For the first time, the story of Leonida's wife, the hero of Thermopilai, recreated according to Herodotus's texts. This is a very strong woman, educated, emancipated. She lives in Sparta 2500 years ago and fights for women's rights. She lives during the wars between Greeks and Persians and she'll lose her husband in the war, but her bravery and love for the homeland will always remain.
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Contemporary fiction with strong female characters. Realism combining elements of suspense with elements of humor. Multi-layered stories about modern-day life and love, society and human beings. In focus: women and their own view of the world. Universal emotions, desires and human values, a portrait of society and a documentation of recent historical events. Young women in foreign countries. We publish novels, narrations, poems, and short stories.
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Haroldo, a minho, who as he relates to other animals in the garden brings to light issues such as friendship and respect, mixing a harmonic field with an inside-out view of the garden of a house inhabited by some strange animals, among them the (human) balance-beast.
Cambeva's workshop is the first of four books of the collection "Presente de Vô" in partnership with Grupo Ponto de Partida. The book is a mixture of colours and elements that highlight the memory of the world, in which seekers of memories have the mission of bringing light and life to objects found in the travels of two characters: Zalém and Calunga. Cambeva is a restorer who, when the world lost its embrace, tried to reinvent it; he is the grandfather who mends dreams, forgotten things and lost emotions, to whom the seekers ask for help to fix something. In a magical universe, full of children, grandchildren, stories and memories of his lineage of restorers, when faced with this request for restoration, he makes room to bring back an emblematic figure who can no longer sing. A story about memories, care and affection...
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Humans, who hold the power and exercise it for their own benefit, do not see the other beings of that universe. The invisibility and the political and social relations of micro and macro powers are intertwined in the maximum of coexistence and coexistence between different beings in a common territory.
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The name of this book is Oikoá, which means life in the language of the Guarani Mbya people. This name was chosen because the indigenous peoples have been the guardians of life on planet Earth: it is in their territories that there are more types of trees and plants, animals, fish, birds, insects, and where the rivers and forests are best preserved.
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Coexistence, harmony, respect, existence and resistance are central themes of the book Pode me chamar de Dodô, written by Daniella Michelin and illustrated by Elisa Carareto.
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Ukiyo-e is a print art popular during the Edo period (1601-1867) in Japan. It is known as the "encyclopedia of Japanese folklore". It features oiran beauty, Kabuki actors, erotic charms, scenery, flowers, birds, and social customs, representing the lifestyles and fashions of all classes of society at that time. Pan Li, an authority on Ukiyo-e research, clearly described the 300-year history of the rise and fall of Ukiyo-e. The ins and outs of 7 major genres including Torii School and Utagawa School, the life stories and artistic achievements of 31 masters including Kitagawa Utamaro, Katsushika Hokusai, Utagawa Hiroshige, etc., more than 200 classic works such as "One Hundred Views of Edo" "Three Beauties of the Present Day" "Thirty-Six Views of Mount Fuji" are perfectly displayed and fully analyzed in the book. Every Ukiyo-e picture carries a wealth of Japanese folk culture codes. Only by unlocking this information in detail can we say that we truly understand Ukiyo-e and have a more accurate understanding of Japanese culture. ——Pan Li 浮世绘是流行于日本江户时代（1601-1867）、出自民间画工的版画艺术，被誉为“日本民俗的百科全书”，它以花魁美人、歌舞伎演员、春宫魅惑、民俗风景、花鸟虫鱼等社会风俗为主要题材，表现当时社会各阶层的生活百态和流行时尚。 中国浮世绘研究权威潘力清晰地讲述了浮世绘300年的兴衰史。鸟居派、歌川派等7大流派的来龙去脉，喜多川歌麿、葛饰北斋、歌川广重等31位大师的生平故事与艺术成就，《歌撰恋之部》《富岳三十六景》《名所江户百景》等200多幅经典作品的风格解析，都在书中得到了完美展现。 每一幅浮世绘都承载着丰富的日本民俗文化密码，只有巨细无遗地解锁这些信息，才能说是真正看懂浮世绘，也才能对日本文化有更准确的认识。——潘力
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Im Licht der Wiederkehr des Religiösen und seiner weltweiten Konjunktur erfährt die Religion ihre philosophische Nobilitierung jenseits der tradierten Dichotomie von Mythos und Aufklärung. Die Beiträge von Jacques Derrida, Gianni Vattimo, Maurizio Ferraris, Hans-Georg Gadamer, Aldo Giorgio Gargani, Eugenio Trías und Vincenzo Vitiello dokumentieren eine kardinale Wende der zeitgenössischen Philosophie. Mit Beiträgen von Eugenio Trías, Aldo Giorgio Gargani, Vincenzo Vitielo, Maurizio Ferraris, Hans-Georg Gadamer.
