Trinity Publishing NZ Ltd has been producing children's books since 1997 in Australasia whilst sailing in the South Pacific islands. Since 2018 we have also begun producing work for a European readership..We love visiting the place where our book subjects live and play.
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Editora Trinta Zero Nove is an independent press based in Maputo, Mozambique. It was started in 2018. This year the press debuted a kid lit and young adult collections translated from Arabic, Italian and English into Portuguese in print and braille.
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GESCHICHTEN AUS SHA’AR HAGAI, von Myrna Shiboleth In Geschichten aus Sha’ar Hagai nimmt uns Myrna Shiboleth mit auf die außergewöhnliche Reise ihrer Emigration aus den Vereinigten Staaten, als Pionierin in Israel. Sie lässt uns an ihrem Leben und ihren Reisen in Afrika und Europa teilnehmen und erzählt, wie sie dazu kam, eine faszinierende Hunderasse zu züchten, die heute allgemein als Israel Canaan bekannt ist.Die geschilderten Episoden sind zuweilen äußerst humorvoll und scharfzüngig. Wir begleiten sie auf ihren abenteuerlichen Bemühungen, in einem von den Behörden aufgegebenen, mit Einschusslöchern übersäten Bunker heimisch zu werden und ein Leben mit Familie, Freunden sowie einer bunten Schar vierbeiniger und gefiederter Zeitgenossen Fuß zu fassen. Sie teilt ihre Geschichten von wilden Wüstenhunden, über Baba, die mit der Flasche großgezogene Hyäne, Ricky den überaus neugierigen Waschbär, Shusha, den Fuchs bis hin zu Um Fathi, der arabischen Dorfhexe und lässt uns an ihren Kämpfen und ihrem unermüdlichen Elan teilhaben. Jeder ihrer wundersamen Charaktere lehrt uns etwas darüber, was es bedeutet, ein Mensch zu sein. Myrna Shiboleth ist Tierverhaltensforscherin, weltweit bekannte Hundezüchterin und Hundeschau-Schiedsrichterin. Sie ist als weltweite Autorität über die Hunderasse Canaan bekannt, eine der wenigen noch vorhandenen Wildhundrassen, die durch ihre Arbeit in den Vereinigten Staaten und anderen Ländern eingeführt wurden.Die Autorin lebt mit zahlreichen Hunden, die sie züchtet, auf ihrer malerischen Farm Sha’ar Hagai im Hügelland außerhalb von Jerusalem und ist im Internet unter www.canaandogs.info zu finden.
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LOS CANES DE SHAAR HAGAI En Los canes de Shaar Hagai, Myrna Shiboleth nos lleva de la mano en un extraordinario periplo, al emigrar de Estados Unidos, al ser pionera en Israel, al vivir y viajar en África y Europa y al establecer la fascinante raza canina conocida ahora en todo el mundo como perros de Canaán de Israel. En episodios a la vez hilarantes y conmovedores, nos unimos a ella mientras lucha por establecer un hogar en un refugio de hormigón —acribillado por las balas y abandonado por las autoridades— y por crearse una vida que comparte con familiares, amigos y una variedad de mascotas de pelo y plumas. Ella comparte sus relatos, desde los perros salvajes del desierto, Baba la hiena criada por cuidadores, Ricky el curiosísimo mapache, Shusha el zorro y hasta Um Fathi, la bruja del poblado árabe local, a través de los cuales permite aprehender la esencia de la lucha y la fortaleza. Cada uno de estos increíbles personajes nos enseña algo acerca de lo que significa ser humano. Myrna Shiboleth es conductista de animales, criadora de perros campeona mundial y juez en exposiciones caninas y es reconocida como una autoridad en todo lo que concierne a los perros de Canaán, una de las pocas razas de perros salvajes que quedan, en cuya introducción en Estados Unidos y en otros países cumplió un papel esencial. La autora vive entre los perros que cría en su pintoresca granja en Shaar Hagai, que se puede encontrar en unas alturas en el camino a Jerusalén, o en la página web en 20×13 cm, 518 páginas, edición en tapa blanda, numerosas ilustraciones en blanco y negro. por Myrna Shibolethwww.canaandogs.info.
