Phileas Fogg Agency
Agency representing picture books projects, Foreign rights for publishers of picture books, representation of portfolios, contract consultancies.
View Rights PortalAgency representing picture books projects, Foreign rights for publishers of picture books, representation of portfolios, contract consultancies.
View Rights PortalBis der Wind sich dreht - Wege raus aus dem Konflikt Konfliktmanagement einmal anders - Ein Roman und Ratgeber in einemTeil 1: Geschichten aus der Arbeitswelt, die jeder kennt. Konflikte mit den Kollegen, Vorgesetzten oder im Team. Ein geheimer Briefeschreiber der Sichtweisen verändert und Konflikte löst. Teil 2: Ein Workbook, ein Ratgeber mit Hilfsmitteln und Lösungsmöglichkeiten in Konfliktsituationen
View Rights PortalBeginning as a small protest to the industrialization of agriculture in the 1920s, organic farming has become a significant force in agricultural policy, marketing, and research. No longer dismissed as unscientific and counterproductive, organic techniques are now taken seriously by farmers, consumers, scientists, food processors, marketers, and regulatory agencies in much of the world. Organic farming is both dynamic and forward-looking but is also rooted in tradition. It is these traditions that can provide valuable starting points in debates over how organic farming should meet new challenges such as globalization, the emergence of new production techniques, and growing concern over equity and social justice in agriculture. Complementing general discussions with case histories of important organic institutions in various countries, this comprehensive discussion is the first to explore the development of organic agriculture.
Beginning as a small protest to the industrialization of agriculture in the 1920s, organic farming has become a significant force in agricultural policy, marketing, and research. No longer dismissed as unscientific and counterproductive, organic techniques are now taken seriously by farmers, consumers, scientists, food processors, marketers, and regulatory agencies in much of the world. Organic farming is both dynamic and forward-looking but is also rooted in tradition. It is these traditions that can provide valuable starting points in debates over how organic farming should meet new challenges such as globalization, the emergence of new production techniques, and growing concern over equity and social justice in agriculture. Complementing general discussions with case histories of important organic institutions in various countries, this comprehensive discussion is the first to explore the development of organic agriculture. This title is now also available in paperback.
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
Shipwrecks, gory battle scenes, cross-dressing, toxic relationships, abduction, torture (psychological and physical), comical country bumpkins, and, of course, love and poetry -Sir Philip Sidney's witty pastoral romance The Countess of Pembroke's Arcadia is the classic that has it all in terms of entertainment factors. Modern readers mostly know Arcadia in its complete 'old' version, but it is the New Arcadia (published in 1590) that was the most influential and most widely imitated literary text of the sixteenth century. While preserving the basic plot - a ruler attempts to escape an alarming oracle by moving his family to the countryside and engaging in shepherd-cosplay until the arrival of two foreign princes triggers a chain of events leading to the fulfilment of the oracle - this version adds further narrative strands and introduces ambitious revisions that showcase Sidney's stylistic brilliance as a prose writer.
As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
Mary I, eldest daughter of Henry VIII, was Queen of England from 1553 until her death in 1558. For much of this time she ruled alongside her husband, King Philip II of Spain, forming a co-monarchy that put England at the heart of early modern Europe. In this book, Alexander Samson presents a bold reassessment of Mary and Philip's reign, rescuing them from the neglect they have suffered at the hands of generations of historians. The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip's important contributions as king of England.
Love is a long-burning issue of philosophy. From antiquity to the present day, people have philosophised about love, which reveals itself in a variety of forms and norms. But what really happens when philosophers not only philosophise, but also love, from the initial games of seduction to the culmination of sexual lust? With the aid of eleven biographical case studies, from Socrates and Augustine to Martin Heidegger and Michael Foucault, Manfred Geier, author of several biographies on philosophers, documents how without their erotic lust, the philosophers would not have become searchers of wisdom.
Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.
30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
Für Liebhaber des boshaften Humors: George Bernard Shaw. »Die Beziehung des Vorgesetzten zum Untergebenen schließt gute Manieren aus.«
Rund 170 historische Fotos und Ansichtskarten, die hier zum größten Teil erstmals veröffentlicht werden, entführen den Leser in das Venedig Thomas Manns. Reinhard Pabst führt auf den Spuren des Dichters durch die Lagunenstadt und zu den Originalschauplätzen der Novelle Der Tod in Venedig. Wie einst Gustav Aschenbach, der Held der Novelle, kann sich der Leser im luxuriösen »Grand Hôtel des Bains« auf dem Lido ergehen, das mondäne Badeleben genießen und sich dem »Vergnügen an den Bildern eines soignierten Strandes« hingeben, an dem sich auch Arthur Schnitzler, Peter Altenberg, Karl Kraus, Georg Trakl und viele andere tummelten.Ein einzigartiges Buch über eine vergangene, faszinierende Epoche.
Brink's provocative biography shows that Spenser was not the would-be court poet whom Karl Marx's described as 'Elizabeth's arse-kissing poet'. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell's Catechism and Dean of St. Paul's. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser's life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
Forests cover approximately 26% of the world's land surface area and represent a distinct biotic community. They interact with water and soil in a variety of ways, providing canopy surfaces which trap precipitation and allow evaporation back into the atmosphere, thus regulating how much water reaches the forest floor as through fall, as well as pull water from the soil for transpiration. The discipline "forest hydrology" has been developed throughout the 20th century. During that time human intervention in natural landscapes has increased, and land use and management practices have intensified. This book: - Presents cutting edge thinking and assessments in forest hydrology across all latitudes and terrains, including state-of-the-art modelling techniques and methodologies - Describes the latest challenges facing forest hydrology, such as increased occurrence of disturbance, due to extreme floods, drought, disease, and fire, potentially caused by climate change - Is written by an internationally renowned team of scientists, engineers, and managers to give a well-rounded review of the subject The book will be useful for graduate students, professionals, land managers, practitioners, and researchers with a good understanding of the basic principles of hydrology and hydrologic processes. ; This book presents cutting edge thinking and assessments in forest hydrology across all latitudes and terrains, including state-of-the-art modelling techniques and methodologies. It describes challenges facing forest hydrology such as extreme floods, drought, disease, and fire, and is written by an internationally renowned team. ; 1: An Introduction to Forest Hydrology 2: Forest Runoff Processes 3: Forest Evapotranspiration: Measurement and Modelling at Multiple Scales 4: Forest Hydrology of Mountainous and Snow Dominated Watersheds 5: European Perspectives on Forest Hydrology 6: Tropical Forest Hydrology 7: Hydrology of Flooded and Wetland Forests 8: Forest Drainage 9: Hydrological Modeling in Forested Systems 10: Geospatial Technology Applications in Forest Hydrology 11: Forests Cover Changes and Hydrology in Large Watersheds 12: Hydrologic Effects of Forest Management 13: Hydrology of Forests after Wildfire 14: Hydrologic Processes of Reference Watersheds in Experimental Forests, USA 15: Applications of Forest Hydrologic Science to Watershed Management in the 21st Century 16: Hydrology of Taiga Forests in High Northern Latitudes 17: Future Directions in Forest Hydrology
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;