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      • Christine Heimannsberg

        Gelobtes Land, die dystopische Climate Fiction Trilogie: Mit CO2 verbindet man den Klimawandel, schmelzende Gletscher und Überflutungen. Mittlerweile ist der Klimawandel auch in der Literatur angekommen. „Climate Fiction“ oder „Cli-fi“ lautet das Stichwort, das zuletzt verstärkt in den Feuilletons auftauchte. Die deutsche Autorin Christine Heimannsberg präsentiert mit ihrer Debüt-Trilogie „Gelobtes Land“ eine ungewöhnliche, spannende Dystopie, die ökologische wie humanistische Themen geschickt im neuen Genre zusammenführt.

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      • Trusted Partner
        Die Chris de Burgh Story
        January 1989

        Die Chris de Burgh Story

        by Thompson, Dave / Vorwort von Burgh, Chris de

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        The extended self
        Theory of architecture
        November 2014

        The extended self

        Architecture, memes and minds

        by Chris Abel

        In his wide-ranging study of architecture and cultural evolution, Chris Abel argues that, despite progress in sustainable development and design, resistance to changing personal and social identities shaped by a technology-based and energy-hungry culture is impeding efforts to avert drastic climate change. The book traces the roots of that culture to the coevolution of Homo sapiens and technology, from the first use of tools as artificial extensions to the human body, to the motorized cities spreading around the world, whose uncontrolled effects are changing the planet itself. Advancing a new concept of the meme, called the 'technical meme,' as the primary agent of cognitive extension and technical embodiment, Abel proposes a theory of the 'extended self' encompassing material and spatial as well as psychological and social elements. Drawing upon research from philosophy, psychology and the neurosciences, the book presents a new approach to environmental and cultural studies that will appeal to a broad readership searching for insights into the origins of the crisis.

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        Gerfalke
        January 1988

        Gerfalke

        by Barringer, Leslie

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        Chris Marker
        The Arts
        January 2019

        Chris Marker

        by Sarah Cooper, Diana Holmes, Robert Ingram

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        Die scheue Leopardin
        January 1988

        Die scheue Leopardin

        by Barringer, Leslie / Englisch Bieger, Marcel

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      • Trusted Partner
        Joris im Felsen
        January 1988

        Joris im Felsen

        by Barringer, Leslie / Übersetzt von Bieger, Marcel

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        Fragonard's playful paintings
        The Arts
        February 2007

        Fragonard's playful paintings

        Visual games in rococo art

        by Jennifer Milam, Marsha Meskimmon, Shearer West, Tim Barringer

        Fragonard's playful paintings is the first critical analysis of the function of play as an artistic concept and visual experience in Rococo art. The art of Jean-Honoré Fragonard embodies the pervasive culture of play in eighteenth-century France. His interactive paintings and drawings invite beholders to engage in a visual game of interpretation through subject, form and theme. This book not only examines Fragonard's art through close analyses of individual works, but also considers the role of the viewer within a variety of contexts related to social behaviour, philosophy, literature and aesthetics. More than any other artist from the period, Fragonard produced images of play that evidence the ludic impulses of ancien-régime thought and expose the underlying significance of eighteenth-century frivolity. Focused on bringing students and specialists closer to works of art, the book addresses what we see in order to understand better how paintings about play can stimulate playful ideas through dynamic exchanges between artist, image and beholder. ;

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        Politics and painting at the Venice Biennale, 1948–64
        The Arts
        September 2007

        Politics and painting at the Venice Biennale, 1948–64

        Italy and the Idea of Europe

        by Nancy Jachec, Marsha Meskimmon, Shearer West, Tim Barringer

        Although cultural exchanges were named within the Council of Europe in the mid- 1950s as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular is commonly identified as the cultural 'weapon' by which that nation conquered Western European culture. Using the Venice Biennale as a case study, this book challenges the idea that there was an American cultural conquest in the 1950s through the fine arts, arguing instead that Western Europe retained a strong sense of world cultural leadership in the immediate post-war years. An institutional history that combines political and diplomatic with art history, and is informed by extensive archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of Europe' - the Council of Europe's cultural initiative of 1955 designed to promote the idea of a homogeneous post-war European culture - at the Biennale in the form of gesture painting as an international style, as the emblem of a culturally united Western Europe, and as the repository of universal humanist values for the international community. Scholarly but accessible, this book will be of interest not only to researchers and to students of international cultural relations during the Cold War, but to general, interested readers, too. ;