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Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system.
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On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
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An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family? The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
Philosophy in Tunisia ,represents an important issue that needs to be discussed and it deserves an in depth study that will allow us to uncover its components , mode of action and its various effects on different levels. In this book, we present to the reader,the results of our research concerning philosophy during Carthage’s era, -the era was characterized by the depth of its topics, since it kept dealing with the process of philosophizing that began in Athens-, and was also concerned with the issues that touched the second Sophist movement . Even though some historians of philosophy considered that period as the period of the decline and retreat of philosophy. Some issues were Social and legal which led to directing the thought towards adopting rhetoric in a first period and towards adopting doctrinal issues concerned with morality and religious affairs in a second period and that’s when Christianity began to spread in Carthage.
The Kairouanian-thought movement moved away from philosophy as it is philosophia, and it came closer to the concept of wisdom, which is a more general and comprehensive concept. The philosophers of Kairouan came to know wisdom according to their own vision and interests, and they presented through them the Muslims' own perception of science, creation, mankind, nature, time, creator, and reincarnation. The title of the “wiseman” was given to the scientist, the speaker, the mystic and the jurist… The philosopher's title was confined to philosophers within the context of Greek philosophy, and they attempted to separate the so-called Islamic sciences from Greek metaphysical perceptions. The Kairouan School was looking to unify the sprawling nation by uniting thought, order and happiness for all by teaching various sciences and arts: forensic sciences, linguistic sciences, and philosophy applied to other sciences.
What does peace mean to you? This illustrated collection of inspirational ideas about peace is based on the lives of Nobel Peace Prize Laureates of the 20th and 21st centuries, among them Nelson Mandela, Martin Luther King Jr., Mother Teresa and Malala Yousafzai. A must for anyone interested in exploring this essential issue of our times, this child-friendly exploration of what peace means to you and me is a book for every bookshelf.
Discover some of the inspirational men and women who have received Nobel Prizes in Physics, Chemistry and Medicine from 1901 to the present day, among them Marie Curie, Dorothy Crowfoot Hodgkin and Donna Strickland. A glimpse into the often surprising lives and sometimes accidental discoveries of a group of extraordinary scientists, this fascinating collection shows that the science you learn at school really can change the world.
The anticipated next book in the series! Following Amnesty International-endorsed Peace And Me: a 2019 Read for Empathy selection and an USBBY Outstanding International Book 2019 Discover some of the inspirational men and women who have received Nobel Prizes in Physics, Chemistry and Medicine from 1901 to the present day; among them Albert Einstein, Marie Curie and Sir Alexander Fleming. A glimpse into the often surprising lives and sometimes accidental discoveries of a group of extraordinary scientists, this fascinating collection shows that the science you learn at school really can change the world.
When the SW bank in Hibernia becomes insolvent its CEO S.W.A. Mullarkey persuades his old friend, Moxy O'Shea, Taoiseach, to guarantee its solvency. Mullarkey is delighted, having passed the problem to the taxpayers; Frank Carney, leader of the opposition, is furious and demands a general election. The EU demand an austerity budget. Frank wins the election and becomes Taoiseach, but how can he save his country?
This volume of 30 chapters contributed by reputed authors covers: Diversification of livestock and crops. Integration of livestock systems with forestry and crop production. Drought and heat wave tolerant varieties. Strategies for reduction of Green House Gases emission from ruminants. Application of GIS and remote sensing technologies. Breeds with inherent genetic capabilities to adapt to climate change. This book also takes into account the climate change adaptation, mitigation practices, and policy frameworks for promotion of sustainable livestock and poultry production.
