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Promoted Content
Amazing Grace
The Story of Grace O'Malley the Notorious Pirate Woman
by Hugo N. Gerstl
A WOMAN THAT HATH IMPUDENTLY PASSED THE PART OF WOMANHOOD AND BEEN A GREAT SPOILER AND CHIEF COMMANDER AND DIRECTOR OF THIEVES AND MURDERERS AT SEA … SHE HATH BEEN THE MOTHER OF ALL REBELLIONS FOR FORTY YEARS … , the “Pirate Queen of Connaught,” was thus vilified by those English authorities who tried to bring stubborn, recalcitrant Ireland to its knees in the Sixteenth Century. Twice married, twice widowed, a passionate lover, gambler, pirate, sea captain, politician, mother of heroes, and, above all, a symbol of the indomitable human spirit and Irish independence. She was a force to be reckoned with by anyone – man, woman, even the sovereign of England, who tried to cross her path. AMAZING GRACE swaggered boldly across the world stage for more than seventy years. These were turbulent times of Henry VIII and “Bloody Mary” Tudor, and Queen Elizabeth – the age of discovery when the remnants of the Middle Ages were dying – except in the provinces of Ireland – and the Renaissance was in full flower – the days of the “discovery” of America by Spaniards, the exploration of Africa and India by Portugal, the launching of the Invincible Armada, and the great schism of two contending forces of western Christianity. Armed with courage and daring to match that of any man, AMAZING GRACE lived a life “larger than legend.” More sinner than saint, she is remembered throughout western Ireland more than four hundred years after her death, celebrated in story and song. In a time when women were very much “second class citizens,” GRACE O’MALLEY did not need a women’s rights organization – she was her own force, and if you tried to cross her, you’d best beware. Sir Henry Sidney, the English Lord Deputy of Ireland, said it best: “There came to me a most feminine sea captain called Grace O’Malley, with three galleys and 200 fighting men. She brought a husband with her, and she was, by sea and by land, well more than Mrs. Mate with him. This was a notorious woman in all the coasts of Ireland.” , nationally famous American trial lawyer, world traveler, whose books have been translated into Portuguese, Czech, Turkish, Hebrew, and German, and author of international bestsellers , , , and , lives in Carmel, California with his wife Lorraine, a writer and teacher. Together they have raised five grown children. Published by Pangæa Publishing Group, 402 Pages, 2019. 23 cm x 15 cm
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Promoted ContentNovember 2011
The Honest Man's Fortune
by Grace Ioppolo
This edition of The Honest Man's Fortune, a play co-written by John Fletcher, Nathan Field, and Philip Massinger for the Lady Elizabeth's Men in 1613 and revived for the King's Men in 1625, is the first diplomatic edition of one of the most remarkable dramatic manuscripts of the early modern period. Almost uniquely, the fair-copy manuscript records the entire process of the circular transmission of the text from authors to censor to bookkeeper to actors to playhouse, as well as the types of revision each required. In the hand of Edward Knight, the King's Men's book-keeper, this manuscript's title-page notes that it was '/Plaide In the yeare 1613/' and contains one of the few surviving complete licences by Master of the Revels Sir Henry Herbert who states, 'This Play. Being an olde One and the Originall Lost was reallowd by mee. This: 8 febru. 1624 [i.e., 1625]'. In fact, Herbert accepted as payment for the new licence a printed edition of Sir Philip Sidney's /Arcadia/. More excitingly, the many cuts, deletions, and marginal and interlinear additions and revisions as well as the names of three actors in its stage directions show us two transmissions of this text: the first in 1613, when it was composed and licensed and then adjusted by the authors, and the second in 1625, when it went through almost the same process for revival. With a full discussion of the manuscript's material properties, provenance, transcription history, and the play's composition and performance history, this new edition of /The Honest Man's Fortune/ puts the play where it belongs: at the centre of the canon of Jacobean drama. ;
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Trusted PartnerHumanities & Social SciencesJanuary 2019
The Korean War in Britain
by Grace Huxford, Penny Summerfield
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Trusted PartnerDecember 1984
Die kleinen Störungen der Menschheit
Geschichten vom Lieben. Aus dem Amerikanischen von Hanna Muschg
by Grace Paley, Hanna Muschg-Johansen
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Trusted PartnerMedicineFebruary 2020
The Impact of Research at The International Livestock Research Institute
by John McIntire, Delia Grace
This book recounts the history and achievements of research at the International Livestock Research Institute (ILRI), including work at its predecessors the International Livestock Centre for Africa (ILCA; 1974-1994) and the International Laboratory for Research on Animal Diseases (ILRAD; 1974-1994). The scientific and economic impacts of tropical livestock research reveal valuable lessons, in this work charting the research of these three institutions. Describing mixed crop and livestock systems' impact on the global environment, it also covers animal genetics, production, health and disease control, land management, public policy, and economics. Providing global estimates of the impact of livestock research and with useful pointers for future research, this book provides an important reference for animal scientists and veterinarians working in the global south.
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Trusted PartnerJanuary 1998
Rosie oder Die Angst vor der Liebe
Roman
by Wynne-Jones, Grace / Übersetzt von Curths, Monika
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Trusted PartnerAugust 2006
Weiter als der Horizont
Wie ich meine wilden Pferde fand
by Spender, Lizzie / Übersetzt von Pampus, Grace
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Trusted PartnerHumanities & Social SciencesJune 2024
Neither use nor ornament
A cultural biography of clutter and procrastination
by Tracey Potts
Neither use nor ornament is a book about personal productivity, told from the perspective of its obstacles: clutter and procrastination. It offers a challenge to the self-help promise of a clutter-free life, lived in a permanent state of efficiency and flow. The book reveals how contemporary projections of the good, productive life rely on images of failure. Riffing on the aphorism 'less is more' - a dominant refrain in present day productivity advice - it tells stories about streamlining, efficiency and tidiness over a time period of around 100 years. By focusing on the shadows of productivity advice, Neither use nor ornament seeks to unravel the moral narratives that hold individuals to account for their inefficiencies and muddles.