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        Art, ethnography and the life of objects
        The Arts
        January 2012

        Art, ethnography and the life of objects

        Paris, c.1925–35

        by Julia Kelly, Marsha Meskimmon, Shearer West, Tim Barringer

        In the 1920s and 1930s, anthropology and ethnography provided new and striking ways of rethinking what art could be and the forms which it could take. This book examines the impact of these emergent disciplines on the artistic avant-garde in Paris. The reception by European artists of objects arriving from colonial territories in the first half of the twentieth century is generally understood through the artistic appropriation of the forms of African or Oceanic sculpture. The author reveals how anthropological approaches to this intriguing material began to affect the ways in which artists, theorists, critics and curators thought about three-dimensional objects and their changing status as 'art', 'artefacts' or 'ethnographic evidence'. This book analyses texts, photographs and art works that cross disciplinary boundaries, through case studies including the Dakar to Djibouti expedition of 1931-33, the Trocadéro Ethnographic Museum, and the two art periodicals Documents and Minotaure. Through its interdisciplinary and contextual approach, it provides an important corrective to histories of modern art and the European avant-garde. ;

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        Cubism and its histories
        Humanities & Social Sciences
        September 2004

        Cubism and its histories

        by David Cottington, Marsha Meskimmon, Shearer West, Tim Barringer

        Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety. This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established. Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history. ;

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      • Trusted Partner
        De Stijl and Dutch modernism
        Humanities & Social Sciences
        July 2003

        De Stijl and Dutch modernism

        by Michael White, Marsha Meskimmon, Shearer West, Tim Barringer

        De Stijl was the title of a magazine founded in the Netherlands in 1917 and is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. This book is the first to emphasize the local context of De Stijl and explore its relationship to the distinctive character of Dutch modernism. Examines the connection between debates concerning abstraction in painting and spatiality in architecture and contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. Describes the interaction between the world of mass culture and the fine arts. ;

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      • Trusted Partner
        Chris, die Kerze und die Geschichte vom Abendmahl
        1995

        Chris, die Kerze und die Geschichte vom Abendmahl

        Ein Buch zur Konfirmation

        by Küstenmacher, Werner

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      • Trusted Partner
        Das Kartell

        Das Kartell

        Roman

        by Winslow, Don

        Übersetzt von Chris Hirte

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        Die goldenen Tage
        October 2016

        Die goldenen Tage

        Roman

        by Monica Sabolo

        Crans-Montana in den 1960ern. Jahr für Jahr treffen sich in dem mondänen Urlaubsort drei betörende junge Frauen: Chris, Charlie und Claudia. Ein paar Jungen sind den sirenenhaften Erscheinungen hoffnungslos verfallen. Dazu verdammt, die »drei Cs« aus der Ferne – auf der Skipiste, am Pool, im Nachtclub – zu beobachten, bedeuten für die Jungen bereits die unscheinbarsten Gesten die Welt. Und dann gibt es da auch noch ihre unbezwingbaren Konkurrenten: »die Italiener«. Die Jahre verstreichen, es werden exzentrische Feste gefeiert, Ehen geschlossen, und noch immer streben Chris, Charlie, Claudia und ihre ehemaligen Verehrer nach dem vielleicht Unerreichbaren: Leichtigkeit, Liebe, Wahrhaftigkeit. Die goldenen Tage erzählt vom Aufstieg und Fall einer jeunesse dorée, von ihren unschuldigen ersten Verliebtheiten und späteren abgründigen Obsessionen. Eine atemberaubende Gratwanderung zwischen Unbeschwertheit, Glamour und Tragik – und eine Lektüre, die Sehnsüchte heraufbeschwört, die man längst für vergessen hielt.

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      • Trusted Partner
        From victory to Vichy
        Military history
        July 2013

        From victory to Vichy

        by Chris Millington

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      • Trusted Partner
        Challenging times, challenging administration
        Public administration
        January 2015

        Challenging times, challenging administration

        by Chris McInerney

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      • Trusted Partner
        Northern Ireland and the crisis of anti-racism
        Humanities & Social Sciences
        July 2017

        Northern Ireland and the crisis of anti-racism

        by Chris Gilligan

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      • Trusted Partner
        Schwarze Schafe in Venedig
        March 2012

        Schwarze Schafe in Venedig

        Krimi

        by Ewan, Chris

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