Emerald Publishing was founded in 1967 to champion new ideas that would advance the research and practice of business and management. Today, we continue to nurture fresh thinking in applied fields where we feel we can make a real difference, now also including health and social care, education and engineering.
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Bernd Liske, born in 1956, studied mathematics in Chemnitz and is the owner of Liske information management systems. From its founding in 1998 until May 2015, Bernd Liske was a member of the main board of BITKOM, where he worked in the defense, education and knowledge management working groups. In the course of his efforts to deal with the revelations of Edward Snowden in the NSA affair, he was expelled from BITKOM in 2015. From 1998 to 2003 he was a member of the board of the Association of Organizations and Information Systems (VOI). Bernd Liske has been dealing with socio-political issues for many years. In his analyzes and concepts, he deals with social, political and economic problems in our society in order to make contributions to maintaining Germany as a business location. His book “PRISM A Lesson for our Democracy”, published in September, grew out of this. The diversity of the topics he deals with as well as the systemic principles used for their treatment can be followed on his homepage at and on his TWITTER channels @BerndLiske, @LiskeAphorismen and @LiskeZitate. He now regards his aphorisms as an open source operating system for the analysis and design of social processes and has been using them successfully for years.
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Begleite Familie Knister auf ein aufregendes neues Abenteuer in „Kleine Feuerwehr. Drunter und drüber“, dem zweiten Band der beliebten Kinderbuchreihe, inspiriert von der erfolgreichen Kinder-App von Fox & Sheep. Dieses Mal erwartet die Familie Knister hochspannende Gäste aus China: eine Feuerwehrmannschaft! Doch die Überraschung ist groß, als die Besucher aus Fernost ganz anders aussehen, als man es erwartet hätte. Sind das wirklich Feuerwehrleute? Ohne gemeinsame Sprache entsteht ein buntes Durcheinander, das Familie Knister und ihre Gäste von einem verrückten Abenteuer ins nächste führt. Witzige Missverständnisse und spannende Herausforderungen warten auf die ungewöhnliche Truppe, die trotz aller Unterschiede zeigt, wie Freundschaft und Zusammenarbeit Barrieren überwinden können. Thematisiert die Begegnung zwischen unterschiedlichen Kulturen auf humorvolle Weise und hebt die Bedeutung von Offenheit und Verständnis hervor. Abenteuerliche Reise voller unerwarteter Wendungen, die Jung und Alt gleichermaßen begeistert. Integrierte Bastelbögen laden zum kreativen Spielen ein. Kinder können ihr eigenes Feuerwehrauto bauen und eine Feuerwache gestalten, um die Geschichte lebendig werden zu lassen. So lassen sich Sprachbarrieren überwinden: Charaktere finden trotz fehlender gemeinsamer Sprache Wege, miteinander zu kommunizieren und zu kooperieren. Reich illustrierte Seiten und ausklappbare Elemente fördern die Vorstellungskraft und Kreativität junger Leser. Eine Geschichte, die zeigt, wie wichtig es ist, einander zu helfen, zusammenzustehen und gemeinsam Lösungen zu finden.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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The book is the special version of the autobiography by the famous artist Wu Guanzhong in memorial of his fifth anniversary of the death of him.
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This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
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Dive in to the magical world of childhood. A little girl with hair as red as those of a fox is growing up in an atmosphere of love under the care of her grandparents. In the book she tells about her daily witty adventures, her most cherished dreams, and the unbelievable miracles that happen to her. The book is about building bridges between children and adults and about the rapid changes in life. The fox represents the love of life, the belief that every day is a true miracle. When I Was A Fox is an important book about the perception of the world that could be read and discussed by all family members. From 6 to 9 years, 5414 words Rightsholders: n.miroshnyk@vivat.factor.ua
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. Start der magischen Trilogie um Faye Fox und ihre Freunde: Band 2 und 3 folgen 2023 und 2024. Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. Kinderbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. - Start der magischen Trilogie um Faye Fox und ihre Freunde - Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. - Kinderhörbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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This special issue of the Bulletin of the John Rylands Library is dedicated to Peter Nockles. An expert on the Oxford Movement and the religious history of the eighteenth and nineteenth centuries, Nockles was employed at the John Rylands Library from 1979 to 2016. During this time he extended his scholarly generosity and friendship to countless researchers. The issue features articles on a range of topics connected to Peter's scholarship and networks, including the Church of England (particularly High Churchmanship and the Oxford Movement), Catholicism, Methodism and Church-State conflict relating to the Church of Ireland.
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Mother Fox always warned little Shustryk: "Never, never leave the home alone, because in the forest, and especially beyond the forest, where the two-legged live, it is full of dangers..." But can a little fox, who was called Shustryk, sit at home when there is such beauty around? Inquisitive Shustrik, trying to give his mother a pleasant surprise, gets into a big trouble.
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Aadya looks just like her mother (Aai)—same little nose, same delicate ears, same big eyes, and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before Aadya learns her next Math lesson. The long-awaited return shocks Aadya because now her mother looks completely unlike her. She wonders if Aai will ever greet her with her usual, cheery, ‘Hello! Mini-me.’ Or will Aadya have to take matters into her own hands just to hear that again?With lyrical prose and a tender touch, Aai and I is an empowering story of the bond between a mother and a daughter, and of the little one finding her own identity as she finds herself no longer 'looking' the same as her mother. Mamta Nainy captures with elan Aadya’s innocence, impatience, and dilemma, and Sanket Pethkar’s vibrant, gorgeous artwork brings to life a typical Indian household in the state of Maharashtra.
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Das Wilde Gelage findet endlich wieder statt! Es ist der größte magische Wettbewerb in ganz Europa und Faye Fox und ihre Freunde fahren nach London, um das aufregende Spektakel anzuschauen. Als jedoch der reisende Teeladen samt seiner Besitzerin, der Teehexe Miss Butterling, geschrumpft und vom Meisterspion des Hofs der Lichtfeen gestohlen wird, muss Faye an dem gefährlichen Wettkampf teilnehmen, um Dwimmerly End zurückzugewinnen. Die böse Feenkönigin handelt allerdings alles andere als ehrlich. Wird es Faye Fox und ihren Freuden dennoch gelingen Miss Butterling rechtzeitig zu befreien? Die fantastischen Abenteuer des Mädchens mit den Fuchsohren gehen weiter. Hochspannung garantiert!
