Carvon Media GmbH
Carvon Media was founded in 2013 as an animation studio. In 2019, the company started telling stories in picture book form with high-quality visuals.
View Rights PortalCarvon Media was founded in 2013 as an animation studio. In 2019, the company started telling stories in picture book form with high-quality visuals.
View Rights PortalA city girl gets lost while visiting her grandparents. Accompanied by a young native, she must pass several trials to find her way back.
Monfay can, thanks to his friends Béliké and Napo, travel in time.Today she explores an Africa which has freed itself from all foreign domination and which asserts itself to show humanity the way to sustainable development.
Six stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
Elo the crocodile finds himself in a small dilemma: he must choose between his stomach and his heart. But hungry for several days, he will not hesitate long.
More than a coloring book; this album in French and English allows children to discover birds and the alphabet.
— Who is behind the big platforms, what are their alternatives and why do algorithms contribute to polarisation? — A contribution to the discussion on current media policy in the EU It's a paradox: thanks to the countless platforms and channels that are around today, it has never been so easy to express your opinion. And yet never before have so few people decided on the rules of these platforms. Never before has the free formation of opinion, which is essential for our democracies, been in so much danger. And never before have the signs of recognising this been so obvious. So what needs to be done? In a controversial discourse on the effects of TikTok, Facebook, Instagram, Twitter and the rest, Björn Staschen reveals how we are slowly losing our freedom – and how we can get it back again.
In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from social studies and the arts and humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy. ;