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Nicht erst seit der vielbeachteten Wahl des neuen Papstes, nicht erst seit den religiös motivierten Terroranschlägen, die die westlichen Demokratien erschüttert haben, und nicht erst seit der Wiederkehr religiöser Fundamentalismen in allen Teilen der Welt wird deutlich, daß die Frage der Religion zu einer Nagelprobe der Zivilisation geworden ist. Doch war die Religion nicht längst überwunden? Die Philosophen Richard Rorty und Gianni Vattimo, die als Vertreter einer dezidierten Metaphysikkritik nicht gerade in Verdacht stehen, dem Christentum das Wort zu reden, stellen die Frage nach der Zukunft der Religion. In pointierten Texten und einem anschaulichen Gespräch gehen sie von der Beobachtung aus, daß die Metaphysikkritik mitnichten zum Verschwinden der Religion geführt hat. Der Tod Gottes gehört der Vergangenheit an, die Religion nicht. Doch gehört ihr wirklich die Zukunft? Oder hat nicht vielmehr eine Verschiebung der religiösen Erfahrung stattgefunden, die eine Metaphysikkritik keineswegs ausschließt? Wird eine Religion ohne Gott kommen?»Was kommt nach dem Ende der Metaphysik? Kann Religion ohne Begründungen, objektive Wahrheiten oder Gott auskommen? Zwei der einflußreichsten Philosophen unserer Tage kommen hier zu einer Antwort zusammen. Gemeinsam bestimmen Vattimos Hermeneutik und Rortys Pragmatismus unsere Vorstellung der christlichen Botschaft, daß die Liebe das einzige Gesetz darstelle, neu.« Nancy Frankenberry
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Eka is a small excavator. But his adventures are big, sometimes even on a global scale! Eka, like a real superhero, has the power to save the world... maybe. Eka likes to talk about his amazing adventures: on how he scooped up half the sea with a bucket, or how he plucked a star from the sky... or even of when he almost stole an iceberg in Antarctica. Eka really wants to be important! Perhaps he can help St. Nicholas, or bring a dinosaur skeleton to a museum, or simply save his beloved park from destruction... Maybe, just maybe, like the famous Baron Munchausen, Eka exaggerates a little in his storie-e-es? There is only a way to find out! Storie-e-es of Eka the Excavator is a collection of the funnies stories from the most talkative excavator in the world! From 6 to 8 years, 6000 words Rightsholders: Ivan Fedechko, ivan.fedechko@starlev.com.ua
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This book looks into the 'what' is electronically enabled agribusiness? 'Why' would an agribusiness want to embrace it? And 'how' does one go about doing it? The book pulls together a number of major issues facing people moving into the electronically enabled agribusiness environment. This book is both an introduction to electronic business issues and a comprehensive guide to more detailed business processes and strategic planning matters associated with the technologies involved. In particular the following key areas are addressed, concepts, technology in business, e-enabled business models and e-strategies, management concepts and innovative education.
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Neste terceiro volume da Colectânea de Contos Traduzidos pelos vencedores do Concurso de Tradução Literária, apresentamos seis contos publicados entre 2017 e 2019 no âmbito do Caine Prize for African Writing e da colectânea New Short Fiction from Africa: ‘Involução’ da autoria da sul-africana Stacy Hardy que aborda abertamente a sexualidade da mulher, também preocupações sociais e políticas, faz alusão a questões como a degradação ambiental, o colonialismo e direitos da mulher, ancorados numa teatralidade conceptual necessária para que o conto não se torne efémero e engaje o sentido de humor do leitor para o aproximar da mente aberta de Hardy. ‘A heroína misteriosa’ ou ‘Mavbanelo na mayi’ em Bitonga, é da autoria da Tanzaniana Lydia Kasese. Ela escreve sobre as expectativas e pressões sociais que levam as mulheres a desejarem concertar tudo. Neste conto Kasese traz destramente à luz questões sobre o abuso de menores e o seu impacto sobre as famílias na Tanzânia e, não só. Alinafe Malonje estreou-se nesta colectânea da Short Story Day com o conto ‘Manutenção de Rotina’, um registo metafísico de um hotel: parte alegoria, parte meditação com um subtil comentário sobre o que significa ser mulher no Malawi. Natasha Omokhodion-Kalulu Banda cria um fabuloso hotel de fantasia que contém realidades sinistras, construindo um persuasivo mundo alternativo. Tariro Ndoro em ‘A lenda das duas irmãs’, ou ‘Xihitana xa vamakwavu na makwavu’ em Changana, traz uma abordagem arrepiante dos perigos da saudade, onde a busca por uma irmã num hotel de luxo em Victoria Falls tem um fim fantasmagórico. Mampianina Randria nos apresenta em ‘O Gatilho’, ou ‘Niyódeké sê xidúvúlá’ em Changana, um conto com um ritmo cerrado e um desfecho totalmente inesperado onde uma mulher que lida com as frustrações de quem entra na vida adulta.
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