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      • Gill Books

        Gill Books is an Irish publisher which produces an eclectic list of award-winningand bestselling titles from agenda-setting current affairs to absorbing history, page-turning biography to beautifully produced lifestyle. We are a division of Gill, Ireland’s largest publisher. Its origins date back to 1856 when M.H. Gill & Son, whose portfolio included printing and bookselling, wasfounded in Dublin. The bookshop, which stood on Dublin’s O’Connell Street for123 years and is referenced in James Joyce’s Ulysses, can now be found online at www.gillbooks.ie. In collaboration with some of Ireland’s best writers, brands and a network of creative talents, Gill Books creates a dynamic publishing proposition, which builds on a 150-year heritage whilst looking excitedly to the future.

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      • Trusted Partner
        Contemporary French cinema
        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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      • Trusted Partner
        Contemporary French cinema
        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        French cinema in the 1970s
        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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        The French empire between the wars
        Humanities & Social Sciences
        March 2017

        The French empire between the wars

        Imperialism, politics and society

        by Martin Thomas

        By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.

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        The Massacre at Paris
        Literature & Literary Studies
        August 2021

        The Massacre at Paris

        By Christopher Marlowe

        by Martin White, Mathew R. Martin

        This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.

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        French literature on screen
        The Arts
        April 2019

        French literature on screen

        by Homer B. Pettey, R. Barton Palmer

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        Screening the Paris suburbs
        The Arts
        December 2019

        Screening the Paris suburbs

        From the silent era to the 1990s

        by Philippe Met, Annie Fourcaut, Roland-François Lack, Jean-Louis Pautrot, Keith Reader, Margaret Flinn, Eric Bullot, Tristan Jean, Malcolm Turvey, Elisabeth Cardonne-Arlyck, Térésa Faucon, Philippe Met, Camille Canteux, Derek Schilling, Guillaume Soulez, David Vasse, Derek Schilling

        Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.

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        Screenwriters in French cinema
        The Arts
        March 2021

        Screenwriters in French cinema

        by Sarah Leahy, Isabelle Vanderschelden

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        French London
        Humanities & Social Sciences
        June 2021

        French London

        by Saskia Huc-Hepher, Alexander Smith

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        Joan of Arc
        Literature & Literary Studies
        January 2013

        Joan of Arc

        La pucelle

        by Craig Taylor

        This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War.

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        The French empire at War, 1940–1945
        Humanities & Social Sciences
        April 2007

        The French empire at War, 1940–1945

        by Martin Thomas, Andrew Thompson, John Mackenzie

        The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control. ;

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        Representing ethnicity in contemporary French visual culture
        The Arts
        January 2017

        Representing ethnicity in contemporary French visual culture

        by Joseph McGonagle

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        Time and radical politics in France
        Humanities & Social Sciences
        May 2023

        Time and radical politics in France

        From the Dreyfus Affair to the First World War

        by Alexandra Paulin-Booth

        This book investigates how people have thought about and experienced time, and how their ideas about time have shaped their political views and actions. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, it argues that time provides an important means of exploring how concepts such as nationalism, revolution and social change were understood at the turn of the century. Attending to different experiences of time - the speed at which it was perceived to move, the extent to which the future was near and graspable, the ways in which the past was seen to impinge on the present - opens up exciting new possibilities for analysing politics, ideologies and worldviews.

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        The debate on the French Revolution
        Humanities & Social Sciences
        December 2006

        The debate on the French Revolution

        by Peter J. Davies, Roger Richardson, Chantal Hamil

        This book deals with the various types of revolutionary history and the numerous schools of historical thought concerned with the French Revolution. By the time of the Bicentenary celebrations in 1989, the historiographical field had been opened up so much that it was impossible to speak with certainty about any kind of new 'orthodoxy' at all. The fact that the decade and a half following the Bicentenary offered up its own hotchpotch of theorising merely confirmed this. The survey of writings presents a cross-section of historians of the Revolution from the early nineteenth century right up to the present day. From liberals to conservatives and from Marxists to revisionists, it focuses on those individuals who are generally perceived to be the 'major' or 'pre-eminent' figures within revolutionary historiography. A 'history of the histories', this book will be an ideal starting point for those students seeking to better-understand the French Revolution and its history. ;

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        Space and being in contemporary French cinema
        The Arts
        March 2013

        Space and being in contemporary French cinema

        by James S. Williams

        This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;

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        French society in revolution 1789–1799
        Humanities & Social Sciences
        April 1999

        French society in revolution 1789–1799

        by David Andress, Mark Greengrass

        French society in revolution aims to retrieve the social history of the French Revolution from unjustified neglect. This study examines both the structural and cultural elements behind the breakdown of the eighteenth-century monarchic state and its aris. . . . ;

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      • Trusted Partner
        Contemporary French cinema
        The Arts
        December 2008

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;

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      • Trusted Partner
        The forgotten French
        Humanities & Social Sciences
        October 2010

        The forgotten French

        by Nicholas Atkin

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