Andrew Nurnberg Associates Ltd.
International literary agency with a distinguished list of fiction, non-fiction and children's authors, specializing in foreign rights.
View Rights PortalInternational literary agency with a distinguished list of fiction, non-fiction and children's authors, specializing in foreign rights.
View Rights PortalOver the years, an unusual mix of books, useful book accessories, gift items and games has remained an important characteristic of a steadily growing product range. Inventive non-fiction and activity books with a focus on playing, experimenting and learning are complemented by an extensive selection of little objects you see at your bookshop which somehow belong together with books. Our game portfolio ranges from children’s games, family games, card games to games involving patience, communication games, word games, puzzles, and games involving mental exercises. Thinking outside the box, discovering and realising new ideas - this is the concept of our publishing house. Our motto is: moses., one idea more.
View Rights PortalOne of Britain's foremost TV practitioners, Andrew Davies is the creator of programmes such as 'A Very Peculiar Practice', 'To Serve Them All My Days', 'Pride and Prejudice', 'Othello' and 'The Way We Live Now'. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television. Cardwell also explores the conventional notions of authorship and auteurism which are challenged by Davies's work. Can we identify Davies as the author of the varied texts attributed to him? If so, does an awareness of his authorial role aid our interpretation and evaluation of those texts? How does the phenomenon of adaptation affect the issue of authorship? How important is 'the author' to television? This book will appeal to both an academic readership, and to the many people who have taken pleasure in Davies's work. ;
Testamentarisch hat Uwe Johnson die Peter Suhrkamp-Stiftung und seinen Verleger Siegfried Unseld zum Nachlaßverwalter eingesetzt. Siegfried Unseld beschreibt, wie es dazu kam, beschreibt aus seiner Sicht noch einmal die Begleitumstände, die das große Werk »Jahrestage« zu vollenden ermöglichten. »Für wenn ich tot bin«: es war Uwe Johnsons Wunsch, daß sein Nachlaß gesammelt und nach Frankfurt gebracht wurde. Siegfried Unseld konnte in Verbindung mit der Johann Wolfgang Goethe-Universität ein Uwe Johnson-Archiv einrichten, das dem Gedenken des großen Schriftstellers dient. Eberhard Fahlke, Leiter des Uwe Johnson-Archivs und ausgewiesener Johnson-Forscher, beschreibt in seinem Beitrag die Einrichtung und Anlage des Archivs, welches in seiner Art einzigartig ist.
A hundred years after the tragic 1924 British Everest expedition, this collection explores the wider social and cultural history of the mountain. Mount Everest looms large in the popular imagination. Since the deaths of mountaineers George Mallory and Andrew Irvine in 1924, histories of the mountain have overwhelmingly focused on the mythologies of western male adventure and conquest. But there are many more stories waiting to be told. Other Everests brings together new voices and perspectives on the historical and cultural significance of Everest in the modern world. The book shines a light on the overlooked role of local people and high-altitude workers, while also revealing the significant contributions women have made to climbing the mountain and writing its history. It explores the depiction of Everest in a range of media and investigates how the forces of nationalism and commercialism have shaped many different 'Everests'. After years of exploitation, Indigenous people are now reclaiming Mount Everest in the twenty-first century. Other Everests re-examines the past and present of the world's highest peak, presenting an exciting vision of what Everest might become in the future.
Uwe Johnson ist im Februar 1984 in Sheerness-on-Sea in der englischen Grafschaft Kent gestorben. Siegfried Unseld, »Freund, Leser, Verleger« nach Johnsons Worten, beschreibt Leben und Werk und die Begleitumstäne, unter denen das große Werk »Jahrestage« vollendet wurde.
