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View Rights PortalIn this accessible and sophisticated exploration of the nature and workings of social and political power, Haugaard examines the interrelation between domination and empowerment. Building upon the perspectives of Steven Lukes, Michel Foucault, Amy Allen, Hannah Arendt, Anthony Giddens, Pierre Bourdieu and others, he offers a clear theoretical framework, delineating power in four interrelated dimensions. The first and second dimensions of power entail two different types of social conflict. The third dimension concerns tacit knowledge, uses of truth and reification. Drawing upon genealogical theory and accounts of slavery as social death, the fourth dimension of power concerns the power to create social subjects. The book concludes with an original normative pragmatist power-based account of democracy. Offering lucid and entertaining illustrations of complex theoretical perspectives, this book is essential reading for scholars and activists.
Natur erleben mit Kindern Raus ins Grüne mit der ganzen Familie! Diese hochwertige Kartenbox für Kinder ab 3 Jahren ist bis prall gefüllt mit jeder Menge Draußenzeit. Vom Regenbogensammeln in den Farben der Natur über spannende Tier- und Pflanzen-Challenges bis hin zum gemeinsamen Outdoor-Yoga: Die 30 Inspirationen für Auszeiten im Grünen lassen Groß und Klein durchatmen und die Natur in den Familienalltag einziehen. Die hochwertige Box enthält 30 stabile Karten, die sich ganz bequem überall hin mitnehmen lassen. Ein inspirierendes Produkt für gemeinsame Rituale zum Entschleunigen und Entspannen. Ab ins Grüne: 30 Ideen zum Entspannen, Entdecken und Erforschen Spiel und Spaß im Freien: 30 originelle Ideen für Familien mit Kindern ab 3 Jahren. Natur im Familienalltag: Von Outdoor-Yoga bis hin zu Tier- und Pflanzen-Challenges - die Karten bieten Spaß und Spannung für Groß und Klein. Hochwertig ausgestattet: Praktische Kartenbox mit stabilen Karten, die in jede Tasche und in jeden Rucksack passt. Beim Picknick, im Park oder im Wald: Gemeinsame Aktivitäten in der Natur bringen Familien näher zusammen. Ab in die Natur mit der praktischen Kartenbox! Die 30 stabilen Karten bieten spannende Draußen-Aktivitäten für Kinder ab 3 Jahren - vom Regenbogensammeln bis zu Outdoor-Yoga. Ein inspirierendes Produkt für entspannte Familienmomente im Grünen.
This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
This book studies the negative stereotypes around the women who worked as sick nurses in this period and contrasts them with the lived experience of both domestic and institutional nursing staff. Furthermore, it integrates nursing by men into the broader history of care as a constant if little-recognised presence. It finds that women and men undertook caring work to the best of their ability, and often performed well, despite multiple threats to nurse reputations on the grounds of gender norms and social status. Chapters consider nursing in the home, in general hospitals, in specialist institutions like the Royal Chelsea Hospital and asylums, plus during wartime, illuminated by multiple accounts of individual nurses. In these settings, it employs the sociological concept of 'dirty work' to contextualise the challenges to nurses and nursing identities.
Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
This book provides the only available historical account and comprehensive assessment of the factors surrounding the 2004 referendum on an elected assembly in the North-East region of England. The referendum delivered a 'no' vote of considerable magnitude and called a halt to the programme of gradual reform being pushed through by the Labour government. This book examines the campaigns around and the lead-up to the referendum, and offers in-depth analysis of the result, plus explorations of future options available to policy-makers around the sub-national governance of England (a key aspect of the 'English Question'). Crucially, the book contains chapters from scholars who carried out cutting-edge research at the time of the referendum and are thus in a unique position to contribute authoritatively to the historical understanding of these events. This volume will be of great benefit to students and researchers in Regional Studies, Local Government Studies and Constitutional Studies. ;
In this book, Brenda M. King challenges the notion that Britain always exploited its empire. Creativity, innovation and entrepreneurship were all part of the Anglo-Indian silk trade and were nurtured in the era of empire through mutually beneficial collaboration. The trade operated within and without the empire, according to its own dictates and prospered in the face of increasing competition from China and Japan. King presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English the arts and crafts movement led to the production of beautiful and luxurious textiles. Lavishly illustrated, this book will be of interest to those interested in the relationship between the British Empire and the Indian subcontinent, as well as by historians of textiles and fashion.
