Somos una congregación de mujeres consagradas a Dios de la Iglesia Católica, para la evangelización con los medios de comunicación social.Sobre las huellas de Pablo, y con su mismo espíritu dedicamos todas nuestras fuerzas para VIVIR y COMUNICAR a Jesucristo en el areópago de la comunicación.
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Greenlight Press was launched in November 2012. We are the home of numerous Book Series (Sci-Fi, Fantasy and Crime), lots of them Award-Winners. On the German market, our series are published as E-Book, Print and Audio Books
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Shipwrecks, gory battle scenes, cross-dressing, toxic relationships, abduction, torture (psychological and physical), comical country bumpkins, and, of course, love and poetry -Sir Philip Sidney's witty pastoral romance The Countess of Pembroke's Arcadia is the classic that has it all in terms of entertainment factors. Modern readers mostly know Arcadia in its complete 'old' version, but it is the New Arcadia (published in 1590) that was the most influential and most widely imitated literary text of the sixteenth century. While preserving the basic plot - a ruler attempts to escape an alarming oracle by moving his family to the countryside and engaging in shepherd-cosplay until the arrival of two foreign princes triggers a chain of events leading to the fulfilment of the oracle - this version adds further narrative strands and introduces ambitious revisions that showcase Sidney's stylistic brilliance as a prose writer.
Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.
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This book explores how regional political parties use Europe to advance their territorial projects in times of rapid state restructuring. It examines the ways in which decentralization and supranational integration have encouraged regional parties to pursue their strategies across multiple territorial levels. This book constitutes the first attempt to unravel the complexities of how nationalist and statewide parties manoeuvre around the twin issues of European integration and decentralization, and exploit the shifting linkages within multi-level political systems. In a detailed comparative examination of three cases - Scotland, Bavaria and Sardinia - over a thirty-year period, the book explores how integration has altered the nature of territorial party competition and identifies the limits of Europe for territorial projects. In addressing these issues, this work moves beyond present scholarship on multi-level governance to explain the diversity of regional responses to Europe. By providing important new insights and empirical research on the conduct of territorial party politics, and an innovative model of territorial mobilization in Europe, this book will be of great interest to students and scholars of comparative politics, European studies, regionalism and federalism, political parties and devolution. ;
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This third edition of 'Tourism Information Technology' provides a contemporary update on the complexities of using information technology in the tourism industry. It examines IT applications in all sectors including airlines, travel intermediaries, accommodation, foodservice, destinations, attractions, events and entertainment. Fully updated throughout and organised around the stages of the visitor journey, the book reviews how tourists are using technologies to support decision making before their trip, during their travels and at the destination. It: · Provides comprehensive and up to date coverage of all key topics in tourism information technologies · Covers new areas such as (among others) augmented and virtual reality, robotics, smart destinations, disruptive innovation and the collaborative economy, crowdsourcing for sustainability, online reputation management and big data · Incorporates a wealth of pedagogic features to aid student learning, including key models and concepts, research and industry insights, case studies, key terms, discussion questions, and links to useful websites. Accompanied online by instructor PowerPoint slides, multiple choice questions and further case studies, this book provides a comprehensive and learning-focused text for students of tourism and related subjects.
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Brink's provocative biography shows that Spenser was not the would-be court poet whom Karl Marx's described as 'Elizabeth's arse-kissing poet'. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell's Catechism and Dean of St. Paul's. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser's life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
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Pauline de Bok nimmt sich eine Auszeit vom Großstadtleben und zieht sich zurück aufs Land. Mit ihrem Hund läßt sie sich auf einem Gehöft nördlich von Berlin nieder. In den verfallenen Gebäuden stößt die Journalistin auf Reste des Lebens voriger Bewohner, sie stöbert auf Dachböden, in Kellern und Archiven, befragt Einheimische. Sie folgt den Spuren, die Menschen und Zeiten hinterlassen haben, und setzt die vergessenen Geschichten von Land und Leuten zusammen: »Das Land, das scheinbar stumm und stoisch Wetter und Weltgeschehen über sich ergehen lässt, es beginnt zu sprechen.« Welt am Sonntag
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The exciting texts and reports by professing Christians offer a fresh perspective for all those who have cultivated a Christian spirituality for many years. However, the book also provides easy access for those who are newly interested in the Christian faith. There are probably as many professions of Christian faith as there are believers in the world. But what do Christians think and how have they been moulded? Elisabeth Zoll and Thomas Seiterich have compiled very personal ideas about the Christian faith in this book. When selecting the contributors, the editors deliberately chose not to include people with church offices or specialised theologians. Irrespective of church policy issues and church scandals, the contributors have provided insights into their path to faith.
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Mary I, eldest daughter of Henry VIII, was Queen of England from 1553 until her death in 1558. For much of this time she ruled alongside her husband, King Philip II of Spain, forming a co-monarchy that put England at the heart of early modern Europe. In this book, Alexander Samson presents a bold reassessment of Mary and Philip's reign, rescuing them from the neglect they have suffered at the hands of generations of historians. The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip's important contributions as king of England.
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This volume of new, spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, featuring new perspectives on their collaboration. Featuring essays by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.
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In the mid-1970s, a long wave of contentious radicalism swept through Italy. 'Proletarian youth', 'metropolitan Indians', 'the area of Autonomy': a shifting galaxy of groups and movements practised new forms of activism. Factories and universities were occupied; rent and utility payments were withheld; neo-Fascists and drug pushers were attacked on sight. The movements were at once creative and brutal, intransigent and playful. A particular target for mockery was the parliamentary Left, and above all the Italian Communist Party (PCI). An earlier wave of radical activism had culminated in the Hot Autumn of 1969; then, the PCI had managed to 'ride the tiger' of industrial militancy, emerging with its credibility enhanced. Now, however, the PCI was committed to compromise with the ruling Christian Democrats. The second cycle of contention thus ended in a hostile engagement: rather than adopt their policies, the PCI labelled the movements Fascists, criminals and hooligans. By the end of 1977 the movements were broken, while the PCI had moved sharply to the Right. The main beneficiaries were left-wing 'armed struggle' groups such as the Red Brigades. Building on Sidney Tarrow's 'cycle of contention' model and drawing on a wide range of Italian materials, Phil Edwards has told the story of a unique and fascinating group of political movements, and of their disastrous engagement with the mainstream Left. As well as shedding light on a neglected period of twentieth century history, this book offers lessons for understanding today's contentious movements ('No Global', 'Black Bloc') and today's 'armed struggle' groups. ;
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This book is a compilation of more than two hundred pictures reflecting the traditional costumes, characteristic buildings, traditional activities, and traditional medicine of Chinese ethnic minorities. Each picture has the story behind it and the testimony of the author. From the perspective of foreigners, the book vividly reproduces the diversity of the Chinese nation, the unique regional culture, and the natural and social environment in the form of pictures and text.
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China Through the Eyes of an American University President not only catches natural scenery and traditional culture of China, but also contains true reflections on joy, anger, sorrow and happiness of common Chinese people; the author interprets cultural diversity and cultural heritage of China through camera language, and gives highly praise on elegant demeanour of an eastern country which is rising sharply and integrating the world in big strides on unique prospective.
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This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.
