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      • Trusted Partner
        Transforming folk
        The Arts
        February 2012

        Transforming folk

        Innovation and tradition in English folk-rock music

        by Rob Burns

        English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;

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      • Trusted Partner
        Why pamper life's complexities?
        The Arts
        October 2010

        Why pamper life's complexities?

        Essays on The Smiths

        by Sean Campbell, Peter Martin, Colin Coulter, Martin Hargreaves

        For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life's complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths. ;

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      • Trusted Partner
        Why pamper life's complexities?
        The Arts
        October 2010

        Why pamper life's complexities?

        Essays on The Smiths

        by Sean Campbell, Peter Martin, Colin Coulter, Martin Hargreaves

        For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life's complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths. ;

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      • Trusted Partner
        Manchester Beethoven studies
        The Arts
        February 2023

        Manchester Beethoven studies

        by Barry Cooper, Matthew Pilcher

        Manchester Beethoven studies presents ten original chapters by scholars with close ties to the University of Manchester. It throws new light on many aspects of Beethoven's life and works, with a special emphasis on early or little-known compositions such as his concert aria Erste Liebe, his String Quintet Op. 104 and his folksong settings. Biographical elements are prominent in a wide-ranging reassessment of his religious attitudes and beliefs, while Charles Hallé, founder of the Manchester-based Hallé Orchestra, is revealed to have been a tireless and energetic promoter of Beethoven's music in the later nineteenth century.

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      • Trusted Partner
        Manchester Beethoven studies
        The Arts
        February 2023

        Manchester Beethoven studies

        by Barry Cooper, Matthew Pilcher

        Manchester Beethoven studies presents ten original chapters by scholars with close ties to the University of Manchester. It throws new light on many aspects of Beethoven's life and works, with a special emphasis on early or little-known compositions such as his concert aria Erste Liebe, his String Quintet Op. 104 and his folksong settings. Biographical elements are prominent in a wide-ranging reassessment of his religious attitudes and beliefs, while Charles Hallé, founder of the Manchester-based Hallé Orchestra, is revealed to have been a tireless and energetic promoter of Beethoven's music in the later nineteenth century.

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      • Trusted Partner
        Manchester Beethoven studies
        The Arts
        February 2023

        Manchester Beethoven studies

        by Barry Cooper, Matthew Pilcher

        Manchester Beethoven studies presents ten original chapters by scholars with close ties to the University of Manchester. It throws new light on many aspects of Beethoven's life and works, with a special emphasis on early or little-known compositions such as his concert aria Erste Liebe, his String Quintet Op. 104 and his folksong settings. Biographical elements are prominent in a wide-ranging reassessment of his religious attitudes and beliefs, while Charles Hallé, founder of the Manchester-based Hallé Orchestra, is revealed to have been a tireless and energetic promoter of Beethoven's music in the later nineteenth century.

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      • Trusted Partner
        Out of the depths
        Humanities & Social Sciences
        January 2025

        Out of the depths

        The first collection of Holocaust songs

        by Joseph Toltz, Anna Boucher

        Available for the first time in English translation, this collection of songs is a powerful memorial to the victims of the Holocaust. In June 1945, before the full devastation of the Holocaust had emerged, a team of researchers embarked on a remarkable project. While documenting the experiences of Jewish refugees, they began to collect songs composed and sung in the Nazi camps and ghettos. The resulting book, Mima'amakim (Out of the depths), was published in a short run of 500 copies. Today, only a handful survive. Out of the depths: The first collection of Holocaust songs presents the contents of this extraordinary document for a new generation of readers. Based on a copy of Mima'amakim discovered in 2013, it contains not only the songs' melodies and lyrics, the latter in a new translation by Joseph Toltz, but also short biographies of the composers, drawn from painstaking original research. Introductory essays provide historical and musicological background, deepening our knowledge of this terrible event and the creative means by which the Jewish people responded to and endured it. Described by the original editor, Yehuda Eismann, as a 'memorial stone for Polish Jewry', the songbook is a timeless document of a people's despair, hope and strength.

