UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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How to play Mexican Bingo and other random entertainments gives an account of the text. It portrays the Mexican everyday universe: landscapes, people, customs ... The Mexican Photographic Lottery is a lesson in ethnography and art.
As the foods and recipes of Mexico have blended over the years into New Mexico's own distinctive cuisine, the chile pepper has become its defining element and single most important ingredient. Though many types were initially cultivated there, the long green variety that turned red in the fall adapted so well to the local soil and climate that it has now become the official state vegetable.To help chefs and diners get the most from this unique chile's great taste–without an overpowering pungency–Dave DeWitt, the noted Pope of Peppers, has compiled a complete guide to growing, harvesting, preserving and much more–topped off with dozens of delicious recipes for dishes, courses, and meals of every kind.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
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This is a poetry collection of Bai Hua. It contains most representative works during 35 years of the poet’s creation. Bai Hua is one of the most excellent lyric poets in contemporary China. From the year 1979, he started poetry, essay, and critic writing, as well as translation of British and American literature.
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Eagle, grasshopper, jaguar, butterfly, dog, monkey, feathered serpent, all these animals, real or mythological, tiny or majestic, carry a message. Forty works drawn with pen or brush have a dialogue with the texts of Elisabeth Foch, By taking us to a journey through the museums of Anthropology, the Templo Mayor in Mexico and the collections of the musée du quai Branly in Paris, this book takes us into the world of an ancient Mexico.
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David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book, the first sustained engagement with Siqueiros's work in the English language, focuses on the artist's late murals, which are both aesthetically innovative and politically provocative. It places Siqueiros in an international context, revealing that the dogmatism he has been charged with was in reality a complex phenomenon. It provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
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Photography and memory in Mexico traces the 'life stories' of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history. ;
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Mirza Abdolqader Azimabadi—penname “Bee’del”— was born in Putna, India in 1644 CE and died in Delhi in 1721. He spoke Bengali, wrote poetry in Persian (Farsi), and was familiar with Arabic, Urdu, Bengali and Sanskrit. One of the most prolific and regarded poets of his day, his style is considered the glory of Persian poetry of Central Asian/Indian origin. Among many ethnic groups outside the present borders of Iran, whose culture/mysticism and literature is influenced by the Iranian culture and language, Bee’del is classified alongside Ha’fez—an honor conferred on very few. As he became familiar with the teachings of the Sufis, he continued to frequent their gatherings throughout life. Their literature influenced both his work and his growing involvement in things of the spirit. Bee’del’s relevance to our times is obvious—his message is informed by a universal regard for the inner life and potential of humans, regardless of geography, ethnicity or religion. As a Sufi poet, Bee’del urges us to attend to our most important task—experiencing, as opposed to reading/hearing about, one’s inner Origin/Essence—and thus realize the true purpose of our existence.
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This work created from drawings of volcanoes by the artist, with the collaboration of the poems of Pacheco, Bracho, Blanco, Jacobs and Millán give us clues about how to build a volcano, ink and letters. Vicente Rojo's Volcanoes are descriptive forms, which contain a deep love for the artistic profession, and reveal an external structure that speaks of the infinite complexity of the universe. They are a creative effort to unravel the mystery of volcanoes. The use of descriptive and functional forms, characteristic of Vicente Rojo's work, allows establishing an interpretive parameter, which in poetry has been reflected in mysterious and evocative ways.
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What does the life of a modern poet look like? What dream, imagination, emotion or malaise give him the fuel to live, give him the taste of dark death? How much is he related, or not related, to life? Is life a clichéd dirty clothing to him which can be donated to his servant easily? Is it better not to be born or to die in the very first age of life? How much is a modern poet man, or eunuch? How much is he sentenced? After passing boyhood, the main protagonist of the book, Hasan Rashid, a young poet, goes ahead to poetry. He rejects an average mediocre life and chooses the impossible life of art. Beauty, continuous stir and nectar-like poison are always here. The violent antagonistic life of art takes extreme revenge on Hasan Rashid and makes him a eunuch. At last, Hasan yields to a life which is more tragic than death and more woeful than tragedy. Himself a poet, Humayun Azad explores the inner and outer object of the life of a modern poet. The Poet or the Condemned Eunuch is at the same time a poem and novel of unparalleled anguish. Novels with the name of poet are aplenty in Bengali language, but one on a real poet was very rare before this novel of Azad.
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This book collects reprehensive short poems of modern Chinese poet Zhai Yongming. This female poet is well-known for her elegant language, exquisite skill, imagination, and especially her deep exploration of modern women’s inner world. Her poems are also influential among international poetry field.
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“Cat” tells the story of editors, writers, poets, painters and other characters in the literary circle. There are editorial department, pen meeting, group draft, and writers’ emotional entanglements. With a profound metaphorical approach, through special literary narratives and humanity observations, the writer jumped out of the world to see the world's sharpness and calmness with the recording of cat's eyes. The ancient cats are metaphors of modernity, and the literary story code at the end of a century. A vain, wandering and shining performance, a kind of chaos of illusion and reality, life and death. An editor-in-chief named "Feng Niang" and a deputy editor-in-chief called "Old Deng" were intentionally or unintentionally involved in the whirlpool of the literary world. These emotional, ideal, earthly, spiritual, and life vortexes are mixed in literature.
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When reading this book, Taras Shevchenko's admirers will sincerely empathise with the poet, make unexpected biographical discoveries and enjoy his art and his quirky sense of humour. Non-fans, whose dislike for the Ukrainian genius stems from the Soviet rendering which still dominates the school curricula, have a chance to see a different Shevchenko. The book shows the great poet in situations that destroy his stereotypical image that was cultivated over the years. Last but not least, a thoughtful reader will be able to see that Russia in the times of Nikolas I is not too different from today's Russia and that the challenges Ukrainians faced in the mid-19th century repeat in the 21st century.
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Li Bai is the greatest romantic poet in our country in the Tang Dynasty. Romanticism, as a trend of literary thought, is a social product of Europe from the late 18th century to the early 19th century. However, as a traumatic method, like realism, it is produced simultaneously with literature and art. Realism pays more attention to the portrayal of objective things, while romanticism focuses more on the expression of subjective feelings. With the Chinese poetic term "Fu Beixing" to describe the use of realism works more method, the use of romantic multi-Xing method. The use of Bi Xing is a major feature of Li Bai's poetry. Li Bai is a poet representing the Tang Dynasty culture. The ancient northern Yellow River valley culture in the philosophical thinking, with Confucius "Analects" as the representative, in the literary arts, the realist "Book of Songs" as a typical. The southern culture in the Yangtze River Valley, the philosophical representative is Lao Tzu "moral classics", and the typical literary style is "romantic". Li Bai, on the other hand, is a typical representative of the integration of North and South cultures.
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This book is a collection of essays on the most important figures associated with the Bakhtin Circle. It offers new biographical material, valuable translations of important Russian texts, a timeline and extensive bibliographical references. ;
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This is a poem collection of modern Chinese poet Lan Lan, who chooses about 200 works from 1983-2014. Her poems are characterized with strong emotion, sharp thoughts, and lyrical expression.
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The apocalyptic day of the Ukrainian poet in Moscow begins on the seventh floor of the literary hostel, which is an ironic modification of both Tower of pure art and cultic Space Tower. Seven floors of the building, according to Mircho Eliade, correspond to seven planetary heavens. After starting his journey from the point where the Sky and the Earth meet, the hero all the time goes downstairs. After attaining some initiations that are obligatory for men such as probation by alcoholism, probation by love and testing in fight the hero reaches a parodic afterlife.
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If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;
