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      • Modern & contemporary fiction (post c 1945)
        March 2018

        Muerte en Mitra

        by Miquel Bota

        Wake up, Ramón! What are you looking for? Why? After the partial loss of his memory, Ramón Mitra embarks on an introspective journey that takes him to a destination not imagined. In a delirious transition between reality and possibility, revisiting specific moments of his past, the protagonist of the novel will persist in his efforts to recover the pieces of himself that are missing. With the help of a young nurse, a philosophy student, a pharmacist reading Freud and a provincial secretary, Ramón struggles to achieve enlightenment through his personal odyssey, in which the fight against desire will be the mark of his itinerary. Set in mid-20th century Spain, nothing will be accidental in the history of Ramón Mitra: not his name, not the tests to which he will be subjected, neither the absences nor the presences of his journey.

      • Modern & contemporary fiction (post c 1945)
        March 2018

        2001 Punto Cero

        by Carlos A. Colla

        Welcome to a luminous journey, at times hilarious, that crosses the misery and dissects the hypocrisy of an abandoned society that struggles to emerge from the abyss. In a Buenos Aires besieged by violence and poverty in the worst economic and ethical crisis in contemporary Argentina, the lives of a select few are shipwrecked in a country that is crumbling. Prostitutes, unemployed workers and cartoneros merge in a ravaged city, pierced by anarchic holes of poverty, evictions and unemployment. Thanks to an unknown fate, the protagonist, disenchanted and responsible for his family, advances between the absurdity of the crisis, in a forward flight, without rest or contemplation, to try to recover a destiny torn from the roots. What could be the destination of such a particular transit?

      • Modern & contemporary fiction (post c 1945)
        June 2019

        TELL

        by Martín Lombardo

        Once upon a time… the Tell universe, a universe that is presented to us in multiple intertwined dimensions, and in which the characters intersect in paths of thought and action. In a transition between written language and visual language, the novel reconstructs the relationship between life and art, so that the action breaks down into reality and warns us that we live in it. On the one hand, we are introduced to a 60 years-old filmmaker who revisits his life. Despite not having the last name Tell, he wonders if he is a descendant of the mythical Swiss hero, William Tell. On the other hand, there is a young man trying to piece together an endless puzzle in which, in exchange for a fee, he finds himself aroused by his own desires. And also, there is a mysterious feminine presence around which all stories are forged, as the origin and end of the real and the mythical. Read, see, and dare to ask yourself: Am I a Tell?

      • Modern & contemporary fiction (post c 1945)
        August 2019

        Britannica

        by Germán Padinger

        In a future that seems close to becoming the past, the novel's characters struggle to adapt to the rapid concentration of information in a global file that can be accessed, as in a dream, through a cable connected directly to the brain: a process they call «enhancement». Young programming students, a wear social science teacher, a woman searching for her missing husband in the cloud, and a colonizer trying to build a new world populate this novel. Before them, virtual life and the ideology that «enhancement» brings will soon seem more attractive than flesh and blood, and the world will be immersed in a race towards transmigration, in transit times as technology advances. It is in this context that militants of an esoteric and nostalgic movement will try to warn about the dangers of abandoning the body, that old desire of philosophy.

      • Modern & contemporary fiction (post c 1945)
        November 2018

        Cuentos XMAS

        by Seb Doubinsky, Matilda Braxton-Bali, Martín Lombardo, Marina López Planella, Ángel Loureiro, Ana Jaka, Rafael Sáenz de Cabezón

        How to read XMAS in Spanish? X more? Ksmas? Chmas? And what do we understand when we actually read it? XMAS Stories groups seven Christmas-themed stories with X themes: an unknown, a prohibition, something with pornographic content, an indeterminacy, a substitution, a Roman numeral ... All those "X" themes in a "mas" "más" version. Some of the inhabitants of this space are: an individual who flees from the cold in search of healing human warmth; a sixty-year-old in love with the Magi; a friar who finds peace lecturing a community of settlers and indigenous people; an “it” girl housewife on the boil before her Christmas party preparations; a Santa Claus by accident, the protagonist of an untraditional tale; a young woman thirsty for a good love story; and a resident of the Big Apple hungry for Christmas revenge. The characters and voices in these stories, framed in a festive and celebratory atmosphere, and sheltered by everything that Christmas supposedly entails, propose heterodox realities as the only way to a new birth.

      • Modern & contemporary fiction (post c 1945)
        February 2019

        Cuentos Bi

        by María de Alva, Raúl Ortega Alfonso, Silvia Goldman, Beatriz Berrocal, Jorge León Gustà, Meli Navas

        Bi? Bi what? BI Stories groups six stories that explore the idea of ​​duplicity and repetition from different perspectives, expanding the "bi" beyond two so as not to have figures and to become innumerable. Some of the inhabitants of this more than binary universe are: a young woman with feline features who unfolds in her uniqueness; a bilingual publicist trained to teach a new language; a mother between two lands who is lost and finds herself in his fantasies; a reader who reads and is read at the same time; a commercial for an insurance company very sure of himself; and a lady who does not listen, and a music-loving tree as a tandem protagonist of the same story. The characters and voices in these stories delve into the unraveling of the being and the human, to reiterate that everything dual can be multiplied in a process of (dis)assimilation.

