Fleurus Editions SA
Leader in illustrated books for adults and children, Fleurus Editions is comprised of the imprints Fleurus, 365, Mame, Mango, Rustica, Secret d’Etoiles, Vagnon, and Triomphe.
View Rights PortalLeader in illustrated books for adults and children, Fleurus Editions is comprised of the imprints Fleurus, 365, Mame, Mango, Rustica, Secret d’Etoiles, Vagnon, and Triomphe.
View Rights PortalThe SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
View Rights PortalArtist, writer, naturalist, and frontiersman John James Audubon explored America's wilderness during the early 19th century, observing and recording the wonders he found there. From the Kentucky frontier to the Mississippi bayou to the icy coast of Labrador, he took his sketchbook and journal with him wherever he went. His collected paintings, Birds of America, became one of the nation's greatest works of art and natural history. His journals document an era when America's forests still teemed with ivory-billed woodpeckers, Carolina parrots, passenger pigeons, and other species now extinct. Audubon was the first to sound the alarm over the destruction of the wilderness. Today, the Audubon Society, founded in his name, serves as his legacy, educating people about the value of biological diversity throughout the world. Readers will explore the illustrated world of John James Audubon in this colorful eBook.
This book aims to make sense of the Bayeux Tapestry by bringing together answers to a number of questions which this famous hanging presents to the viewer. How did the embroiderers organise the stitching of the Bayeux Tapestry? Are its limited colours used with greater sophistication than viewers have recognised? What do we know of the Tapestry's supporting cast: naked figures in the margins and clerics present at events in the main register? Can we learn anything about the original purpose of the Tapestry from detailed examination of Bayeux Cathedral's 1476 Inventory, the first known reference to the Tapestry's existence? This book combines up-to-the-minute research with an introduction that draws on the contributors' personal observations in order to interrogate the Tapestry's enduring value. Bringing together contributions from leading specialists and newer voices in the field, it will be essential reading for students and scholars of the Bayeux Tapestry, medieval art and culture. ;
The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945-59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective - that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding. ;
The Macrosiphini are the predominant group of aphids on herbaceous plants in Britain, and the world. There are 305 British species and subspecies, comprising 49% of the 620 Aphididae on the British list. They include many important pest species, some of which are highly polyphagous, but there are also very many more species feeding more-or-less specifically on indigenous and naturalised plants and playing a significant role in natural food chains. This Handbook provides a checklist and a list of native host plants, along with keys to tribes, genera and species. Biological information is provided about each species.
Crafting design in Italy is the first book to examine the role that craft played in post-war Italian design, one of the most celebrated design episodes in the twentieth century. Craft was vital to the development of Italian design, and it has been so far overlooked. This book examines the multiple ways craft shaped Italian design from 1945 to the 1980s in the context of bigger socio-economic, cultural and political change; from post-war reconstruction to the economic 'miracle' of the 1960s, to the rise of the countercultural Radical Design movement and advent of postmodernism. It consists of case studies on design areas including product, furniture, fashion, glass and ceramics to bring to light previously unknown makers and objects as well as re-examine design 'icons' such as Gio Ponti's Superleggera chair and Ettore Sottsass's Memphisware. It also offers a model for analysing design and craft's relationship in other contexts, including today. ;
In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. ;