Final Arts&Culture Publishing was founded in 2009 as a sub-brand of Final Private Coeducational Schools. Our publishing perspective ranges from literary unique picture books to practical non-fiction titles both from global and local collections.
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Everything's Fine is a small independent press based in Manila that seeks to build a community around practices that will make publishing and bookmaking kinder and more sustainable for local authors. By treating our authors as partners, and operating with transparency throughout the bookmaking process, we hope to create the best conditions for continued creativity and productivity. Founded in 2019, we aim to publish well-made books with ambitious and thought-provoking content. As such, we choose our publications and book projects thoughtfully, keeping in mind not just what the reader seeks, but how publications can perhaps contribute to making a better world possible.
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
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Available for the first time in English translation, this collection of songs is a powerful memorial to the victims of the Holocaust. In June 1945, before the full devastation of the Holocaust had emerged, a team of researchers embarked on a remarkable project. While documenting the experiences of Jewish refugees, they began to collect songs composed and sung in the Nazi camps and ghettos. The resulting book, Mima'amakim (Out of the depths), was published in a short run of 500 copies. Today, only a handful survive. Out of the depths: The first collection of Holocaust songs presents the contents of this extraordinary document for a new generation of readers. Based on a copy of Mima'amakim discovered in 2013, it contains not only the songs' melodies and lyrics, the latter in a new translation by Joseph Toltz, but also short biographies of the composers, drawn from painstaking original research. Introductory essays provide historical and musicological background, deepening our knowledge of this terrible event and the creative means by which the Jewish people responded to and endured it. Described by the original editor, Yehuda Eismann, as a 'memorial stone for Polish Jewry', the songbook is a timeless document of a people's despair, hope and strength.
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This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
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"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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This catalogue of examination question is the ideal companion to the Short Textbook on Chemistry I. Together, both volumes help you prepare effectively for semester finals and for the first section of the German pharmaceutical licensing examination. ■ 1788 original IMPP questions from the years 1979–2017 ■ With annotated solutions ■ Covers Pharmacy I, or arranged by examination ■ Comments use the same chapter numbering as the Short Textbook on Chemistry I ■ Highlighting marks questions which have appeared more than once in the same wording. Ace your exams with Ehlers!
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Imperial examination system, as a main examination system, had exerted its great influence home and abroad. A large number of pictures and documents, such as documentary archives, exam halls, exam papers, exam tools, exam artifacts, exam wood carvings and exam preparations etc, about the changes of Chinese ancient imperial examination over the history are collected in this book and arranged into different categories according to their features. In addition, the simple text introductions to these materials are available. The book presents the development history of several thousands years and system construction of imperial examination, and also its profound influence on Chinese ancient societies to the readers.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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Assisted suicide has been the subject of much passionate debate in many societies. The philosopher and theologian Jean-Pierre Wils does not deny autonomy, but asks – on the basis of his profound historical and ethical knowledge – about the social consequences. Does the right to assisted suicide not in the long run lead to the obligation to decide for or against it? And does not the pressure towards a supposedly reasonable decision increase, as soon as the causation of one‘s own death is seen as a final act of self-realisation and emancipation, or even commended as such? Wils makes a strong plea for the debate to be held in a broader context, to remove our finiteness from cultural amnesia – and in doing so, lays the foundation for a contemporary discussion on assisted suicide.
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The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
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The Complete Works of Yungang Grottoes is a collection of photographic materials reflecting different periods, different caves, different artistic styles and artistic characteristics of Yungang Grottoes. It contains 20 volumes, each presenting a single Yungang cave with more than 400 pictures and several professional academic papers on the cultural and artistic characteristics of caves. As a royal art project symbolizing the imperial power of Tuoba in the Northern Wei Dynasty, the Yungang Grottoes are large in scale, rich in content, exquisite in carving, and vivid in appearance. They absorb and integrate the diverse cultures of ancient nationalities, and represent the highest level of carving in the world in the 5th century. In 2001, the Yungang Grottoes were listed on the World Heritage List. The Complete Works of Yungang Grottoes displays the treasures of the Yungang Grottoes in an unprecedented scale, high-definition, and panoramic view, which is regarded as a recording and preserving archive of great values. For more than 1500 years, the statues of the Yungang Grottoes have been weathered and ruined by wind and rain. In the past, most of the photography focused on the contemporarily perfect Buddha statues, but the remaining statues, even the best-preserved ones, are disappearing year by year from people's sight. The Complete Works of Yungang Grottoes collects image data of them, makes the documentary files, and has them published to the public, in this way retaining the perfect art in changes.
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with the Angel of Death is an amazing story of survival against all odds and a great achievement for the writer who was a teenager during World War 2, 1939–1945. This is the personal story of a family torn apart, always on the run from country to country, hiding, hoping not to be discovered and praying to survive.Lili Rebecca Kahan grew up trying to stay alive and helping others do the same. She survived dangers as a member of the underground in Budapest, often thanks to her knowledge of languages including German. There, under the Germans’ noses, she also helped other Jews by giving them new identities in order to escape death. Today, when survivors are leaving this world, she wants to honor the silent command of those who perished—remember and never forget.We, the last survivors, have a solemn obligation to testify, in the name of the dead and the living, that what we endured was a gruesome reality but also a permanent warning to mankind of horrors that might still lie ahead.Former president of France Nicolas Sarkozy so aptly put it when he said, “The tragedy of the Holocaust should be etched onto our consciousness as it is onto our hearts.” An English-language eBook Edition was published in late 2016 by Samuel Wachtman's Sons, Inc.,CA. 148 Pages, 15X22.5 cm