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      • Unstrung
        The Arts

        Unstrung

        Rants and Stories of a Noise Guitarist

        by Marc Ribot

        Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, “Lies and Distortion,” Ribot turns his attention to his instrument—“my relation to the guitar is one of struggle; I’m constantly forcing it to be something else”—and reflects on his influences (and friends) like Robert Quine (The Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists’ rights. Elsewhere, we glimpse fragments of Ribot’s life as a traveling musician—he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, “Sorry, We’re Experiencing Technical Difficulties,” Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot’s position as one of the most dynamic and creative voices of our time.

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      • The Power of Music
        Theory of music & musicology
        July 2020

        The Power of Music

        Psychoanalytic Explorations

        by Kennedy, Roger

        Emotion is an integral aspect of musical experience. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation. This offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups. No one discipline can do justice to music's complexity if one is to have a sense of the whole musical experience. After various excursions into early mother/baby experiences, evolutionary speculations, and neuroscientific findings, Roger Kennedy asserts that it is the intensity of the artistic vision which is responsible for music's power. That intense vision invites the viewer or the listener into the orbit of the work, engaging us to respond. Music can be described as having soul when it hits the emotional core of the listener. And, of course, there is 'soul music', whose basic rhythms reach deep into the body to create a powerful feeling of aliveness. One can truly say that music, of all the arts, is most able to give shape to the elusive human soul.

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      • The Flute in Tango / La Flauta en el Tango
        The Arts

        The Flute in Tango / La Flauta en el Tango

        Fundamental method for playing tango music

        by Paulina Fain

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar.» All the tools and techniques for playing tango music are covered throughout specific chapters and exercises.» 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert.» Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE FLUTE IN TANGO CONTENTS» Expressive melody. The art of fraseo, the authentic shaping of the expressive melodies.» Rhythmic melody. The performance of rhythmic melodies and the articulation specific to tango.» Use of ornaments and extended techniques applied to tango, guidelines to playing in a tango ensemble, the history of the flute in tango, the different styles of the genre and more.» 5 original works for flute and piano.» 105 audio examples.

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      • The Piano in Tango / El Piano en el Tango
        The Arts

        The Piano in Tango / El Piano en el Tango

        Fundamental method for playing tango music

        by Hernán Possetti

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS » Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE PIANO IN TANGO CONTENTS » Rhythmic melody. Articulation as a fundamental constituent element of the tango language. » Expressive melody. Fraseo as an essential resource for expressiveness. » Time-marking models. The piano as a support for the melodic discourse. » Different functions. The conductor role and other responsibilities undertaken by the pianist. » Milonga and vals, ornaments, guidelines to play in a tango ensemble, the history of the piano in tango, the different styles of the genre, and more. » 7 original works for piano. » 280 audio and video examples.

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      • The Bass in Tango / El Contrabajo en el Tango
        The Arts

        The Bass in Tango / El Contrabajo en el Tango

        Fundamental method for playing tango music

        by Ignacio Varchausky

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE BASS IN TANGO CONTENTS » Time-marking models. The role of the bass as part of the rhythmic base. Marcato, pizzicato, and other typical articulations used in tango. » Bass lines. Characteristic devices used to create bass lines and perform them spontaneously. » Rhythmic melody. Articulation as a fundamental constituent element of the tango language. » Expressive melody. Fraseo as an essential device for expressiveness. » Milonga and vals, the use of percussive effects, guidelines to play in a tango ensemble, the history of the bass in tango, the different styles of the genre. » 6 original works for ensemble. » 250 audio and video examples.

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      • The Guitar in Tango / La Guitarra en el Tango
        The Arts

        The Guitar in Tango / La Guitarra en el Tango

        Fundamental method for playing tango music

        by Sebastián Henríquez

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina.This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE GUITAR IN TANGO CONTENTS » Rhythmic melody. Different ways to articulate and accentuate a rhythmic melody in tango. » Expressive melody. Fraseo and ornamentation as essential expressive devices. » Milonga and vals, connecting passages, guidelines for playing in a tango ensemble, the history of the guitar in tango, tango orchestra styles, and more. » 8 original works for guitar and ensemble. » 350 audio & video tracks.

