Courteous exchanges
Spenser's and Shakespeare's gentle dialogues with readers and audiences
by Patricia Wareh
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Endorsements
Courteous Exchanges demonstrates the importance of courtesy as a discourse shaping reader and audience experiences in the English Renaissance. It focuses on significant correspondences between the works of Spenser and Shakespeare, but it also considers how Castiglione's Book of the Courtier provided these two authors with a rich mine of concepts and vocabulary and a predecessor in the art of encouraging reader engagement in these terms of analysis. Wareh analyses Love's Labour's Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter's Tale in tandem with The Faerie Queene, examining how such topics as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation. She suggests that Renaissance audiences and readers, through the reflections and responses provoked by this process, were led into a recognition of their overlapping roles as judges of texts and people. The habits of thought they thus developed supported a critical evaluation of the cultural fiction of inherited gentility and the social performance of courtesy that supports it. The works of Spenser and Shakespeare contributed to the social construction of Renaissance aristocratic identity, but they also provided tools for its critique.
Reviews
Courteous Exchanges demonstrates the importance of courtesy as a discourse shaping reader and audience experiences in the English Renaissance. It focuses on significant correspondences between the works of Spenser and Shakespeare, but it also considers how Castiglione's Book of the Courtier provided these two authors with a rich mine of concepts and vocabulary and a predecessor in the art of encouraging reader engagement in these terms of analysis. Wareh analyses Love's Labour's Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter's Tale in tandem with The Faerie Queene, examining how such topics as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation. She suggests that Renaissance audiences and readers, through the reflections and responses provoked by this process, were led into a recognition of their overlapping roles as judges of texts and people. The habits of thought they thus developed supported a critical evaluation of the cultural fiction of inherited gentility and the social performance of courtesy that supports it. The works of Spenser and Shakespeare contributed to the social construction of Renaissance aristocratic identity, but they also provided tools for its critique.
Author Biography
Patricia Wareh is Associate Professor of English at Union College
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date June 2024
- Orginal LanguageEnglish
- ISBN/Identifier 9781526149855 / 1526149850
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages304
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions216 X 138 mm
- Biblio NotesDerived from Proprietary 5208
- SeriesThe Manchester Spenser
- Reference Code13094
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