Éditions de la Montagne Verte
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2020Iniciação à direção teatral
by Machado Santos, Gláucio
"A historiografia sobre as artes cênicas no ocidente, em linhas gerais, concorda que a moderna encenação teatral possui sua certidão de batismo em dois textos fundadores: 1884, A arte da encenação: ensaio de estética teatral de Louis Bec de Fouquières, e 1903, Conversas sobre a encenação de André Antoine. Assim, em termos de cultura teatral ocidental, pode-se considerar que o conceito de moderna direção teatral e consequentemente o perfil do diretor possuiriam pouco mais de cem anos de idade. O que dizer então do processo de transmissão deste jovem ofício às novas gerações? Ensaiar, dirigir, encenar, performar. Esses são verbos que, na língua portuguesa, sinalizam atitudes criativas distintas em relação ao palco. O comportamento criativo do coordenador da cena teatral reflete a mentalidade de sua época. Assim, o ensaiador luso-brasileiro esteve condicionado pela técnica teatral associada aos gêneros dramáticos; o moderno diretor passou a ser o porta-voz, o mediador poético das palavras do autor da peça; enquanto que o encenador procurou expressar, por meio de uma escrita cênica arrojada, mais sobre si próprio e suas inquietações sobre o mundo do que sobre o resíduo escrito por outrem; e o performador vem performando na contemporaneidade, atritando mais do que nunca o real e o ficcional, o autobiográfico e o discurso sobre as minorias e temas atinentes à pós-modernidade, reciclando formas e gêneros. Como estabelecer então os fundamentos desta formação técnica e desta arte centenária? Simples. Leia este livro que você tem em mãos e aventure-se. Descubra o diretor teatral que existe em você. Conciliando fundamentos do ensino dispensado nos Conservatórios europeus com a teoria e prática do teatro advindas do ensino universitário, Gláucio Machado nos oferece caminhos seguros os quais associam esforço criativo e trabalho intelectual para oferecer uma sólida iniciação à formação do diretor teatral. — WALTER LIMA TORRES NETO (Professor titular de Estudos Teatrais na UFPR em Curitiba)."
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Photography & photographsJuly 2013GERALDO DE BARROS: THAT’S IT
by Fabiana de Barros (author)
Geraldo de Barros (1923-1998) was one of the most important representatives of Brazilian’s Modernism. He learned the principles of the Ulm Superior School of Design (Germany), brought them to South America and encouraged many of his colleagues to join the movement of concrete art. He cultivated contacts with the European artistic avant-garde and, in Brazil, was a pioneer in developing and experiencing new trends such as pop art and happening. This book presents an overview of his life and work, chrono-logically arranged and covering all aspects of his production with an emphasis in photography.
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Adventure2019La Dame Chevalier and Salomon’s lost table
by A.Z. Codenonsi
The years is 1927 and the murder of a soldier in a military hospital in Morocco begins a chance for an extremely valuable artefact, disappeared for more than a thousand years: the Table of Salomon, King of Kings, that would give its owner the wisdom of a thousand wise men. And when the Bureau’s investigation gets to the weapon used in La Dame Chevalier’s parents’ murder, the agent decides to travel to north Africa looking for the artefact and answers. Along with the young Justine Carbonneau, both women go to the desert among a war between the empire and the Berbers, fighting for their independence. But Chevalier will have company. Mercenaries led by the mysterious organization Ostia Mithrae also
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December 2020Why I can't like him/her?
by Anna Claudia Ramos, Antônio Schimeneck
Adolescence is a time of many doubts, anxieties and uncertainties. In this phase, sexuality is unfolding, and we are going through — because everyone has gone, is going or will go through — self-questions about all conditions, all desires, including regarding sexuality. If on the one hand, we see in beautiful social networks beautiful movements of self-acceptance and discovery, on the other hand we live in a time of great obscurantism and attempt to cage the desires and contain the experiences of young people – whether at home or at school, and unfortunately, many times, with public authority initiative. This book asks this of young people, who often find themselves trapped by a cultural need (or family pressure) to create heteronormative bonds, when, in fact, they feel the desire for people of the same sex. But this book also understands that it is necessary to take this issue to the world, so that everyone reflects on otherness, sexuality and, mainly, the many possibilities of affection and desire. Por que não consigo gostar dele/dela? is a book with two sides, two covers, four stories and many testimonials.
