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        December 2018

        The Complete Collection of Modern Chinese Prints by Lu Xun

        by Editorial Board of the Complete Works of Modern Chinese Prints Collected by Lu Xun

        This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.

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        Literature & Literary Studies
        August 2025

        Translating Petrarch in early modern Britain

        Canzoniere and Triumphi, c. 1530–1650

        by Marie-Alice Belle, Riccardo Raimondo, Francesco Venturi

        Translating Petrarch in early modern Britain gathers twelve essays by international scholars focusing on the translation of Petrarch's vernacular verse (Canzoniere and Triumphi) into English, from the Tudor age to the mid-seventeenth century (and beyond). Approaching translation as an interpretive process, but also a mode of literary emulation and cultural engagement with Petrarch's prestigious precedent, the collection explores the complex and interconnected trajectories of both poetic works in English and Scottish literary milieux. While situating each translation in its distinct historical, material, and literary context, the essays trace the reception of Petrarch's works in early modern Britain through the combined processes of linguistic and metric innovation, literary imitation, musical adaptation and cultural and material 'domestication'. The collection sheds light on the origins and development of early modern English Petrarchism as part of wider transnational - and indeed, translational-European literary culture.

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        The Arts
        June 2025

        Death in modern theatre

        Stages of mortality

        by Adrian Curtin

        Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.

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        Humanities & Social Sciences
        April 2024

        Women in exile in early modern Europe and the Americas

        by Linda Levy Peck, Adrianna E. Bakos

        Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.

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        Medicine

        Theory and Clinical Practice of Modern Acupuncture and Moxibustion (in Chinese and English)

        by Chen Shaozong

        For decades, Prof. Chen Shaozong has been dedicating to the research on the modern acupuncture and moxibustion system that is different from the traditional paradigm. As early as 1990, he published Theory and Clinical Application of Modern Acupuncture and Moxibustion. The book is the prototype of the modern acupuncture and moxibustion system, though it contains merely 100,000 Chinese characters. 21 years later in 2011, Prof. Chen Shaozong published Modern Acupuncture and Moxibustion that contains nearly 1 million Chinese characters with more informative content and a more comprehensive theoretical system. At the same time, as acupuncture and moxibustion grows into a more international discipline, the European and American community of acupuncture and combustion is going beyond the study of traditional acupuncture and moxibustion to start exploring into the acupuncture and moxibustion system in the context of modern science and technology. In recent years, they have gradually developed "western acupuncture and moxibustion" represented by "dry needling". As a response to the huge challenges brought by the evolution of western acupuncture and moxibustion, we published the six-volume Modern Acupuncture and Moxibustion by Prof. Chen Shaozong in 2018. Containing more than 3 million Chinese characters, this book features richer content and a further improved theoretical system.   A few foreign universities have expressed their hope to have a compact edition of Modern Acupuncture and Moxibustion in Chinese and English languages based on the original edition so that they can use it as a textbook in teaching. This is how this Theory and Clinical Practice of Modern Acupuncture and Moxibustion (in Chinese and English) comes into being. It is believed that the publication of this book not only benefits the international exchange and communication on acupuncture and moxibustion, but also produces positive impact on the orientation of the discipline.

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        Literature & Literary Studies
        June 2022

        The early modern English sonnet

        Ever in motion

        by Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin

        This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.

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        Humanities & Social Sciences
        May 2019

        History of Textbooks in Modern and Contemporary China (I and II)

        by SHI Ou

        This Book focuses on the history of textbooks in modern and contemporary China and divides it into the Volume I and II by textbooks in modern China and contemporary China. This Book not only lists textbooks in modern and contemporary China based on historical periods, but also analyzes the various phenomena in the history of textbooks and their causes in combination with the social and historical conditions at that time. This Book is the precious historical data, and also provides useful insights into the editing and production of our textbooks today.

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        The Arts
        February 2019

        Contemporary Korean cinema

        Culture, identity and politics

        by Hyangjin Lee

        The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.

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        Contemporary Interpretations of Confucianism

        by Zeng Zhenyu

        The book has a total of 22 chapters and 1.5 million words. It was written by more than 20 experts and scholars in the field of Confucianism. The book has two main lines: Confucianism of famous thinkers in the past and Confucianism of folk beliefs. It integrates and interprets Confucianism of more than two thousand years in a clear way, including thoughts of benevolence, righteousness, etiquette, wisdom, integrity, filial piety, friendship, shame, courage, forgiveness, happiness, natural principles, conscience and etc.

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        Literature & Literary Studies
        April 2020

        Incest in contemporary literature

        by Miles Leeson

      • Trusted Partner
        Humanities & Social Sciences
        April 2022

        Chinese religion in contemporary Singapore, Malaysia and Taiwan

        The cult of the Two Grand Elders

        by Fabian Graham

        In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.

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