      • Modern & contemporary fiction (post c 1945)
        May 2019

        Cuentos EX

        by Cristian Vázquez, David Gambarte, Constanza Ternicier, Paz Martín-Pozuelo, Juan Manuel Chávez, Sara Mañero, Fidel Masreal

        Who is not EX of something or someone? EX Stories brings together seven stories of encounters and disagreements that deliberate on the exceptionality of the routine and the spontaneity of the extravagant. Some of the inhabitants of this world of eccentricities are: a group of friends and acquaintances who settle their differences to find an exact moment and dissolve their opinions in the immensity of the unknown; an individual who excavates the banks of a foreign river while opening intimate underground galleries; some anonymous subjects who exclaustrate to demolish fears, demolish doubts and freely know themselves; a lady who exonerates an instinctive desire by giving a feeling oral form; a young man who accepts an absurd eventuality and learns to live with his bad luck; a man who excuses his wishes from the anguish of repetition or abandonment; and a pain-free poet idolized for penetrating uncertain abysses. The characters and voices in these stories exceed the limits of their own magnitude in search of an emotion, the jolt of which gives them the chance to explain themselves from a new exegesis.

      • Modern & contemporary fiction (post c 1945)
        April 2019

        Cuentos @

        by Juan Ángel Juristo, Álvaro Hernando Freile, Juan Senís, Ana Belén Albero Díaz, Belén GalindoLizaldre, J. Antonio Tamez Elizondo, Christopher J. Castañeda

        @ Stories groups six stories that show some uses of the “at” sign to delve into the heterogeneity of a symbol (@) that has become an indispensable element in our society. Some of the inhabitants of this cosmos without borders are: a writer and biographer who discovers the value of the weight of an arroba and the astonishing truth of an unsuspected past; a group of friends and colleagues who hide behind the anonymous @s of a chat in which anyone can be what they are not, or pretend to be; a university professor who needs the magic of @s to take off on a transformative journey; a young man who hides behind the @ of an email that does not know the time factor; an anonymous citizen weighing the common generic of a species or descriptive @ for a coming civilization; and a faculty committee that evaluates the incomprehension of a @ against the oppressive engine of strongly felt roots. The characters and voices in these stories reflect on the power of an @ beyond its internautic function to cross the barriers of the apparently absurd and crack the solidity of everything that seems chimerical.

      • Modern & contemporary fiction (post c 1945)
        September 2019

        Cuentos META

        by Enrique Patiño, Hadley Pennington Keefe, Federico Palomera, Lautaro Vincon, Belén Palos, Thais Díaz Montalvo, María Toca, Dixon Acosta Medellín

        Is the goal the beginning or the end? Is the goal sequel or consequence? META Stories brings together eight narrative voices that transform realities, invert solutions and reconcile results with objectives, so that the purpose of their actions exceeds their own expectations. Some of the inhabitants of this playing field are: an ambitious journalist and an anti-establishment revolutionary planning known theories on outdated models; a perfect couple who decides their own path of perdition; a Russian teacher determined to beat the winter cold in postwar Spain; a young woman who finds a peculiar way of transmuting her family reality; a dressmaker's apprentice who in World War II Paris amends wrappings and fabrics; a mother who is reborn in a story already written; a woman who prefers to live to imagine, and for whom an outcome is reconstructed; and a man who learns the true meaning of not scoring a goal. The characters and voices in these stories pose new challenges in the extremes of a biographical journey in which the beginning and the end are part of a process of knowledge.

      • Modern & contemporary fiction (post c 1945)
        August 2018

        Cuentos TRANS

        by Inma Chacón, Fermina Ponce, Germán Padinger, Margarita García Gallardo, Antonio J. Quesada, Sharon E. Smith, Carlos A. Colla, Miquel Bota

        Is TRANS an adjective? Is TRANS- a prefix? What is TRANS? What does it mean? Each reader can ask this question from very different perspectives, depending on the moment in time and life trajectory. So you can simultaneously enjoy all the amazing stories in this collection, and playfully challenge your reading preconceptions. TRANS Stories brings together eight narrative voices from different backgrounds, which offer unique approaches to the term “trans”. Some of the inhabitants of this transliterary journey are: a lonely being who celebrates a (happy) birthday; a mother and a daughter who face the coldness of an operating room; a journalist who lives in space, in a colony on Earth; a young civil servant who is confused by the night; a cook and an artist who decide to revolutionize the world of the senses; the wife of an entomologist ready to solve a mystery; a Kabbalist who undergoes a transformation after an outbreak of (ir)reality; and the male models of a painter who are discovered through a game of identities. The characters and voices in these stories are part of a transitory and transcribed space in which nothing, and everything, is what it seems, and in which everything, and nothing, becomes transgressive. These eight stories make TRANS something transfigurative.

      • Modern & contemporary fiction (post c 1945)

        Hasta la vista, Babilonia

        by Seb Doubinsky

        What do a depressed soldier, a journalist in search of bait, a demoralized commissioner, a hit man, a stripper and a budding poet have in common? They all live in Babylon, a great boiling city where excess and decadence are constantly confused. Located in a dystopian universe in transit, the city stands as a huge labyrinth where everything is possible. None of Babylon’s inhabitants know who will be the next to fall into the darkness of their bowels. Life in the city is hectic because death awaits its inhabitants on every corner, and no one knows what the future holds. The novel is composed of three independent but interrelated stories that reflect in an ironic way on imperialism and its consequences, in which war, dreams, love and the impossibility of finding the meaning of life influence the characters’ daily live.

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