In 1919, Walter Gropius founded the Staatliche Bauhaus in Weimar (Germany): a place for construction. The project was born as a utopian school in which to train, integrating various artistic disciplines through the object and architecture, the new craftsmen that would be demanded for a sweeping beginning of the century. An idea that would evolve into design from its headquarters in Dessau with the famous "art and technology: a new unity". However, the intellectual recognition of the Bauhaus is a fact that historically focused on its male protagonists, forgetting a number of women artists, designers, set designers, painters or architects trained there who contributed decisively to this "revolution", and whose work in the imaginary about the Bauhaus has remained invisible, despite developing their respective careers with an unquestionable international impact. With this work, Marisa Vadillo fills this gap, completing the reality of the school by recounting the outstanding role of these fundamental authors in an unrepeatable episode of twentieth-century art.