This book, the world's first biography of Paul Watzlawick, written by his great-niece, describes the life of this philosopher, therapist, and best-selling author. Paul Watzlawick had a talent for languages and he led an adventurous life, from his childhood in Villach to studying in Venice after the war, to analyst training under C. G. Jung in Zurich, an attempt at establishing himself in India and then in El Salvador as a therapist, and finally to the Mental Research Institute (MRI) in the United States, headed by Don D. Jackson, a venerable scientist. This marked the beginning of the second half of his life, his amazing career as a communication researcher, a pioneer of systemic therapy, a radical constructivist, and a great thinker regarding the divisions between East and West. With many letters, lectures, interviews, and statements from contemporary witnesses and family members, this book makes Paul Watzlawick accessible as a human being and as a spiritually inspired, leading 20th century thinker. It includes a variety of unpublished material from Watzlawick, and introduces a comprehensive and exciting picture of the scientist and cosmopolitan person, Paul Watzlawick. Target Group: For people interest in Paul Watzlawick, communication sciences, systemic therapy, and constructivism.
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
Neue, umwerfend komische Abenteuer aus dem Wilderwald - von „Drachenzähmen leicht gemacht“-Autorin Cressida Cowell! Xar, der übermütige Magierjunge, und Willa, das schüchterne Kriegermädchen, reisen gemeinsam mit Quetscher, dem Riesen, durch den Wilderwald. Und diesmal geht es um alles, denn sie müssen den mächtigen, dunklen Königshexer endgültig besiegen … Dazu stellen sich die beiden Freunde und ihre magischen Tierwesen einer uralten bösen Macht, die sich im Wilderwald verbirgt. Nur mit ihrer Hilfe - und mit der Kraft von Willas Magie - können die Krieger- und Zaubererstämme über die Hexenschaaren triumphieren … Nach dem internationalen Bestseller- und Kino-Erfolg von „Drachenzähmen leicht gemacht“ ist „Wilderwald“ die zweite Kinderbuch-Reihe ab 10 von Star-Autorin Cressida Cowell. Für alle Mädchen und Jungs, die witzige Geschichten mit wilder Magie und Abenteuer mit Gruselfaktor lieben. „Ein urkomisches Abenteuer, gemischt mit einer Coming-of-Age-Geschichte in einem einzigen hochunterhaltsamen Paket.“ - Kirkus Review „Ein neuer Geniestreich von Cressida Cowell!“ - The Sunday Times
Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.
Uwe Johnson wurde am 20. Juli 1934 in Kammin (Pommern), dem heutigen Kamien Pomorski, geboren und starb am 22. oder 23. Februar 1984 in Sheerness-on-Sea. 1945 floh er mit seiner Mutter und seiner Schwester zunächst nach Recknitz, dann nach Güstrow in Mecklenburg. Sein Vater wurde von der Roten Armee interniert und 1948 für tot erklärt. 1953 schrieb er sich an der Universität Leipzig als Germanistikstudent ein und legte sein Diplom über Ernst Barlachs Der gestohlene Mond ab. Bereits während des Studiums begann er mit der Niederschrift des Romans Ingrid Babendererde . Reifeprüfung 1953. Er bot ihn 1956 verschiedenen Verlagen der DDR an, die eine Publikation ablehnten. 1957 lehnte auch Peter Suhrkamp die Veröffentlichung ab. Der Roman wurde erst nach dem Tode von Uwe Johnson veröffentlicht. Der erste veröffentlichte Roman von Uwe Johnson ist Mutmassungen über Jakob. Von 1966 – 1968 lebte Uwe Johnson in New York. Das erste Jahr dort arbeitete er als Schulbuch-Lektor, das zweite wurde durch ein Stipendium finanziert. Am 29. Januar 1968 schrieb er in New York die ersten Zeilen der Jahrestage. Aus dem Leben von Gesine Cresspahl nieder. Deren erste ›Lieferung‹ erschien 1970. Die Teile zwei und drei schlossen sich 1971 und 1973 an. 1974 zog Uwe Johnson nach Sheerness-on Sea in der englischen Grafschaft Kent an der Themsemündung. Dort begann er unter einer Schreibblockade zu leiden, weshalb der letzte Teil der Jahrestage erst 1983 erscheinen konnte. 1979 war Uwe Johnson Gastdozent für Poetik an der Johann Wolfgang Goethe-Universität in Frankfurt. Ein Jahr später erschienen seine Vorlesungen unter dem Titel Begleitumstände. Sein Nachlass befindet sich im Uwe Johnson-Archiv an der Universität Rostock.
