Your Search Results

      • Mary Abouchaar

        Every story describes a wish that Tyler makes, the steps he takes to obtain it, and the reason why he gladly grants it to a dear one. In "Tyler's Promised Gift" Tyler works hard to obey his mother's commands in anticipation of receiving his promised 'little red car". At his birthday party he offers the car to a younger, sad, and crying guest. In "Tyler's Baby Sister" Tyler tries to get his mother to focus her attention again on him instead of on his baby sister, Tia. Tyler finally realizes that helping his mother to give more care to Tia gave him the most satisfaction. In "Tyler's Acting Practice" Tyler spends hours perfecting his aim when using a slingshot. When he was finally ready to play the part of David in the school play "David and Goliath", he noticed that his friend Joel, who was new to the school this year, was being bullied and excluded from all games because he was missing the net whenever he tried to shoot a basketball. Heroically, Tyler offers the role of David to Joel when he learns that Joel excels at aiming pebbles with his slingshot. His plan to reverse the students' disrespect towards Joel succeeded when everyone in the school auditorium cheered Joel for his perfect aim at the helmet of Goliath. In "Tyler's Lunchbox Treat", Tyler could hardly wait for lunch break to bite into the krispy marshmallow treat his mother had baked for him.  When Tyler discovers that the sandwich of his lunch companion was missing, and that he couldn't share his peanut butter sandwich with him because his companion was allergic to peanuts, Tyler gives him his krispy marshmallow square. Tyler always feels like a winner at the end, and not at all a loser. Children and parents are happy to arrive at the ending of each story.

        View Rights Portal
      • 2017

        De synthèse / The Imago State

        by Karoline Georges

        A story of luminous lucidity, the kind that can free the consciousness and thrill the soul, De synthèse shines a light on the end of a filial relationship. It is told from the point of view of an image-obsessed woman reunited with her family just as her mother enters a terminal phase following a long period of suffering. It’s a story about the body, about disappearance, about reflections, about composition and decomposition. Winner of several literary awards. To learn more about this title, click here: https://editionsalto.com/droits-rights/de-synthese/

      • October 2019

        Keys to Creative and Innovative Religious Education

        by Óscar Armando Pérez Sayago

        Este libro brinda valiosas herramientas a padres y maestros sobre la nueva función cultural de la escuela en la enseñanza de la Educación Religiosa. Advierte respecto a la importancia de acompañar y orientar al estudiante para ayudar a comprender el hecho religioso, puesto que hoy más que nunca está expuesto a mucha información desestructurada e indiscriminada, a través de los medios de comunicación, que es importante discernir.

      • Children's & YA

        Mihal, the Warrior

        by Javier Ortiz

        Mihal cannot read or write, but he handles the sword like no one else. He looks like a child of only ten years old and instead he speaks like an adult. Who is Mihal? Why is his body full of scars or does he wear that strange necklace around his neck? But above all, where does he come from?

      • Libelo de Sangre

        by Sandra Aza

        Madrid, winter of 1620. The happiness of the marriage formed by Sebastián Castro, a renowned clerk of the Villa, and Margarita Carvajal staggers when both become the main suspects of a blood libel: lawsuits that blame the Jews for sacrificing Christian children to collect their blood and whose jurisdiction belongs to the Holy Inquisition. With the bonfire hanging over them, their son Alonso, a thirteen-year-old boy, begins a desperate search for a way to save them, a purpose that tears her out of her warm existence and shows her the ice of life. In spite of everything, three headlights turn on light in the shadows of her misfortune: friendship, hope and a dream. Friendship is provided by Juan and Antonio, two rogue vagabonds. Hope beats in a bag full of money that seems to be pulling the strings of destiny. And the dream awaits him in college, where he plans to study law, become a lawyer, and exercise a law capable of preventing innocent people like his parents from suffering the rigors of injustice. Blood Libel is a fascinating story of love and friendship set in Madrid during the Golden Age, a vibrant but bleak time in which, while faith in God lit hearts, crimes against it lit bonfires.

      • I Follow The Voices of Soft, Quiet Goddesses

        by Hugo Roca Joglar

        There is an idea by D.H. Lawrence: 'we are the secret dreams of our grandmothers.' But not the dreams they openly accepted and pursued, rather the secret dreams: those they denied, and merely thinking about them plunged them into fear and guilt. This Hugo Roca's definitive exploration of this concept: It begins with the death of his grandmother and ends with the imminent birth of his daughter, and in between, he narrates his struggle to establish a different flow, where through a process of re-educating himself (which leads to confront the most horrible demons of his lineage), he seeks to stop lying and to have no more secrets: to decipher his hidden dreams so as not to pass on the curse of embodying them to his daughter. A narrative that redefines parenthood and embarks on a profound quest for new forms of beauty.

      • 30 Days with María

        by Esteban Torres Lana

        A young woman at the brink of death is admitted into a hospital in La Coruña, Galicia, Spain. Soon, her doctors realize this woman, María Sa, has been chemically poisoned. Through handwritten journals, we realize that María, who is the son of Palestinian father, is implicating Prime Minister Netanyahu in the attempt to assassinate her. But we also discover through the journals that María is a free, polyamorous, independent spirit, enamored with the Palestinian cause and always looking for justice. The journals come to an abrupt end, 30 days after María has been admitted into the hospital.

      Subscribe to our

      newsletter