Aelurus Publishing / Impress Books
An independent publishing house with a small but passionate team, newly focused on the voices of the marginalised.
View Rights PortalAn independent publishing house with a small but passionate team, newly focused on the voices of the marginalised.
View Rights PortalAilbert Cultural Company Limited was established in 2012 with the original purpose of promoting the works of Taiwanese writers to Mainland China, and then expanding the translation rights territory to Southeast Asia such as Thailand, Vietnam, and Indonesia, as well as the UK, US and European markets. Since 2018, we started to authorize TV/film rights across the world on behalf of our representative authors. 安伯文化事業有限公司成立於2012年,最初宗旨是將台灣作家的著作推向中國大陸,隨後拓展版權版圖至泰國、越南、印尼等東南亞地區,以及英美歐書市。我們授權代理的知名台灣導演和藝人作家包括:吳念真導演(《這些年,那些事》,中簡版在中國暢銷逾50萬冊)、小S(《國際廚娘的終極導師》)、陳昇(《9999滴眼淚》、《鹹魚的滋味》等共7本書)、曲家瑞(《誰說我沒有影響力》等共3本書)、黃子佼(《我還在》)、鄭華娟(《氣質卡小狗學堂》);以及台灣年度暢銷作家:肆一(《可不可以,你也剛好喜歡我?》等共4本書)、Peter Su(《夢想這條路踏上了,跪著也要走完》等共3本書;同時代理著作文學小說家,包括囊括多座文學獎項的張貴興(《野豬渡河》和《沙龍祖母》等3本小說)、香港知名小說家董啟章(《愛妻》和《命子》等2本小說);自2018年為旗下代理作家授權影視版權,包括董啟章的《體育時期》授權全球電影版權等。
View Rights PortalThis source book offers a comprehensive treatment of solitary religious lives in England in the late Middle Ages. It covers both enclosed recluses (anchorites) and free-wandering hermits, and explores the relationship between them. Although there has been a recent surge of interest in the solitary vocations, especially anchorites, this has focused almost exclusively on a small number of examples. The field is in need of reinvigoration, and this book provides it. Featuring translated extracts from a wide range of Latin, Middle English and Old French sources, as well as a scholarly introduction and commentary from one of the foremost experts in the field, Hermits and anchorites in England is an invaluable resource for students and lecturers alike.
“The appearance of God is also a bitch” has shaken the commonplaces of poetic language and has earned María Paz Guerrero sustained national and international recognition. The Colombian author's first book of poems also marks a turning point in the willingness of expression of young poetry in the country and proposes a new way of thinking about our own fragility through experimentation and sharp and hilarious contempt. For Himpar editores, we are proud to present this title to our readers in a second corrected edition.[...]but god was wronggod was the queen of painthat's how she managed to attract attentionso she managed to have loversthat mistreated godbecause poor godgod is so weakcryhe stays at homelocked upstudying and workinghe stays at hometremblingbecause everything hurts God[...]”
Red Flowers tells the story of how, in the late 1960s, a group of college students, including the protagonist, came to the Dehua Electric Motor Manufacturing Factory, learned and practiced in the manufacturing workshop, and achieved personal development. For the protagonist, his master, who was nicknamed "Beard Mo," was both a master and a rival. Conflicts arose almost everywhere between the two. However, the conflicts also reflected their awe of ordinary work, pursuit of perfection, persistence in dreams, and flawless interpretation of the craftsmanship spirit.
In seinen frühen Erzählungen entfaltet Cabrera Infante ein Kaleidoskop der kubanischen Gesellschaft zur Zeit des Batista-Regimes: vierzehn anrührende bis abstruse Szenarios von Alltag unter den Bedingungen der Diktatur. Fünfzehn Textvignetten umrahmen die Erzählungen: Schlaglichter auf die repressive Gewalt des Batista-Regimes, schlichte und gerade deshalb so bewegende Nachrufe auf die Opfer, Ihr lakonischer Stil nimmt vorweg, was in »Ansicht der Tropen im Morgengrauen« zum bestimmenden Merkmal wird, währen in den Erzählungen selbst bereits gegenwärtig ist, was den Autor mit dem Roman »Drei traurige Tiger« in die erste Riege der lateinamerikanischen Schriftsteller vorrücken ließ: seine virtuose Beherrschung aller Sprachregister.