Daniel Goleman - Foreign Audio
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View Rights PortalEvery story describes a wish that Tyler makes, the steps he takes to obtain it, and the reason why he gladly grants it to a dear one. In "Tyler's Promised Gift" Tyler works hard to obey his mother's commands in anticipation of receiving his promised 'little red car". At his birthday party he offers the car to a younger, sad, and crying guest. In "Tyler's Baby Sister" Tyler tries to get his mother to focus her attention again on him instead of on his baby sister, Tia. Tyler finally realizes that helping his mother to give more care to Tia gave him the most satisfaction. In "Tyler's Acting Practice" Tyler spends hours perfecting his aim when using a slingshot. When he was finally ready to play the part of David in the school play "David and Goliath", he noticed that his friend Joel, who was new to the school this year, was being bullied and excluded from all games because he was missing the net whenever he tried to shoot a basketball. Heroically, Tyler offers the role of David to Joel when he learns that Joel excels at aiming pebbles with his slingshot. His plan to reverse the students' disrespect towards Joel succeeded when everyone in the school auditorium cheered Joel for his perfect aim at the helmet of Goliath. In "Tyler's Lunchbox Treat", Tyler could hardly wait for lunch break to bite into the krispy marshmallow treat his mother had baked for him. When Tyler discovers that the sandwich of his lunch companion was missing, and that he couldn't share his peanut butter sandwich with him because his companion was allergic to peanuts, Tyler gives him his krispy marshmallow square. Tyler always feels like a winner at the end, and not at all a loser. Children and parents are happy to arrive at the ending of each story.
View Rights PortalThis collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author,combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
Mary I, eldest daughter of Henry VIII, was Queen of England from 1553 until her death in 1558. For much of this time she ruled alongside her husband, King Philip II of Spain, forming a co-monarchy that put England at the heart of early modern Europe. In this book, Alexander Samson presents a bold reassessment of Mary and Philip's reign, rescuing them from the neglect they have suffered at the hands of generations of historians. The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip's important contributions as king of England.
Cultural Perplexity in Agonized Travel is the salable classic cultural prose of Yu Qiuyu, which was first published in 1992. From then, Yu has painstakingly modified and rewritten this book in subsequent republications during the last 25 years. Cultural Perplexity in Agonized Travel (ultimate revised edition with illustrations), published by Hunan Literature and Art Publishing House, has went through lots of supplement and revise on the basis of the old versions. The most vital revise is deleting the fourth part "Life Journey", adding several significant articles in Mountain Home Notes, and increasing 23 illustrations. This version is examined and approved by Yu Qiuyu himself. Several articles in the book have been selected into the Chinese textbooks of middle school.
This book is written by the well-known scholar, Yu Qiuyu. As a collection of prose, it contains 15 prose, all of which record relevant people and things in Yu’s memory. Previously unpublished texts of Yu Qiuyu take up nearly 30% of the collection.
In the modern Chinese painting circle, Chang Yu is a leader, once alternately refreshing the Chinese oil painting auction record. Painter Chang Yu has had ups and downs throughout her life, and insists on going her own way in art. He is recognized in the West as a world-class painter, a Chinese Modigliani, a painter who creates freely for his artistic beliefs and makes remarkable achievements. Chang Yu turned from the most familiar Chinese art to another brand new western art field, and constantly explored and pursued on the basis of Chinese painting, finally achieving Chang Yu's special painting style of simplicity and fluency. Chang Yu is an indelible Oriental pearl. Few books of Chang Yu are published in China. We popularize such art and publicize Chang Yu's achievements in the history of Chinese art in the 20th century.The series consists of 3 books. This book is a collection of Chang Yu's animal paintings, which contains more than 60 of her important and iconic animal works. Chang Yu's animal works mostly show the vast land, the ancient roads, or the yellow sand road, and the desolate situation of people. In the painting, there is only a small animal like a drop in the ocean in the boundless empty sky. All the viewers can feel the loneliness and sorrow of this stranger in his old age.
In the modern Chinese painting circle, Chang Yu is a leader, once alternately refreshing the Chinese oil painting auction record. Painter Chang Yu has had ups and downs throughout her life, and insists on going her own way in art. He is recognized in the West as a world-class painter, a Chinese Modigliani, a painter who creates freely for his artistic beliefs and makes remarkable achievements. Chang Yu turned from the most familiar Chinese art to another brand new western art field, and constantly explored and pursued on the basis of Chinese painting, finally achieving Chang Yu's special painting style of simplicity and fluency. Chang Yu is an indelible Oriental pearl. Few books of Chang Yu are published in China. We popularize such art and publicize Chang Yu's achievements in the history of Chinese art in the 20th century.The series consists of 3 books. This book is a collection of Chang Yu's figure painting works, which contains more than 60 of his important and iconic figure works. Chang Yu's female body works are different from the expression Angle of nude paintings, and he uses the whole body outline of a naked woman to express the scenery in his mind. There are not many slim naked women in Chang Yu's works, but mostly plump and fat women. Quite the author "do not talk to people, alone in the dark" self-pity mode.
