Australian Licensing Corporation
Mary Hare Director mary@alcagency.com +44 (0)7718 586425
View Rights PortalMary Hare Director mary@alcagency.com +44 (0)7718 586425
View Rights PortalEach year the APA coordinates an Australian Collective Stand at Frankfurt Book Fair, supporting independent Publishers in attendance at the world’s largest book fair.
View Rights PortalProvides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema. ;
A riveting history of the 'Ten Pound Poms', a wave of British citizens who migrated to Australia and New Zealand after the Second World War. Between the 1940s and 1970s, more than a million Britons migrated to Australia. They were the famous 'Ten Pound Poms' and this is their story. The authors draw on a vast trove of letters, diaries and personal photographs, as well as hundreds of interviews with former migrants, to offer original insights into key historical themes. They explore people's motivations for emigrating, gender relations and family dynamics, the clashing experience of the 'very familiar and awfully strange', homesickness and the personal and national identities of both settlers and returnees. Filled with fascinating testimonies that shed light on migrant life histories, 'Ten Pound Poms' will engage readers interested in British and Australian migration history and intrigued about the power of migrant memories for individuals, families and nations.
From the late 1800s to the early 1900s, Australian settler colonists mobilised their unique settler experiences to develop their own vision of what 'empire' was and could be. Reinterpreting their histories and attempting to divine their futures with a much heavier concentration on racialized visions of humanity, white Australian settlers came to believe that their whiteness as well as their Britishness qualified them for an equal voice in the running of Britain's imperial project. Through asserting their case, many soon claimed that, as newly minted citizens of a progressive and exemplary Australian Commonwealth, white settlers such as themselves were actually better suited to the modern task of empire. Such a settler political cosmology with empire at its center ultimately led Australians to claim an empire of their own in the Pacific Islands, complete with its own, unique imperial governmentality.
Becoming a mother charts the diverse and complex history of Australian mothering for the first time, exposing the ways it has been both connected to and distinct from parallel developments in other industrialised societies. In many respects, the historical context in which Australian women come to motherhood has changed dramatically since 1945. And yet examination of the memories of multiple maternal generations reveals surprising continuities in the emotions and experiences of first-time motherhood. Drawing upon interdisciplinary insights from anthropology, history, psychology and sociology, Carla Pascoe Leahy unpacks this multifaceted rite of passage through more than 60 oral history interviews, demonstrating how maternal memories continue to influence motherhood today. Despite radical shifts in understandings of gender, care and subjectivity, becoming a mother remains one of the most personally and culturally significant moments in a woman's life.
In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women's electoral rights. Charting the common trajectory of the colonial suffrage campaigns, Distant Sisters uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide-long considered the peripheries of the feminist world-cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women's movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.
Ein fesselnder Roman über ungebändigte Gefühle und verdrängte Leidenschaften. 1839: Der Gouverneur von Tasmanien und Polarforscher Sir John Franklin und seine Frau holen das Aborigine-Mädchen Mathinna zu sich ins Haus. Sie wollen »die Wilde« durch strenge Erziehung zivilisieren. Während Lady Jane ihre mütterlichen Gefühle unterdrückt, kann sich Sir Franklin Mathinnas »wilder« Anziehungskraft nicht entziehen. Als Franklin Jahre später nach England zurückbeordert wird, bleibt das Mädchen entwurzelt und zutiefst verstört zurück … Zwanzig Jahre später: Im Überlebenskampf im ewigen Eis soll Sir Franklin dem Kannibalismus verfallen sein. Als Charles Dickens dessen Ruf und Ansehen retten will, entdeckt er an sich plötzlich eine »wilde« unbezwingbare Seite.
Spirits of extraction revisits the troubling history of socially reformist, ostensibly anti-racist, Christianity and its role in the expansion of the extractive industries, British imperialism, and settler colonialism. The book explores key moments in the history of Methodism and the evangelical movement. Colonial fears, and the attempt to 'civilise savages', were crucial to the movement's foundation in eighteenth-century industrialising Bristol, England. Through the culture of the Cornish mining diaspora of the nineteenth century, Methodism enmeshed with all the complexity of race and labour-structures of the British empire. At the same time, in Anishinaabewaki/Upper Canda/Ontario, Methodist missionaries laid the foundation of abusive education and racialised ideas of redemption that both enable and sacralise the mining industry. Through these histories of our present, the book theorises the relation of religion and education to racism, modernity, biopower, extractivism, and the geology of race.
Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.
Many missionary societies established mission schools in the nineteenth century in the British Empire as a means to convert non-Europeans to Christianity. Although the details, differed in various colonial contexts, the driving ideology behind mission schools was that Christian morality was highest form of civilisation needed for non-Europeans to be useful members of colonies under British rule. This comprehensive survey of multi-colonial sites over the long time span clearly describes the missionary paradox that to draw in pupils they needed to provide secular education, but that secular education was seen to lead both to a moral crisis and to anti-British sentiments.
Rethinking settler colonialism focuses on the long history of contact between indigenous peoples and the white colonial communities who settled in Australia, Aotearoa New Zealand, Canada and South Africa. It interrogates how histories of colonial settlement have been mythologised, narrated and embodied in public culture in the twentieth century (through monuments, exhibitions and images) and charts some of the vociferous challenges to such histories that have emerged over recent years. Despite a shared familiarity with cultural and political institutions, practices and policies amongst the white settler communities, the distinctiveness which marked these constituencies as variously, 'Australian', 'South African', 'Canadian' or 'New Zealander', was fundamentally contingent upon their relationship to and with the various indigenous communities they encountered. In each of these countries these communities were displaced, marginalised and sometimes subjected to attempted genocide through the colonial process. Recently these groups have renewed their claims for greater political representation and autonomy. The essays and artwork in this book insist that an understanding of the political and cultural institutions and practices which shaped settler-colonial societies in the past can provide important insights into how this legacy of unequal rights can be contested in the present. It will be of interest to those studying the effects of colonial powers on indigenous populations, and the legacies of imperial rule in postcolonial societies.
In 1901 most Australians were loyal, white subjects of the British Empire with direct connections to Britain. Within a hundred years, following an unparalleled immigration program, its population was one of the most diverse on earth. No other country has achieved such radical social and demographic change in so short a time. Destination Australia tells the story of this extraordinary transformation. Against the odds, this change has caused minimal social disruption and tension. While immigration has generated some political and social anxieties, Australia has maintained a stable democracy and a coherent social fabric. One of the impressive achievements of this book is in explaining why this might be so. Eric Richards recounts the experiences of many individual migrants from all over the world, examines the dramas and challenges of officials involved in this grand experiment and ends up telling a truly remarkable story. Compelling and revealing, Destination Australia is essentially the Australian story of the twentieth century. ;