Textofilia Ediciones
Literary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalLiterary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalAt Text we want to publish books that make a difference to people’s lives. We believe that reading should be a marvellous experience, that every book you read should somehow change your life if only by a fraction. We love the phrase ‘lost in a book’—that’s where we want our readers to be. You can’t get lost in a newspaper or a magazine or even a movie. But people get lost in books every day—on the tram, on the beach, in bed. Reading is what keeps the imagination supple and challenges preconceptions and prejudices. You read at your own speed, and the world you enter courtesy of the writer is yours and yours only, even if the person next to you on the bus is reading exactly the same book. We publish a very broad range of fiction and non-fiction, international and local, books for adults and young adults.
View Rights PortalMogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Happy Fine Art Class is a fine art class that "creates happiness"! Here, a “Happy Fine Art Class” is being created. What is happiness? How to get happy? What is a happy fine art class like? Let us lead you to feel the happiness created by the Happy Fine Art Class of the Central Academy of Fine Arts. As an educator, the understanding and love for children is the foundation of art teaching. In this way, we can face every child who is full of ideas with a heart of tolerance and encouragement, and let them feel the warmth of helping and sharing with each other under the collaboration of the group.How to get happy? In fact, happiness is in the process of painting and other artistic creations.
Chinese Martial Arts is a literary work that recreates the spirit of the times and the fate of the characters with realistic creative techniques. Liu Qirong, the hero, had been ailing since childhood. In order to keep fit, he began learning martial arts at the age of eight and continued to practice throughout his life.
On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Focusing on specific artists and vivid works of art, this book aims to assist in the narration of the important artistic movements and trends that have formed the current state of contemporary art. Starting from the major creative media of image, sound, color, body, digital technology and the Internet, it discusses and introduces a number of new works, new issues and new approaches in contemporary art. Through the author's detailed elaboration of the creation of artworks, artists' personal stories and the evolution of aesthetic concepts, readers will see the vitality, thinking and creativity of contemporary art, experience the concrete connection between contemporary art and our daily life, dispel myths and prejudices about contemporary art, and truly feel the infinite power of art.
The book consists of dialogues between Chang Shuhong, the guardian of Dunhuang, and Daisaku Ikeda, a famous Japanese thinker. It contains five chapters, focusing on Dunhuang art and oriental civilization.
This book series contain 5 volumes: The Centennial History of Chinese Cinematography (1900-2000) The Centennial History of Chinese Fine Arts (1900-2000) The Centennial History of Chinese Dancing (1900-2000) The Centennial History of Chinese Drama (1900-2000) The Centennial History of Chinese Music (1900-2000) A period historical works of the Chinese Art for the last hundred years (1900-2000),offering a profound analysis of the underlying interaction between the development of the centenial history of fine arts and society, economy, thoughts and cultural vicissitudes through the narration of the conditions of the development of Chinese art.
This anthology, presenting new research from fourteen scholars, delves into the interplay between contemporary art and ecological concerns in East and Southeast Asia. Focused on the concept of artistic remediation, the book unravels the diverse capacities of art to combat systemic anthropogenic destruction to the environment and ecology. At its core, the book articulates the ongoing ecological transformation in art and art history that embraces a paradigm shift in human-nature relationships, emphasizing interconnectedness of all life forms of the Earth. Bridging art studies, activism, and environmental studies, the book examines how artistic practices in the region have engaged with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice, among others. Providing a platform for critical and timely analysis of artistic interventions in the face of existential crises, the book acknowledges diverse voices of scholars who have situated their scholarship in the cultural and artistic specificities of various societies, locales, and communities in the region.
Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships, and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and fieldsites. Drawing from the authors' extensive experience in disciplines like social anthropology, environmental humanities, and political science, "Empirical Art" breaks down the intricate process of crafting ethnographic films that departs from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches, and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study. The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics, and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer, or an academic seeking new dimensions for their research, Empirical Art serves as a guide to integrating visual storytelling, cinema craft and empirical research.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
"Practical Manual for Calligraphers and painters (Revised Edition)" by the famous painter Ma Dechun and his wife for several years to compile, is a guide book to assist the majority of calligraphers, painters and painting lovers to create art. This book is divided into two parts, which "calligraphy and painting literature thought quote" fine escape of the first praise of the past dynasties, is the compilation of the content of the topic: "ink edge miscellaneous knowledge record" the calligrapher and painter often encountered and interested in the relevant knowledge made a carding excerpt, including traditional festival taboos, title title and modest words attached, Jijin name often deputy content."Practical Manual of Calligraphers and painters (Revised Edition)" by the famous painter Ma Dechun and his wife for several years to compile, is a guide book to assist the majority of calligraphers, painters and painting lovers to create art. This book is divided into two parts, which "calligraphy and painting literature thought quote" fine escape of the first praise of the past dynasties, is the compilation of the content of the topic: "ink edge miscellaneous knowledge record" the calligrapher and painter often encountered and interested in the relevant knowledge made a carding excerpt, including traditional festival taboos, title title and modest words attached, Jijin name often deputy content.
Dunhuang, Dunhuang—The Autobiography of Chang Shuhong tells the life of Mr. Chang Shuhong, the guardian of Dunhuang, who devoted all his life to Dunhuang.
This is China’s first monograph on the study of folk fine art modeling. It expounds the relationship between folk fine art modeling and the primitive culture and the folk culture from a macroscopic point of view, and traces the path of the inheritance, blending and variation of folk fine art modeling. It also analyzes the basic characteristics and modeling methods of folk fine art modeling in a microscopic way, and explores the aesthetic implication of folk fine art modeling. It also enriches interesting legends with creative ideas, allowing readers to gain a deeper understanding of the true meaning of Chinese folk fine art modeling and obtain inspiration of artistic creation therefrom.
It is a realistic novel with unique characteristics in content and text. The novel describes the different lives of the hero and Brother Liaoliao, his fellow villager and classmate, two young people who came from a small town. The town and the city work as mirror images of each other, as was the case with the two main characters. They share common childhood and juvenile memories, which are the source of life that has been turned into fantasy stories over time. As friends, they went out to college together and lived in the city after graduation. One got promoted, while the other spent time in a mediocre position...
The book introduces young readers to Indian modern art in a fun and engaging manner. This enriching activity-led book traces the development of modern art history from Pre-independence and unfolds in eight sections that feature prominent artists or styles under the various art movements.
The book put forward the concept of 'Fine Arts in the Era of Mao Zedong' academically for the first time. Starting from the publication of Mao Zedong's Talks at the Yan'an Forum on Literature and Art in 1942 and ending with the passing away of Mao Zedong, the book surveys this period by collecting more than 1,000 pictures and other data, which are arranged under eight themes. The book restores this period of the history of Chinese fine arts to the original form and gives prominence to the time features embodied in this phenomenon of fine arts. The introduction in the book expounds fine arts in the era of Mao Zedong in a macroscopic manner, discussing historical background, thoughts of literature and art, social environment and theme typology concisely and tersely so as to provide readers with theoretical perspective and approaches in understanding and perceiving this phenomenon of fine arts.