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
The Johnson era will be remembered for a series of scandals that severely eroded trust in the British government. From questionable PPE tenders and public appointments to the 'partygate' fiasco, every aspect of public life seemed tainted. How did this downward spiral begin, and what can be done to reverse it? In this eye-opening book, veteran KC John Bowers presents a fearless examination of the decline in ethical standards before, during and after the Johnson government. He focuses on the institutions responsible for holding the government accountable, exposing how they have been bypassed by prime ministers determined to impose their agenda. Through interviews with political insiders, Bowers provides analysis of scandals such as partygate, Greensill and the revolving door with the private sector. He shines a light on a culture of favouritism, where standards are upheld based on little more than the assumption those in power can be trusted to behave. Rishi Sunak entered Number 10 on the promise of restoring integrity, but it is clear major problems remain. Confronting the failings of the current system, Downward spiral presents concrete proposals for creating an alternative that is more transparent and accountable.
Band 4 der großartigen Drachen-Reihe rund um Hicks, den mutigen Wikingerjungen und seine Freunde. Hicks ist verzweifelt! Sein bester Freund Fischbein schwebt in Lebensgefahr, denn er wurde vergiftet vom Stich des Stacheldrachen. Hicks und seine unerschrockene Freundin Kamikazzi haben nur wenige Stunden, um das Gegengift zu beschaffen. Doch dieses befindet sich ausgerechnet in der Hand der Tobsüchtigen, einem feindlichen Wikingerstamm. Wird Hicks der Hartnäckige auch diesmal als siegreicher Held heimkehren? Alle Bände der Reihe: (1) Drachenzähmen leicht gemacht (2) Wilde Piraten voraus (3) Strenggeheimes Drachenflüstern (4) Mörderische Drachenflüche (5) Brandgefährliche Feuerspeier (6) Handbuch für echte Helden (7) Im Auge des Drachensturms (8) Flammendes Drachenherz (9) Jagd um das Drachenerbe (10) Suche nach dem Drachenjuwel (11) Verräterisches Drachenmal (12) Der letzte Drachenkönig Ebenfalls von Cressida Cowell im Arena Verlag erschienen: Wilderwald (1). Die Rückkehr der dunklen Magie Wilderwald (2). Die Rache des Königshexers Wilderwald (3). Im Auge des Inselmonsters
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis. ;
Band 3 der bereits verfilmten Drachen-Reihe rund um Hicks, den mutigen Wikingerjungen und seine Freunde. Hilfe! Die Römer haben Hicks und seinen Freund Fischbein ins weit entfernte Fort Finstericum entführt. Und das Schlimmste: Auch Hicks’ Drache Ohnezahn befindet sich in ihrer Gewalt. Doch die Römer haben ein Problem, denn im Gegensatz zu Hicks beherrschen sie die Drachensprache nur sehr mangelhaft. Das führt im Umgang mit Drachen schnell zu schmerzhaften Missverständnissen. Deswegen sind sie jetzt ausgerechnet auf Hicks angewiesen. Wird er ihnen helfen? Alle Bände der Reihe: (1) Drachenzähmen leicht gemacht (2) Wilde Piraten voraus (3) Strenggeheimes Drachenflüstern (4) Mörderische Drachenflüche (5) Brandgefährliche Feuerspeier (6) Handbuch für echte Helden (7) Im Auge des Drachensturms (8) Flammendes Drachenherz (9) Jagd um das Drachenerbe (10) Suche nach dem Drachenjuwel (11) Verräterisches Drachenmal (12) Der letzte Drachenkönig Ebenfalls von Cressida Cowell im Arena Verlag erschienen: Wilderwald (1). Die Rückkehr der dunklen Magie Wilderwald (2). Die Rache des Königshexers Wilderwald (3). Im Auge des Inselmonsters
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.