Der Kampf um die Welt der Animox geht weiter! Aimée Carter hat mit ihrem Fantasy-Abenteuer rund um die Animox einen Bestseller gelandet. Jetzt wird das super erfolgreiche Fantasy-Abenteuer in einer neuen Buch-Reihe fortgesetzt. Ein Jahr nach der finalen Schlacht der ersten Animox-Bände ist Simon Thorn 13 Jahre alt und leidet noch immer unter den Erinnerungen an den Kampf. Aus Angst, jemanden zu verletzen, schreckt er davor zurück, seine Fähigkeiten einzusetzen. Doch dann braucht ein Mädchen aus Europa dringend seine Hilfe: Ihre Schwester wurde von einer Rebellengruppe entführt. Und sie bleibt nicht die einzige … Hochspannung und packende Wendungen garantiert! Ein Kinderbuch für alle Mädchen und Jungen ab 10 Jahren.
If you have a flea problem, you're probably trying to solve it - unfortunately, flea infestations are very difficult to eliminate! Thankfully, we now know more about the biology and treatment of fleas than ever before, which has led to safe, effective, and affordable treatments, both on pets and in the environment. This book provides an easy introduction to the world of fleas, and a flea-educated owner is an owner able to effectively prevent, control and treat infestations. Detailing the most effective treatment and prevention options, the book: - Provides accessible and easy to understand information about fleas and their control; - Describes the changes in animal and human health when flea infestations occur; - Includes practical advice pitched at a level for both owners and veterinary nurses. Top 100 Question and Answers About Fleas covers all the important facts you need to know about fleas in an easy question and answer format. Informative and interesting, it is an invaluable aid in your quest to provide the best quality of life to beloved pets.
This book analyses the Syria crisis and the role of chemical weapons in relation to US foreign policy. The Syrian government's use of such weapons and their subsequent elimination has dominated the US response to the conflict, where these are viewed as particularly horrific arms - a repulsion known as the chemical taboo. On the surface, this would seem to be an appropriate reaction: these are nasty weapons and eradicating them would ostensibly comprise a 'good' move. But this book reveals two new aspects of the taboo that challenge this prevailing view. First, actors use the taboo strategically to advance their own self-interested policy objectives. Second, that applying the taboo to Syria has actually exacerbated the crisis. As such, this book not only provides a timely analysis of Syria, but also a major and original rethink of the chemical taboo, as well as international norms more widely.
How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;
The hero’s story is told in an ancient, secret chronicle... A white falcon flew across the Eternal Blue Sky. His flight was long and beautiful, binding together the patchwork of lands; his life was full of victories and defeats. Soaring high, then falling like a stone, the falcon darted from place to place. He threaded his way from the colored Jin Empire to that of the daring Naimans; from the lands of the Karakitai Khanate to the territories of the rebellious Tangut; from the highlands of the warlike Taichuds to the floodplains of the unruly Tatars.... From north to south, from east to west, no man or beast in the world knew what the falcon was really like: how his heart ached; how fears clutched his chest; what nightmares visited his sleep; what treacherous winds lurked at every takeoff of his daily journey—a journey from nothing to everything. But as he flew, paying for his power over the world with his loneliness, the world was falling to pieces. When the falcon ceased flying, the Great Destruction came, and only the memory of the people for him kept the Mongol flame burning across the centuries—all while people went about their daily routines, and did all the unbearable and great things that give man his destiny...
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.