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      • The Bandoneon in Tango / El Bandoneón en el Tango
        The Arts

        The Bandoneon in Tango / El Bandoneón en el Tango

        Fundamental method for playing tango music

        by Eva Wolff

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS » Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE BANDONEON IN TANGO CONTENTS » Rhythmic melody. Different ways to articulate and accentuate a rhythmic tango melody. » Expressive melody. Fraseo as a fundamental constituent element of the tango language. » Time-marking models. The role of the bandoneon as part of the rhythmic base. » Ornaments and variations. Melodic embellishments and their use. » Milonga and vals, the use of percussive effects, guidelines to play in a tango ensemble, the history of the bandoneon in tango, the different styles of the genre. » 7 original works for ensemble. » 350 audio examples.

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      • Die flote im Tango / Le flute dans le Tango
        The Arts
        2010

        Die flote im Tango / Le flute dans le Tango

        Grundlegende schule des tangospiels

        by Paulina Fain

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS » Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE FLUTE IN TANGO CONTENTS » Expressive melody. The art of fraseo, the authentic shaping of the expressive melodies. » Rhythmic melody. The performance of rhythmic melodies and the articulation specific to tango. » Use of ornaments and extended techniques applied to tango, guidelines to playing in a tango ensemble, the history of the flute in tango, the different styles of the genre and more. » 5 original works for flute and piano. » 105 audio examples.

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      • Die Violine im Tango / Le violon dans le Tango
        The Arts
        2011

        Die Violine im Tango / Le violon dans le Tango

        Grundlegende schule des tangospiels

        by Ramiro Gallo

        “Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina.This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies.   CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises.» 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert.» Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel.   THE VIOLIN IN TANGO CONTENTS» Rhythmic melody. Different ways to articulate and accentuate a rhythmic tango melody.» Expressive melody. The art of phrasing, the tools to express tango music.» The rhythmic base. The typical marking models and the role of the violin as a part of the rhythmic base.» The use of ornaments and percussion effects, guidelines to play in a tango ensemble, the history of the violin in tango, the different styles of the genre.» 7 original works for violin and other instruments.» 130 audio and video examples.

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      • The Indispensable Harp
        Theory of music & musicology

        The Indispensable Harp

        Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America

        by John Schechter (author)

        A musical instrument that has played a vital role in Latin American music cultures—the harp—is the subject of this new work, the first study of its kind to be published in English. John Schechter presents a history of the harp in Spain, traces its introduction into colonial Latin America, and describes its modern roles in the diverse cultural centers of Mexico, Paraguay-Argentina-chile, Venezuela, and Peru. He then turns his focus to his own field research in the Quichua culture of northern highland Ecuador, an area that has receive considerably less scholarly attention than many of its Latin American neighbors. The reader will meet a community of harp maistrus on the slopes of Mt. Cotacachi and become familiar with their culture, their particular instrument and its tuning, and their performance practices. Numerous photographs, musical transcriptions, and diagrams illustrate and enliven the text. The Indispensable Harp is unique for its integration of aspects of music and cultural history, organology, and performance practice, treating in considerable depth both broadly established music-ethnographical practices. It speaks to the conclusion that the vital role of the harp in Latin American music history has now been properly acknowledged and documented.

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      • It's a Rogg's Life!
        Techniques of music / music tutorials

        It's a Rogg's Life!

        Original Verse from One of the Country's Newly Established Writers

        by

        Using the Internet as a teaching tool, this book is aimed at any instrumentalist seeking to develop their understanding of rhythms. All examples use one pitch, allowing the student to focus completely on time and rhythm. This book applies both eighth and sixteenth note rhythms to odd meter combinations. Audio examples for all exercises in the form of midi files can be downloaded from the internet.

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