship’s voyage.
‘Usha Ananda Krishna has a sparkling way with language.’ In the aftermath of a bizarre confrontation with Kalol Mondal—a small-time hustler and Party goon—Pinaki Bose, a timid Bengali babu, bumbles into the ambit of the savagely brilliant architect, Biren Roy. Dazzled by Biren’s breadth of vision and utter contempt for the conventional, he commissions him to design a country house—committing the whole family’s savings to it. But Biren, paralyzed by his grand ideals and his passion for perfection, is slowly sinking into a drunken torpor. And Pinaki, ignorant of the Party’s involvement in all land deals, must endure not just Kalol Mondal’s ominous presence while buying his plot, but more worryingly, his infatuation with Pinaki’s young daughter. Set in the bleak Communist Calcutta of the 1980s, The Escapists of J. Mullick Road is a wry meditation on a fabled city in physical and moral decline. Usha Ananda Krishna’s subtly witty but compassionate take on the disparate lives that entwine over the building of a house is a tour de force of modern literary writing.
In modern days, crop improvement is a multidisciplinary division of agriculture. In this book, entitled, "Breeding, Biotechnology and Seed Production of Field Crops", emphasis has been given on principles, methods and practices in plant breeding, biotechnology in crop improvement and seed production of field crops. The book has been written for all sections of learners, educators and staff-members of seed industries. Particular importance has been underlined for postgraduate students who specialize in plant breeding and seed science. Each of the book has been designed as per the recommended of syllabus of Indian Council of Agricultural Research for the postgraduate students of various Agricultural Universities in our country. This book has been divided into two major parts- i) Principles of crop breeding and ii) Methods and practices of crop improvement and seed production of individual field crop. The book contains total of 18 chapteFirst three s are related to shed light on the basic-principles and remaining s deal with methods and practices of individual crop for improvement and seed production. We hope that the book will be ready to lend a hand to the advanced undergraduate students doing plant breeding in elective, postgraduate students who opted plant breeding, teachers, researchers and staff-members of private seed companies of this field of specialization.
Without A Song is a romance, from a guys point of view. Witty and light-hearted it is written is the first person POV. Never did I ever want to be a soldier, yet it is in the company of these men and women that I have spent much of my life. The news of my wife's infidelity nearly kills me and it is Nicole who nurses me back to health. My name is Stephen Bannister and I’m in the Kingdom of Saudi Arabia on contract when I find out about my wife's affairs. One thing leads to another and I knock myself out in a swimming pool only to be rescued and nursed back to health by Nicole Lyons during which time I learn of her fight with Lymphangioleiomyomatosis, a rare disease that only kills women. Now, on the wrong side of an impending divorce I head back to England to try and salvage my marriage but the journey only affirms his wife's decision for divorce and in so doing I learn a lot about myself. Old friends rally round but it is my love for a much younger woman that draws me back to Kingdom, to ask Nicole to marry me. Without A Song is not only a romance and a travelogue but it offers an insight into the life of the expatriate exserviceman who is extending his career by working for the Saudi Riyal. Ideally suited to a life of travel I travel the world until I get to Saudi Arabia. In the book we meet friends and lovers, we share good times and not so good times. I'm English by birth, I've got Australian citizenship and for most of my life I have taken my pick-axe and my can-do attitude across the globe. Welcome to my world.
When she lands in Calcutta’s Sealdah railway station on a humid day in 1949, Amala Manna has managed to flee from the communal violence in her village, but not from all her trials. Within moments of crossing over to India as a refugee from East Pakistan, she loses Kartik, her younger brother. Thanks to a group of young volunteers, Amala finds her way to a refugee camp in Gariahata. Manas Dutta is the leader of the volunteer group. Despite the sordid camp life, Amala finds sustenance in her quest to find Kartik and the new familial bonds the camp allows her to forge with complete strangers. With dwindling official support, the situation in the camp deteriorates, and the refugees take things into their own hands. They establish Bijoy Nagar, literally meaning Victory Colony, by occupying a zamindar’s vacant plot of land. This dramatic event is a harbinger of radical shifts in Amala’s personal life. Victory Colony, 1950 is the story of the resilience of refugees from East Pakistan, who found themselves largely unwanted on either side of the border following the partition of India in 1947. In the face of government apathy and public disdain, the refugees built their lives from the bottom up with sheer hard work and persistence, changing, in the process, the socio-cultural landscape of Calcutta, the city they claimed as home, forever.
