Serpentine Books
Independent publisher of crime, thrillers, sci-fi, mysteries, romantic comedies and mash-ups.
View Rights PortalIndependent publisher of crime, thrillers, sci-fi, mysteries, romantic comedies and mash-ups.
View Rights PortalAbout E-planet E-planet Educational Services is an international organisation created by a dedicated and enthusiastic team of experts on education, marketing and development. Our goal is to provide our partners, students and customers with top-level services and products. That is why we have developed a unique, fully integrated company for ESL (English as a Second Language) educational services and business training. We combine traditional methods with cutting-edge technology to achieve a variety of purposes!
View Rights PortalThe first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;
JAKOB, a foundling, was raised in a monastery, taken away at a young age by robbers after they had raided the monastery. From then on he had to live with the robbers until they were captured and hanged. The landlord let him live with the obligation to work for him. Jacob fell in love with a maid, forbidden by law, was punished severely and killed the lord of the manor in self-defense. To escape the persecutors, Jakob joined Tilly's army as a mercenary. In the last battle, end of the war, he lost his voice by a sword blow to the head. After the war, Jacob found work on a farm and became friends with Max, the farmer's twelve-year-old son. When Max was kidnapped by jugglers, Jacob, after he had brought in the harvest, went in pursuit of the jugglers ...Many scenes in this book are hard and brutal. They reflect the time during and after the 30-year war. This makes the human attributes such as love, friendship, loyalty, faith and hope stand out.
Millions of people annually visit the great country palaces built by the tsars in a circle round St. Petersburg. Created by artists from all over Europe, with untold serf labour at their disposal, the palaces were intended to impress and they do. Today, in the corner of most rooms, a single black and white photograph shows the same room in 1944, amid the smouldering wreckage found by Russian soldiers returning after the three-year siege of Leningrad. Forced to abandon the palaces, the Nazis vented their anger on the treasures they occupied.The story behind these photographs is in many ways more impressive even than the rooms themselves. It is the story of a relatively small band of talented Russians who were determined not to allow their country’s heritage to be swept away by all the horrors of the twentieth century. The palaces today are truly the work of Russians but restorers have to be self-effacing. There have been books about what they did but not about them. In Saving The Tsars’ Palaces, Christopher Morgan and Irina Orlova vividly recount the remarkable story of those who battled to save the palaces, not just during and after the war, but during the Revolution and the harsh times that followed.
ISBN-13: 978-1-950743-50-6 Dismissed in Vienna as a compose of excessively complicated music with little popular appeal, Mozart found complete recognition for his talents in Prague, likely as a byproduct of the exceptional musical literacy of the general population. Accounts of the affection lavished on Mozart by the people of Prague can be deeply moving for those acquainted with his bleak struggles for recognition in Vienna. Indeed, he was manhandled like a rock star at the concert in 1787 that featured the first performance of the "Prague" symphony in a way that he never experienced anywhere else. And in contrast to the tawdry ceremonies that accompanied Mozart's burial in Vienna in 1791, his funeral in Prague, attended by thousands of mourners, brought life there to a standstill. It was the residents of Prague, not Vienna, who took responsibility to provide for Mozart's widow and children. Mozart in Prague tells the story of the amazing civic revival that was responsible for Mozart's unique personal and musical relationship with this beautiful city and the colorful characters who helped shape it, including Marie Antoinette and Giacomo Casanova.
Fighting for a Living investigates the circumstances that have produced starkly different systems of recruiting and employing soldiers in different parts of the globe over the last 500 years. It does so on the basis of a wide range of case studies taken from Europe, Africa, America, the Middle East and Asia. The novelty of "Fighting for a Living" is that it is not military history in the traditional sense (concentrating at wars and battles or on military technology) but that it looks at military service and warfare as forms of labour, and at the soldiers as workers. Military employment offers excellent opportunities for this kind of international comparison. Where many forms of human activity are restricted by the conditions of nature or the stage of development of a given society, organized violence is ubiquitous. Soldiers, in one form or another, are always part of the picture, in any period and in every region. Nevertheless, Fighting for a Living is the first study to undertake a systematic comparative analysis of military labour. It therefore speaks to two distinct, and normally quite separate, communities: that of labour historians and that of military historians.
Dragons, knights and a boy who slips through the fabric of the universe into a parallel fantasy medieval world to fight the evil Myrthor, the heart of darkness in the land of Unor.
Written between 1387 and 1389 by Gastone of Foix, the Book of the Hunt is one of the most interesting testimonies of the cultural history of this time. The four parts of the manuscript show the naturalistic knowledge at the end of the 14thcentury, based on the direct observation of the natural world. It was used as a manual of natural history up until the 19th century. The text is complemented by 87 miniatures in large format, executed by the Master of the Bedford Hours, as well as by a great number of illuminated initial letters and floral decorations that make the pages of the manuscript one of the masterworks of French miniature. The style of the miniatures is very particular, related to those of contemporary tapestries: the horizon of the scene is kept high, thus creating an ample space for the characters; the flora is described with a singular effect of relief, obtained by juxtaposing different tonalities of colour.