Description
More Information
Rights Information
Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Bahrain, Belgium, Belize, Benin, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Bulgaria, Burkina Faso, Burundi, Cameroon, Canada, Cape Verde, Central African Republic, Chad, Chile, China, Colombia, Comoros, Congo [DRC], Congo, Republic of the, Costa Rica, Ivory Coast, Croatia, Czech Republic, Denmark, Djibouti, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Faroe Islands, Finland, France, French Guiana, Gabon, Gambia, Georgia, Germany, Ghana, Greece, Guatemala, Guinea, Guinea-Bissau, Guyana, Honduras, Hongkong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Japan, Jordan, Kazakhstan, Kenya, Kuwait, Latvia, Lebanon, Lesotho, Liberia, Libya, Lithuania, Luxembourg, Macau, China, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Mali, Malta, Mauritania, Mauritius, Mayotte, Mexico, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Somalia, South Africa, South Korea, Spain, Sri Lanka, Sudan, Suriname, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Venezuela, Vietnam, Western Sahara, Yemen, Zambia, Zimbabwe, South Sudan, Cyprus, Palestine, Bangladesh, Cambodia, Liechtenstein, Azerbaijan, Jamaica, Kyrgyzstan, Dominican Republic, Myanmar, Monaco
Endorsements
Public Information Films were one of the responses by the British Government to the communication challenges of a mass electorate. This book explores its somewhat tortuous progress in the 1930s and 1940s by examining the Government's own attempts at filmmaking through the film units of the Empire Marketing Board, the General Post Office and, eventually the Ministry of Information's Crown Film Unit. These Units enabled many who regarded themselves as documentarists to develop their skills and techniques over the course of two decades. Whilst acknowledging that Grierson, Jennings and others made significant contributions to the Public Information Film this book takes a slightly different perspective. Its focus is upon the entire film catalogue produced by the Government Film Units from 1930 to 1952 rather than the personalities. From this perspective it is possible to identify significant themes in the films and consider whether they addressed the demands of their sponsors or reflected more widespread national concerns and anxieties. To achieve that the impact of these films is further explored by assessing their reception amongst contemporary audiences. The overall success of the film units was such that they developed a template for Public Information Film production which was used until the 1970s. The book makes a significant contribution to the understanding of Government communication by film and its responses to the issues facing the British public in the 1930s and 1940s.
Reviews
Public Information Films were one of the responses by the British Government to the communication challenges of a mass electorate. This book explores its somewhat tortuous progress in the 1930s and 1940s by examining the Government's own attempts at filmmaking through the film units of the Empire Marketing Board, the General Post Office and, eventually the Ministry of Information's Crown Film Unit. These Units enabled many who regarded themselves as documentarists to develop their skills and techniques over the course of two decades. Whilst acknowledging that Grierson, Jennings and others made significant contributions to the Public Information Film this book takes a slightly different perspective. Its focus is upon the entire film catalogue produced by the Government Film Units from 1930 to 1952 rather than the personalities. From this perspective it is possible to identify significant themes in the films and consider whether they addressed the demands of their sponsors or reflected more widespread national concerns and anxieties. To achieve that the impact of these films is further explored by assessing their reception amongst contemporary audiences. The overall success of the film units was such that they developed a template for Public Information Film production which was used until the 1970s. The book makes a significant contribution to the understanding of Government communication by film and its responses to the issues facing the British public in the 1930s and 1940s.
Author Biography
Alan J. Harding is a former Programme Director at the University of Southampton and a Senior Fellow of the Higher Education Academy
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date July 2024
- Orginal LanguageEnglish
- ISBN/Identifier 9781526154781 / 1526154781
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages256
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions216 X 138 mm
- Biblio NotesDerived from Proprietary 5364
- Reference Code13731
Manchester University Press has chosen to review this offer before it proceeds.
You will receive an email update that will bring you back to complete the process.
You can also check the status in the My Offers area
Please wait while the payment is being prepared.
Do not close this window.