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      • Biography & True Stories
        January 2023

        Raw Umber: A Memoir

        by Sara Rai

        Winner of Tata Literature Live! Book of the Year Award for 2023—Non-Fiction Spare and elegant, Raw Umber is as much about the steady pulse of Sara Rai’s 1960s childhood as it is about the nature of remembering, and the role that memory plays in shaping a writer’s sensibility. With the figure of her grandfather Premchand looming over her childhood, and with others in her family-grandmother, parents, aunts, uncles and cousins-also writers, it is hardly a surprise that Sara Rai ‘fell into’ writing. Rai is a bilingual writer travelling between Hindi and English, with her fiction primarily in Hindi. Perhaps inevitably for a fiction writer, the boundary between memory and imagination gets blurred. It is the unconscious jottings of the mind, and the cadences that enter the ears, the inner life that develops during years of unhurried living in places like Allahabad and Banaras that prepare the ground for the fiction writer. In this intimate chronicle, some of the characters in the family gallery are vividly brought to life. Sara Rai’s Drummond Road home in Allahabad, her mother’s ancestral Nawab-ki-Deorhi haveli, and her grandmother Shivrani Devi’s Godowlia house in Banaras-all have their own tales to tell. Raw Umber is a work of deep humanity, told with affectionate humour and an austere lyricism. In the telling of the story, Rai has stuck to her own slightly eccentric remembering of the ever-changing, fugitive past.

      • Biography & True Stories
        January 2012

        My Name is Gauhar Jaan

        Life and Times of a Musician

        by Vikram Sampath

        The earliest recordings of Indian music are characterised by the high-pitched announcement, ‘My name is Gauhar Jaan.’ This declaration epitomised a milestone in the history of Indian classical music, one that would forever change its content, structure and style.The musical scene in India at the turn of the 20th century witnessed tumultuous changes. The traditional custodians of the art form, the devadasis in the south and the nautch girls in the north, who had nurtured the art for centuries, became victims of the morality laws of the British government and the prudery of an ‘enlightened’ Indian elitist class. Gauhar Jaan (1873-1930), however, an eminent Hindustani vocalist, symbolises the resurgence of women musicians of her era. Born Eileen Angelina Yeoward, an Armenian Christian who later converted to Islam, Gauhar Jaan was a naturally gifted musician with an outstanding repertoire. One of the earliest women artists to seize the opportunities that rose with the advent of recording technologies, hers was the first Indian voice to ever be recorded in 1902. She went on to cut close to 600 records, the most successful female musician of her time. This book traces her story, a story peppered with the stuff myth and legend, as well as the times during which she lived. It also describes the evolution of the Indian recording industry and its impact on the country’s music, theatre and social life.

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