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The ArtsApril 2018NEW HISTORY OF BRAZILIAN CINEMA II
by Fernão Pessoa Ramos and Sheila Schvarzman (editors)
This second volume of New History of Brazilian Cinema covers Brazilian cinema from the postwar period up to the present, discussing the Cinema Novo and Cinema Marginal movements, the state-owned producer Embrafilme, pornochanchada (soft-core sex comedies) and the crisis and revival of Brazilian film production from the late 1980s to the mid-1990s, ending with an overview of experimental filmmaking, documentary film and contemporary film fiction up to 2016. Ebook version brings additional texts: “Brazilian New Cinema (1960-1972)”, by Bertrand Ficamos, and the extensive filmography “Brazilian films released from 1969 to 2016”, by Luiz Felipe Miranda
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ArchitectureJuly 2018LATIN AMERICAN COLONIAL HERITAGE
Urbanism, architecture, sacred art
by Percival Tirapeli (author)
The fruit of an extensive research by Professor Percival Tirapeli, this richly illustrated work covers three centuries of Colonial and Baroque art, and is divided in three parts: “Colonial Urbanism”, “Ecclesiastical Architecture” and “Sacred Art – Furniture and Ornamentation”. “Colonial Urbanism” explains the differences and approximations of the layout and planned urbanism between Hispano-American and Portuguese-Brazilian cities. “Ecclesiastical Architecture” analyzes the cathedrals of the viceroyalties, the audiences and the Brazilian sees. The section “Sacred Art – Furniture and Ornamentation” completes the analysis of churches, examining their retable façades, the furniture of the altars and their ornamental complements, such as sculptures and paintings.
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The Flight of the Blue Macaw
by Maria José Silveira
A moving coming of age story about a first love and political resistance during the military regime in Brazil, putting up some universal questions about the individual’s role in a dictatorship. André, aged thirteen, is absolutely charmed by Lia, his new neighbour. The young woman recently moved into the house next door together with her husband and her uncle. During their long conversations, the young nurse tells him that it’s her dream to study and become a barefoot doctor. Then one day, André e finds out that Lia an her husband are involved into a clandestine resistance group against the military regime. To save Lia and her comrades from being caught by the military police, André takes a very high risk. When the police comes during the night to hunt the neighbours’ house, they have already gone . . . The narration is completed by the comic strips André had drawn in his teenage days and an authentic political pamphlet that plays a crucial role in the story. By choosing a teenager’s perspective, Maria José Silveira poses some very important questions about dictatorship in general and makes them accessible for young people.
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Literature & Literary StudiesMarch 2020AMAZON MOUTH
Society and culture in Dalcidio Jurandir
by Willi Bolle
This book presents an overview of Amazonian history and analyzes the novel Cycle of the Far North, by Dalcidio Jurandir, a work that represents the social inequality and exclusion inherent to Amazonian society. Willi Bolle rescues the work of this important, albeit unknown, author, emphasizing Dalcidio Jurandir’s contribution to our understanding of Amazonian culture. In his work, Jurandir describes the quotidian of those living in the periphery of society, and advocates, quite emphatically, quality education for the poor. He also registers the social dialect of the inhabitants of the Amazon, in a document of the cultural memory of the region.
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The ArtsAugust 2019SOUTH AMERICAN CITIES AS CULTURAL ARENAS
by Fernanda Arêas Peixoto and Adrián Gorelik (editors)
Organized by Fernanda Arêas Peixoto, professor at the Department of Anthropology of the University of São Paulo, and Adrián Gorelik, professor at the University of Quilmes, this book is the result of a collective research project about the cultural urban history in South America, which was developed by a group of South American researchers. Using as a compass the notion of “cultural arena”, this work performs a reflection on the city as a place of cultural germination, experimentation and resistance. Some cities – Buenos Aires, Santiago, Lima, Recife, Rio de Janeiro, São Paulo, Salvador, Montevideo, among others – are studied in order to capture the intimate and inextricable relations between city and culture.
