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      • BRILL

        Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in Asian Studies, Classical Studies, History, Middle East and Islamic Studies, Biblical and Religious Studies, Language & Linguistics, Philosophy and International Law to name but a few. With offices in Leiden (NL), Boston (US), Paderborn (GER), Singapore (SG) and Beijing (CN), Brill today publishes more than 300 journals and close to 1,400 new books and reference works each year, available in print and online. Brill also markets a large number of primary source research collections and databases. The company’s key customers are academic and research institutions, libraries, and scholars. Brill is a publicly traded company and is listed on Euronext Amsterdam NV.

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      • N. L. Brisson

        These books represent a decade of work, essays posted to a blog The Armchair Observer (now deleted) about what was happening in American Politics. A fiction entry predicts what America's future could look like.

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        The Arts
        November 2022

        In good taste

        How Britain’s middle classes found their style

        by Ben Highmore, Christopher Breward

        In postwar Britain, journalists and politicians prophesised that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved entirely wrong. In good taste charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, and sociologists claimed that an entire population was suffering from status anxiety, but underneath it all, a world was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous well-scrubbed, second-hand pine kitchen tables. This was less a world of symbolic goods and more an intimate environment alive with new feelings and attitudes.

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        Literature & Literary Studies
        May 2019

        Thomas ‘Jupiter’ Harris

        by Warren Oakley

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        September 2021

        Kamala Harris

        Ein Porträt

        by Marie-Astrid Langer

        Im suffragettenweißen Anzug tritt Kamala Harris am 7. November 2020 auf die Bühne in Wilmington, Delaware, als erste Vizepräsidentin der Vereinigten Staaten. Ihre Worte gehen um die Welt, sie selbst wird zur Ikone … Die US-Korrespondentin Marie-Astrid Langer gibt Einblick in die entscheidenden Momente auf dem Lebensweg von der Einwanderertochter zur mächtigsten Schwarzen Frau in Washington. Ihre Mutter aus Indien, ihr Vater aus Jamaika, beide zum Studieren in das Land der unbegrenzten Möglichkeiten gekommen, beide in der Bürgerrechtsbewegung aktiv, und so bekommt Kamala Harris den Kampf für Gleichberechtigung vom ersten Tag an in die Wiege gelegt. Als Grenzgängerin zwischen der harten Realität der Schwarzen Communities und den linken Eliten Kaliforniens entwickelt sie früh ihr politisches Denken, ihr Engagement, ihren Ehrgeiz. Und mit einer Vision von Freiheit, Toleranz und Gerechtigkeit, tief geprägt von der afroamerikanischen Geschichte, macht sie sich an einen unvergleichlichen Aufstieg, der mehr als einmal an den Widersprüchen und Ungleichheiten eines Landes zu scheitern droht.

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        Humanities & Social Sciences
        April 2003

        Step-daughters of England

        British Women Modernists and the National Imaginary

        by Jane Garrity

        Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

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        The Arts
        November 2011

        Real and Reel

        The education of a film critic

        by Brian McFarlane

        From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered: he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years. Real and reel is a light-hearted and but deeply felt account of a lifetime's addiction. It is one particular writer and critic's story, but it will strike sparks among many others. Though many other interests have kept Brian McFarlane's life lively, nothing else has exerted such a long-standing grip on the author's imagination as film. Editor of the Encyclopaedia of British Cinema, co-editor of Manchester University Press's British Film Makers series, and author of over a dozen critical works on film and adaptation, Brian McFarlane's autobiographical Real and reel can also be read as a biography of the subject of Film Studies itself. ;

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        Literature & Literary Studies
        April 2000

        Modernism and empire

        Writing and British coloniality, 1890–1940

        by Howard Booth, Nigel Rigby

        This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;

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        Humanities & Social Sciences
        November 2006

        British representations of the Spanish Civil War

        by Brian Shelmerdine

        This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War. ;

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        The Arts
        January 2019

        Bertrand Blier

        by Sue Harris

        The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.

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        Humanities & Social Sciences
        June 2015

        Men, ideas and tanks

        British military thought and armoured forces, 1903?39

        by J. P. Harris

        Men, ideas and tanks reviews the development of British military ideas on armoured forces from 1903 to 1939. Great Britain was the nation which first developed the tank, first used it in action and first gained dramatic results by employment. The British continued to be world leaders in the field of mechanised warfare until the early 1930s. J. P. Harris offers strikingly new interpretations of the early history of British armoured forces and explains why Great Britain had lost the lead by the outbreak of the Second World War. Available in paperback once more, this work will be of interest to all those concerned with British military history in the first half of the twentieth century, with the history of mechanised warfare and with the history of military thought. ;

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        Lifestyle, Sport & Leisure
        June 2024

        Round our way

        Sam Hanna's visual legacy

        by Heather Nicholson

        Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.

      • Trusted Partner
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

      • Trusted Partner
        The Arts
        August 2001

        Bertrand Blier

        by Sue Harris, Diana Holmes, Robert Ingram

        The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English. ;

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        April 1993

        Das Bacon-Projekt

        Von der Erkenntnis, Nutzung und Schonung der Natur

        by Lothar Schäfer

        "Das »Bacon-Projekt« definiert einen Grundzug der Moderne; während in der Antike die Erkenntnis der Natur als Selbstzweck galt, betrachtet sie die Neuzeit als ein Mittel zur Mehrung des allgemeinen Menschenwohls. Die Naturforschung soll die Entwicklung einer Technik ins Werk setzen und damit dem Menschen Machtmittel zur Verfügung stellen, durch die er sich aus materieller Not und Naturabhängigkeit befreien kann. Francis Bacon (1551-1626) war der Propagandist der neuen Zielbestimmung der Naturforschung. Die in den modernen Industrieländern praktizierte technische Form der Naturnutzung ist infolge der jetzt offenkundig werdenden Schädigungen an der Natur zunehmend unter Kritik geraten. Mit den Befunden der »ökologischen Krise« wird nicht nur auf die Bedrohlichkeit der Technikfolgeschäden hingewiesen, sondern es wird zugleich die neuzeitliche Art der Naturforschung für die absehbare Katastrophe verantwortlich gemacht. Hans Jonas hat deshalb verlangt, daß wir das »Baconsche Ideal« aufgeben und uns dem Gedanken der Bewahrung der Natur verschreiben. Nicht länger sollten Ziele und Zwecke des Menschen die Grundlage unseres Handelns gegenüber der Natur sein; das »Prinzip Verantwortung« gebiete vielmehr, die in der westlichen Zivilisation dominant gewesene »Anthropozentrik« zu verabschieden und die Eigenrechte der Natur in unserem Handeln zu respektieren. Gegen diese pauschale Beschuldigung der Moderne ist die vorliegende Studie gerichtet. Schäfer sieht durch die ökologische Krise nicht die Aufkündigung des Baconschen Ideals geboten - wohl aber eine drastische Revision des »Baconschen Programms«, d.h. der Mittel und Methoden, mit denen das Ideal seither verfolgt wurde."

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