In the modern Chinese painting circle, Chang Yu is a leader, once alternately refreshing the Chinese oil painting auction record. Painter Chang Yu has had ups and downs throughout her life, and insists on going her own way in art. He is recognized in the West as a world-class painter, a Chinese Modigliani, a painter who creates freely for his artistic beliefs and makes remarkable achievements. Chang Yu turned from the most familiar Chinese art to another brand new western art field, and constantly explored and pursued on the basis of Chinese painting, finally achieving Chang Yu's special painting style of simplicity and fluency. Chang Yu is an indelible Oriental pearl. Few books of Chang Yu are published in China. We popularize such art and publicize Chang Yu's achievements in the history of Chinese art in the 20th century.The series consists of 3 books. This book is Chang Yu's collection of still life flower paintings, which contains more than 60 of his important and iconic vase flower works. Chang Yu's still life works are a mirror of his inner world. "The feeling of desolation.
Am 15. Februar 1952 legte die ganze Nation zu Ehren des toten Königs eine Schweigeminute ein. Es war der Tag seiner Beerdigung. Ein denkwürdiger Tag auch für die sechsjährige Mary Ward, die mit ihren Eltern und dem jüngeren Bruder auf einem Kartoffelacker in Suffolk stand. Vom Hof her hörte sie das vertraute Krächzen ihres Perlhuhns Marguerite, dem sie eine erschütternde Entdeckung mitzuteilen hat: »Ich habe eine Neuigkeit für dich, Marguerite, ich habe ein Geheimnis, das ich dir anvertrauen möchte, mein Liebling. Ich bin nicht Mary, das ist ein Irrtum. Ich bin kein Mädchen. Ich bin ein Junge.« So hat sie angefangen, die lange Reise der Mary Ward. Wahrlich keine einfache Aufgabe für die Tochter einer armen Bauernfamilie im England der 50er Jahre. 30 Jahre dauerte es, bis Mary sein darf, der sie ist. Martin. Es gibt nur wenige, die sie begleiten, der Großvater, ihre geliebte Lehrerin. Die Reise verändert Mary, aber auch ihre Familie und die Beziehungen untereinander von Grund auf. Ein langer, schmerzhafter und harter Weg bis zu dem Tag, an dem – 1980 – Post in Nashville, Kentucky eintrifft: »Lieber Martin, bitte verzeih mir. Ich hoffe sehr, dass Du es kannst. Deine Mutter Estelle.«
Am 15. Februar 1952 legte die ganze Nation zu Ehren des toten Königs eine Schweigeminute ein. Es war der Tag seiner Beerdigung. Ein denkwürdiger Tag auch für die sechsjährige Mary Ward, die mit ihren Eltern und dem jüngeren Bruder auf einem Kartoffelacker in Suffolk stand. Vom Hof her hörte sie das vertraute Krächzen ihres Perlhuhns Marguerite, dem sie eine erschütternde Entdeckung mitzuteilen hat: »Ich habe eine Neuigkeit für dich, Marguerite, ich habe ein Geheimnis, das ich dir anvertrauen möchte, mein Liebling. Ich bin nicht Mary, das ist ein Irrtum. Ich bin kein Mädchen. Ich bin ein Junge.« So hat sie angefangen, die lange Reise der Mary Ward. Wahrlich keine einfache Aufgabe für die Tochter einer armen Bauernfamilie im England der 50er Jahre. 30 Jahre dauerte es, bis Mary sein darf, der sie ist. Martin. Es gibt nur wenige, die sie begleiten, der Großvater, ihre geliebte Lehrerin. Die Reise verändert Mary, aber auch ihre Familie und die Beziehungen untereinander von Grund auf. Ein langer, schmerzhafter und harter Weg bis zu dem Tag, an dem – 1980 – Post in Nashville, Kentucky eintrifft: »Lieber Martin, bitte verzeih mir. Ich hoffe sehr, dass Du es kannst. Deine Mutter Estelle.«
Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation.
