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      • Trusted Partner
        1987

        Rhythmische Sportgymnastik

        Grundformen, Improvisation, Gestaltung

        by Gienger, Sibylle

      • Trusted Partner
        June 1991

        Armenische Märchen und Volkserzählungen

        Gesammelt und herausgegeben von Leon Surmelian. Aus dem Englischen übertragen von Zora Shaked

        by Leon Surmelian, Zora Shaked

        Leon Surmelian, der Herausgeber und Sammler der »Armenischen Märchen«, die in der englischsprachigen Erstausgabe mit dem Titel »Äpfel der Unsterblichkeit« erschienen sind, hat die Sammlung von bisher nur mündlich überlieferten Märchen in Gesprächen mit den Bauern aus der Region um den Berg Ararat zusammengestellt. Er wuchs mit diesen Geschichten als armenischer Junge auf. Ob es sich nun um realistische Märchen aus dem Alltag handelt oder um Wundermärchen, sie vermitteln uns stets einen Einblick in die armenische Lebensweise, in die Welt der Bauern, Handwerker und Kaufleute, in die Freuden, Träume und Leiden, und geben den Blick frei auf eine Volkstradition, die geprägt ist von dem Bemühen, ihre kulturelle Identität zu bewahren als Puffer zwischen Asien und Europa.

      • Trusted Partner
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      • Trusted Partner
        The Arts
        June 2022

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna, Marsha Meskimmon, Amelia Jones,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

      • Trusted Partner
        The Arts
        June 2022

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna, Marsha Meskimmon, Amelia Jones,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

      • Trusted Partner
        The Arts
        January 2024

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

      • Trusted Partner
        The Arts
        June 2022

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna, Marsha Meskimmon, Amelia Jones,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

      • Trusted Partner
        The Arts
        February 2022

        "I am Jugoslovenka!"

        Feminist performance politics during and after Yugoslav Socialism

        by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon

        "I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.

      • Zora

        by Sofia Georgieva

        The debut poetry books of Sofia Georgieva - "Zora" is a mirror of youth ready to taste sadness and happiness, love and separation, on the road to selflove. The author explains one of most important things in human life - growth. Wandering between right choices and wrong people, Sofia creates a ladder of words with which to climb the hearts of readers and lighten their souls.

      • Complementary medicine

        The Healing Crystal First Aid Manual

        A Practical a to Z of Common Ailments and Illnesses and How They Can Be Best Treated With Crystal Therapy

        by Michael Gienger

      • Mind, Body, Spirit

        Purifying Crystals

        How to Clear, Charge and Purify Your Healing Crystals

        by Michael Gienger

      • Psychic powers & psychic phenomena

        Joya

        Crystal Massage for Everyone

        by Michael Gienger

      • Mind, Body, Spirit

        Healing Crystals

        The A-z Guide to 430 Gemstones

        by Michael Gienger

      • Fiction
        August 2019

        Utopia

        by Peter Cowlam

        Mystery surrounds the source of Zora Murillo’s unfathomable wealth. But that’s not all the locals want to know about. Intrigue surrounds her arrival in a quaint old English market town, when the hotel she buys, the Pleiades, is transformed into a living cabaret act and the scene of political reprisal. What also of the shadowy M, or Em, or Emoticon, as he styles himself, who claims only to be the writer of a gossip column? His rapport with Zora suggests he knows what it is that has brought her to the town of Hoe. Moreover, M has played his part in aiding her father, an acknowledged leader in AI and robotics, in resisting the changes brought to his country, with its so-called F regime. The coup led by General Forsiss, who in no sense of irony refers to his brave new state as Utopia, might be an ocean away, but the scars it has left are deep and permanent. But exactly what grief is it that the Forsiss regime has inflicted on the Murillo family, drawing its net ever tighter? Dr Murillo has lain awake at night fearing the midnight knock, and the black van waiting outside, knowing little of Zora’s ingenious attempts to rid them both of the clutches of Forsiss and his cronies.   Available at Amazon and other online retailers.

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