Schmit Jongbloed Advies
‘Ärzt*in als Ganzes‘ ist ein inspirierendes Buch für Mediziner aller Altersklassen und Spezialisierungen, die den Sinn in ihrer Arbeit (wieder)finden oder verstärken wollen.
View Rights Portal‘Ärzt*in als Ganzes‘ ist ein inspirierendes Buch für Mediziner aller Altersklassen und Spezialisierungen, die den Sinn in ihrer Arbeit (wieder)finden oder verstärken wollen.
View Rights PortalThis timely and controversial book shows how crime, and the authorities' response to crime, became central to the peace process in Northern Ireland. At times, paramilitary activity threatened to destabilise the peace in Northern Ireland after 1998, but crime was central to maintaining capacity should the groups return to war. Over time, the reduction of crime was central to these groups' own attempts to reform and official judgements as to whether they were genuinely demobilising. The state's response to crime added controversy. Police reform produced the Police Service of Northern Ireland (PSNI) and the new Organised Crime Task Force signalled the importance of crime control, but the Assets Recovery Agency, supposedly the 'magic bullet' for organised crime, misfired. Law enforcement was also deeply affected by the British state's response to paramilitary crime. By 2007, peace was apparently secure and paramilitaries were 'de-criminalising', but this often chaotic process was marked with questions about the British state's adherence to the rule of law. Incorporating first-hand research in the PSNI, the book will be of interest to general readers and scholars of Irish Studies, criminology, and British and comparative politics. ;
Jon Fosse: Der NameDer Vater redet am liebsten gar nicht, die Mutter spricht vorzugsweise von sich, also über ihre Krankheit, die hochschwangere Tochter besucht nach langer Zeit die Eltern und möchte sich gerne aussprechen, hat sich aber mit ihrem Freund einen großen Schweiger ausgesucht - bleibt ihr Jugendfreund Barne. Mit ihm scheint die Familie zum Leben zu erwachen.Else Lasker-Schüler: Arthur Aronymus und seine VäterDas Stück spielt um 1840 in Westfalen und zeigt, wie eine jüdische Familie, der Gutsbesitzer Moritz Schüler mit seinen dreiundzwanzig Kindern, mit der wachsenden Pogromstimmung in der christlichen Umgebung konfrontiert wird.Dea Loher: Klaras Verhältnisse Klara sucht eine echte Lebensaufgabe, einen Platz im Leben. Bei ihrer Reise durch die bundesrepublikanische Wirklichkeit begegnen ihr die unterschiedlichsten Begierden und Sehnsüchte - eine tragikomische Gratwanderung zwischen hochfliegenden Wünschen und banalen Abgründen.Roland Schimmelpfennig: Die arabische NachtSiebter Stock, Wohnung 32: Wie von einer unbestimmten Sehnsucht getrieben, treffen sich hier in dieser »arabischen Nacht« Franziska, Fatima, ihr Freund Kalil, der Hausmeister Lomeier und Karpati, der Voyeur.
Saying goodbye to a loved one is always hard. Jon, the little hero of this story, serves as an example of how children can deal with the pain of loss. When Jon’s grandfather dies, he becomes a star. Jon decides to look for his grandfather’s star to say goodbye, and begins a journey through space and through his own grief. He soon realises that this is no easy search. His feelings alternates between disappointment, euphoria, anger, and sadness. Fortunately, the man on the moon explains to the little astronaut the special nature and uniqueness of the stars for the relatives on earth. Only there do the stars twinkle and shine for grandchildren, children, and everyone else who misses the deceased. Jon finally understands that his grandfather is dead, but is not simply gone, because in his memory, in his thoughts, and in the starry sky his grandfather is still there and makes his star shine for everyone who thinks of him. For: • children (ages 6–12) who suffer from the fear of losing a close family member or who have lost a family member• parents, relatives• therapists
Following the critical scepticism surrounding the notion of the 'self' as a singular entity during the 1960s, many artists and writers sought to test the apparent problem posed by autobiography as both a traditional genre and as a way of working. Considering the consequent emergence of autotheory, Lifework traces this shift in artistic and literary production during the late twentieth century and beyond, examining a set of diverse practices that mine the line between what it is to make art and what it is to live life. The book's chapters connect a variety of artistic strategies that cut across medium, geography and time, uncovering how the historical marginalisation of first-person experience has taken on larger social, cultural and political implications in the contemporary moment and how the work of living might still relate to the work of art.
Pablo Neruda's Veinte poemas de amor y una canción desesperada (1924) is the most widely read and best loved book of poetry ever written in Spanish. Its verses can be recited by heart by millions of Latin Americans from every background and walk of life, and it has become almost a bible for young lovers. Yet despite, or perhaps because of this immense popular success, it has received scant attention from scholars, often being studied out of context and in relatively superficial fashion. This new critical edition - the first to include critical notes in English - argues that the book constitutes a critical juncture in the young Neruda's development as a poet, and that the poems are as much painstakingly wrought experiments in style, language and form as they are outpourings of youthful passion. A detailed introduction in English demonstrates that the Viente poemas represent the culmination of complex and sometimes fraught poetic apprenticeship, significant traces of which can be found in the poems themselves. This is followed by a series of commentaries which offer close readings of all twenty-one poems, an extensive bibliography, a selected vocabulary, and a list of key rhetorical and metrical terms. ;