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      • Andrew Nurnberg Associates Ltd.

        International literary agency with a distinguished list of fiction, non-fiction and children's authors, specializing in foreign rights.

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      • Ediciones Uniandes / Universidad de los Andes

        Ediciones Uniandes, Universidad de los Andes’s press, in Bogotá, Colombia, publishes scholarly books and music CDs, thus making available the research and arts production of professors and researchers within the university. Our aim is to consolidate a rigorous catalog with high academic and editorial standards, and to publish relevant titles while promoting collaboration with other key institutions, both in Colombia and abroad, and intercultural exchange; we also support editorial policies such as open access. Our catalog includes a wide range of topics with special emphasis on Social Sciences, Humanities and Law, but also Economics, Sciences, Management, Architecture, Design, and Medicine.

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      • Fiction

        The Horned Blue Beast

        by Andrus Kivirähk

        The Horned Blue Beast is a grotesque artist’s novel in which Estonian mythology is transformed into an untethered element of quotidian life. Dr. Friedrich Reinhold Kreutzwald published the Estonian national epic Kalevipoeg first in German, then in Estonian, in the mid-19th century. Kalevipoeg is something of a cornerstone work in the Estonian fine arts – its motifs echo in literature, art, and musical composition, and it laid the groundwork for the formation of national consciousness. In the 1910s, the young and talented Estonian artist Oskar Kallis, whose works blend art nouveaux and national romanticism, became the first to illustrate the epic. Kallis’s art brought about Kalevipoeg’s second coming and was a vividly-colored visual triumph for its hero of giant proportions. Kivirähk’s novel is a spellbinding interpretation of the creation of Kallis’s radiant illustrations. Written in diary format, the young artist conveys his semi-psychedelic encounters on the path to understanding Kalevipoeg. The protagonist doesn’t simply imagine the characters, but journeys alongside them in a mythological world while simultaneously growing distant from the real one – the streets of a harbor town preparing for a grim war. The epic’s oftentimes outrageous characters and their intrepid adventures literally clamor to be drawn and called into being for readers and appreciators of art. The ordinary world seems to stifle and fail to understand this, staying indifferent to the artist’s attempts to communicate the joys and spectrum of colors he finds in the mythological world. The artist’s wild, enchanting, and ultimately tragic story – one akin to a sensitive participatory experiment – poses the questions of how a person in the arts perceives the world and where the lines between the real world and their reality are drawn. By his final entries, the mirthful young man has turned into a full-fledged, bone-weary man whose last works of art are woven into topics far beyond his original absurd escapades – love and the quest for peace beyond the grave. Kallis died in early 1918 at the age of 25 on the Crimean Peninsula, where his teacher and romantic partner had him taken to recover from tuberculosis. Kallis had never left his hometown of Tallinn before arriving in Yalta, but his works – the creation of which Kivirähk has depicted in a clever and masterful way – were in close discourse with the finest artistic traditions of Europe and Scandinavia. Kivirähk’s powerful use of language brings the artist’s inner landscapes to life. The Horned Blue Beast is an uproarious tale which strums the deepest heartstrings – just as the author frequently does – and amazes the reader by how such a heartbreaking book can still be so cheerful.

      • Literature & Literary Studies
        October 2020

        Savage West

        The Life and Fiction of Thomas Savage

        by O. Alan Weltzien

        Thomas Savage (1915--2003) was one of the intermountain West's best novelists. His thirteen novels received high critical praise, yet he remained largely unknown by readers. Although Savage spent much of his later life in the Northeast, his formative years were spent in southwestern Montana, where the mountain West and his ranching family formed the setting for much of his work. O. Alan Weltzien's insightful and detailed literary biography chronicles the life and work of this neglected but deeply talented novelist. Savage, a closeted gay family man, was both an outsider and an insider, navigating an intense conflict between his sexual identity and the claustrophobic social restraints of the rural West. Unlike many other Western writers, Savage avoided the formula westerns-- so popular in his time-- and offered instead a realistic, often subversive version of the region. His novels tell a hard, harsh story about dysfunctional families, loneliness, and stifling provincialism in the small towns and ranches of the northern Rockies, and his minority interpretation of the West provides a unique vision and caustic counternarrative contrary to the triumphant settler-colonialism themes that have shaped most Western literature. Savage West seeks to claim Thomas Savage's well-deserved position in American literature and to reintroduce twenty-first-century readers to a major Montana writer.

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