Mudacumura Publishing
Mudacumura Publishing
View Rights PortalFounded in 2010 by Mohammed Umar, Salaam Publishing has offices in Abuja and London. They publish a range of books for children and adults. Their titles have been translated into over sixty languages worldwide.
View Rights PortalVon hoher analytischer Kraft sind diese etwa 500 Geschichten, die Alexander Kluge seiner Chronik der Gefühle folgen läßt. Stichworte wie Revolution, Holocaust, Weltkrieg, Tschernobyl, 11. September oder Irakkrise bezeichnen einige der unheimlichsten Komplexe einer undurchdringlich-übermächtigen Wirklichkeit. In acht Kapiteln gehen Kluges Erzählungen diesen und anderen Menetekeln des 20. Jahrhunderts nach, um dann in der großen Coda eines neunten Kapitels noch einmal alle Motive und Themen zu variieren – und zu wenden.
In the context of the "Xiaoxiang Family Letters" activity carried out across the province, the organizing committee extensively collected family letters and selected 100 family letters to show the spirit of the people in the new era. The main content of the letter includes the gratifying changes in the fight against poverty in Sanxiang, the affectionate concern of the wandering children and the fathers and elders in the hometown, the home and country feelings of heroes and the most beautiful people, and the silent persistence of various industries in specific positions, and so on. The structure of each chapter of the book is divided into two parts: introduction (mainly including the information of the writer and recipient, refer to "Anti-epidemic") and the main text. The structure of the whole book includes the preface, table of contents, main text, and postscript. Further reading or content links. The structure is characterized by conciseness, conciseness and conciseness.
This book collects Changsha traditional family rules, family values, and family mottos, and contains a lot of folk proverbs and sayings. It uses pictures, footnotes, and content reviews to help readers have a better understanding. The author hopes to keep this good tradition and promote the building of family values and rules.
One day, mom brought back a little boy. From then on, all the family took focus on the baby. The boy’s sister thought parents didn’t love her any longer, so she hided in a cave alone and changed into a donkey. For looking after her, grandpa changed into a donkey too. Did other members of the family change into donkey?
Moving between Britain and Jamaica The bonds of family reconstructs the world of commerce, consumption and cultivation sustained through an extended engagement with the business of slavery. Transatlantic slavery was both shaping of and shaped by the dynamic networks of family that established Britain's Caribbean empire. Tracing the activities of a single extended family - the Hibberts - this book explores how slavery impacted on the social, cultural, economic and political landscape of Britain. It is a history of trade, colonisation, enrichment and the tangled web of relations that gave meaning to the transatlantic world. The Hibberts's trans-generational story imbricates the personal and the political, the private and the public, the local and the global. It is both the intimate narrative of a family and an analytical frame through which to explore Britain's history and legacies of slavery.
The book selects 300 works (groups) of painting, sculpture, grottoes, architecture, craft and other art works from the "13th Five-Year Plan" national key publications publishing planning project and the National Publishing Fund funded project "World Buddhist Art Atlas", closely related to auspicious themes in different periods and traditional Chinese cultural elements. Highlighting the development history of Chinese civilization and the radiation spread to neighboring countries and regions. Through appreciating the works of art, the manuscript analyzes their cultural connotation, expresses the auspicious vision of the ancient working people in health, reunion, peace, harvest, wealth and other aspects, reveals the far-reaching influence of Chinese culture, and has the function of art appreciation and cultural popularization.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
Neun Jahre elfter September. 11. September, Datum des Jahrzehnts. Ein Bildtagebuch der letzten neun Jahre. Im Augenblick, Frühherbst 2010. Wie sieht die Welt aus im Moment hier in Berlin. Wie war es in diesen Jahren. Was hat Rainald Goetz gesehen. Wie schaut es aus für ihn: das Gemachte, das, was da ist, das Kaputte, das Normale, der Alltag. Wie sieht er die Welt. Eben so, wie man hier sieht. Schau. Jeder Satz sagt nein, und jedes Bild sagt ja. Wohnen, Wachen, Träume. Trümmer, abstrakt, Lichtvorfall. Was wird ausgeblendet, was wird übersehen, was wird nicht gezeigt, wovon abzusehen wäre. Eine Weltsicht, eine implizite Ethik. Ein Bildtagebuch von Rainald Goetz. »Rainald Goetz ist zweifellos einer der ganz wenigen Autoren, die an einem vollkommen anderen Verständnis von Literatur festhalten, an einem Schreiben, das die Nahtstellen zwischen Erfahrung und Text ständig freilegt, das die Reflexion über das Schreiben immer schon enthält.« Andreas Bernard, Süddeutsche Zeitung Wochenende
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.