EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalCompiled by the China Flash Fiction Society, the 52 short short stories in this book are either popular works or classics that carry considerable weight and represent the splendor of contemporary Chinese flash fiction. Through this book, English readers can savor the unique beauty of Chinese flash fiction.
"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
Compiled by the China Flash Fiction Society, the 56 short short stories in this book are either popular works or classics that carry considerable weight and represent the splendor of contemporary Chinese flash fiction. Through this book, English readers can savor the unique beauty of Chinese flash fiction.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
The book explores the graphic creations of SF and F between 1890 and 1960 in Chile, with a detailed review of works and authors in this difficult art form that must reconcile the popular with the artistic. The various works are presented in chapters, each addressing a theme that has fascinated readers throughout the ages. Chapters are dedicated to Robots, Superheroes, Space Travel, the End of the World, and Underwater Adventures. It delves into styles and genres, incorporating the necessary images that allow us to appreciate the evolution and learn about authors and works.
“His great novel, his “immense contemporary social fresco”, his “made-in-bladi human comedy” - in the words with which he dazzles his virtual contacts - was now out of the question. To those who still asked him: “What's the status of this novel?”, he invariably replied: “Perhaps under other skies. Here, all we promote is mediocrity. And everyone would nod in agreement, wishing him well.” Djawad Rostom Touati Farid, Malia, Rami, Adib and other characters wander through La civilisation de l'ersatz, the second part of the trilogy: Le culte du ça, each equipped with their own socio-cultural baggage, some motivated to change the course of their lives, sure that the sun is much warmer elsewhere; others resigned to the idea that the world is as it is: just a two-variable equation - dominated/dominant -; and still others, self-sufficient, seeking redemption in the misfortunes of others, make their way between the strata of a society in turmoil, the victim of a frozen past, a sequestered present and a future held hostage. In La civilisation de l'ersatz, both neo-prolo-aspirants-bourgeois who don't even know they're there, replace each other between the fingers of a born writer. Everything is relativity: time, space, not to mention the mind...
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
As one in the “Chinese Writers Going Global” series published by Hunan Literature and Art Publishing House, this collection features six novelettes and short stories by writer Chi Zijian, including Yangko, Traveling towards White Night, My Beloved Potato, The Silver Plate, Washing away Dust with Clean Water, Dusk with a Drizzle on the Grieg Sea, and Night of Laba at the Small Station of Bujilan. These are all outstanding literary works, some of which are winners of the Luxun Literature Award or have been published abroad.
The hardworking and studious Reed is a well-known "wild child" in the fishing village. Influenced by the legend, he and his sister, He Ju, had the whimsical idea of learning the outstanding swimming skills from the porpoise, and thus became interested in the endangered species of porpoise. The porpoise, which had been repeatedly disturbed, always avoided them... By chance, the siblings, with their excellent swimming skills, rescued a baby porpoise that had been trapped by garbage. This cute porpoise has since become an exotic friend who plays the game with them ...
Dedicated to Qishan soldiers and civilians who died during the Revolution of 1911, a themed publication on the 110th anniversary of the Revolution of 1911. The works refer to historical books such as "The Chronicles of the Revolution of 1911", "The Annals of Qishan County", and "Data of Qishan Literature and History". The most tragic and tragic scene occurred in Qishan County. The Qing troops counterattacked the massacre and the resistance of the soldiers and civilians in the city added a bloody, tragic, and heroic page to the historical narrative.
Poetic,colorful ceramicsare the great invention and wisdom crystallization of the Chinese nation. Changsha colorful ceramics belong to both China and the world, and it is the way leading to the world.
This collection of works by writer Fang Fang includes novelettes such as Ambush, My Beginning Is Also My End, Floating Clouds and Flowing Water, Performance Art, and Scenery that have already been translated into English, French, Japanese, Korean, Italian, Thai and Portuguese, and published abroad. Among these, Scenery won the National Outstanding Novelette Prize and caused a national sensation. It also established her as one of the representatives of China’s “new realists”. Her other works have also won her many national important prizes such as Fiction Monthly Hundred Flowers Awards.
Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
Cultural Perplexity in Agonized Travel is the salable classic cultural prose of Yu Qiuyu, which was first published in 1992. From then, Yu has painstakingly modified and rewritten this book in subsequent republications during the last 25 years. Cultural Perplexity in Agonized Travel (ultimate revised edition with illustrations), published by Hunan Literature and Art Publishing House, has went through lots of supplement and revise on the basis of the old versions. The most vital revise is deleting the fourth part "Life Journey", adding several significant articles in Mountain Home Notes, and increasing 23 illustrations. This version is examined and approved by Yu Qiuyu himself. Several articles in the book have been selected into the Chinese textbooks of middle school.
This book is a documentary work based on He Jiesheng's legendary childhood and adolescent experiences as the main narrative clues. It is also the first biographical literature where she uses herself as the protagonist to focus on her childhood and teenage experiences. As the daughter of Marshal He Long, as the youngest Red Army soldier, He Jiesheng's growth experience also reflects the difficult course of the Chinese revolution.
This novel burst onto the Chilean literary scene in 1996 when it won the National Book Council Award, bringing science fiction into the spotlight. And today, more than ever, it remains strikingly relevant. Tom, the cyborg, is the creation of Rubén—a scientist completing his doctorate in robotics while living in exile. Driven by frustration with his short-sighted professors and the isolation of being far from home, Rubén builds Tom to defy limitations and offer companionship. When the dictatorship in his homeland comes to an end, Rubén returns—bringing Tom with him. The cyborg’s human appearance and behavior allow him to remain hidden in plain sight. But as Tom gradually crosses the threshold of artificial intelligence, he begins to think for himself.