Die unerschrockene Mary wuchs in London zur Zeit der Industriellen Revolution auf und begeisterte sich früh für Maschinen, Wissenschaften und für Literatur. Mit 16 verliebte sie sich in einen Dichter und reiste mit ihm durch Europa. Eines Tages schrieb sie eine Gruselgeschichte, die zur besten aller Zeiten werden sollte: die Geschichte vom Monster Frankenstein, das durch Strom zum Leben erweckt wird. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Schauspielerin, Fußballer oder Bürgerrechtsaktivistin, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen. Für welches Alter sind diese Bücher gedacht? Für Babys das perfekte Geschenk zur Begrüßung in eine Welt voller Träume! Und Eltern werden in schlaflosen Nächten von diesen Büchern dazu ermutigt, das Vorlesen zu einem selbstverständlichen Teil des Lebens zu machen. Kleinkinder werden von den Illustrationen verzaubert sein – sie werden zahlreiche Dinge entdecken. Auch sind die Bücher großartige „Vokabeltrainer“! 3- bis 5-Jährige werden alles, Illustrationen und Texte, geradezu in sich aufsaugen! 6-, 8- und 10-Jährige haben ein ausgeprägteres Verständnis für die Illustrationen und die Bedeutung der Geschichte – es geht nicht nur darum, sich selbst zu akzeptieren und die eigenen Zukunftsträume zu verwirklichen, sondern auch darum, andere so zu akzeptieren, wie sie sind. Später: Die Bücher sind gute Geschenke zu jedem Anlass, denn die Träume der Kindheit können das ganze Leben lang Wirklichkeit werden.
The 11-year old boy-Yu Bao walks and runs on the dusty “Heaven Street” every day, which is located at rural-urban joint place. During his journey, he passes many groceries by which nonnatives make a living, wades across muddy rainwater which is up to the waist, detours huge dump of the city. Meanwhile, he worries about where he can place his desk ,and he is anxious about how to find his missing father, and he is concerned about helping his laborious mother, and he is also happy just because his sisters—Yu Xiang and Yu Duo are happy……The boy’s life is difficult but neither embarrassed, alone, nor dark. Not only because his whole family can stay together, but there is sincere friendship from his companions—Meng Xiaowei, Luo Tianyu and so on. It is a long novel which directly involves current reality. The author pays attention to the living condition and status of the kids who are from rural places, and talks about loneness, setback, fear, perplexing, disaster even death that they face in their boyhood. After the first draft of this works was finished. it was once read by teachers, students and children’s parents in many primary schools. To some extent, it was a classic works created by famous author and some little readers.
Su Yu and Chen Yi are the golden partner to Mao Zedong. The biggest confidant of Su Yu and Chen Yi is Mao Zedong. These three heroes were maintain closely relationships. The purpose of this book is to acquaint the achievements of the previous generation of proletarian revolutionaries with clues about the encounter between Su Yu and Mao Zedong Chen Chenyi for half a century.
Still on the Earth is the first novel of Yu Xiuhua the poet. Taking Yu Xiuhua as the archetypal character, the novel has depicted the story of a disabled woman who suffers, fights and chooses “being-towards-death”. As she is ill with cerebral palsy, Zhou Yu, the heroine, has been ignored and even discarded by nearly everyone and the whole society. However, she yearns for being treated as a healthy and normal person instead of being offered with any pity or disdain. All she wants is just equality. Driven by the lack of love, the misfortune of family as well as various encounters in life, Zhou Yu employs poems to express her feelings. Finally she creates a literary realm with her poems and gets acknowledged. The author calmly narrates the unfortunate life of disabled people and turns the darkness and love deep down in her heart into the nutrients for growth, thereby achieving the spiritual state featured with reality, optimism, braveness and calmness.
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
This book explores the ways in which the two leading sensation authors of the 1860s, Mary Elizabeth Braddon and Wilkie Collins, engaged with nineteenth-century ideas about personality formation and the extent to which it can be influenced either by the subject or by others. Innovative readings of seven sensation novels explore how they employ and challenge Victorian theories of heredity, degeneration, inherent constitution, education, upbringing and social circumstance. Far from presenting a reductive depiction of 'nature' versus 'nurture', Braddon and Collins show the creation of character to be a complex interplay of internal and external factors. Drawing on material ranging from medical textbooks, to sociological treatises, to popular periodicals, Creating character shows how sensation authors situated themselves at the intersections of established and developing, conservative and radical, learned and sensationalist thought about how identity could be made and modified.
Mary Shelley's Frankenstein is one of the most popular novels in western literature. It has been adapted and re-assembled in countless forms, from Hammer Horror films to young-adult books and bandes dessinées. Beginning with the idea of the 'Frankenstein Complex', this edited collection provides a series of creative readings that explore the elaborate intertextual networks that make up the novel's remarkable afterlife. It broadens the scope of research on Frankenstein while deepening our understanding of a text that, 200 years after its original publication, continues to intrigue and terrify us in new and unexpected ways.
Record the experience, inspiration and thinking of Mr Yu Qiuyu in his trek for 40,000 km when he followed the “Travel in Millennium” overland motorcade of Phoenix Satellite Television in Hong Kong at the beginning of millennium year. The author records and writes as he advances. This travel has stretched across the Eurasia, and he witnesses with words the great historical sites which are famous all over the world.