Established in 1956, Bingsha Shatabdi follows two different trends in publication, It brings out direct translations from various European languages like French, Dutch, German into Bangla. It deals with both contemporary and classical literature. Its second goal is to publish collections of essays in Bangla and English, and its area of concentration is Social Science And Ancient Indian Civilization and Culture.
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Young Raza started searching for deeper meanings within the Bindu and saw it more than just a Dot. It lingered with him till he started giving creative expression, using Bindu as the focal point. This book delves into the works of famous Indian artist S.H. Raza and takes children on a fantastic visual journey. It directs them to demystify the Bindu and introspect on its meaning and significance. Raza’s world of Bindu - as Universe, Sun, Panchtatva and more – unfolds through brilliant illustrations and a stirring narrative.
Mom and Dad completely lose the plot the day the Wifi stops working in the house. In a role reversal of sorts, it's up to little Shivi to get her bored and tantrum-throwing parents to see that there is a perfectly wonderful life to be enjoyed beyond their screen-craze. Mithila Ananth’s zany, whimsical digital illustrations with a minimal neat colour palette and a touch of quiet humour throw into sharp focus Richa Jha’s funny story done as a second-person narrative. Together, they draw the reader right into the centre of this book’s relatable universe.
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The lonely writer Lekhan huffs and puffs every time the noisy street he lives in brings a new disturbance to interrupt his tales. Desperate to find a solution, Lekhan devises a plan which slowly leads him away from all the giggles and pitter-patter and chitter-chatter. The only problem remains is that his stories are silent, they do not cry anymore. Nor do they smile anymore. Richa Jha’s narrative sprinkles magic in the tedious effort to find and express into words, the soul of a story. Ruchi Shah’s vivid and curious illustrations bring to life an artist’s journey towards inspiration and drawing the best of their art from the world around them.
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Daddy wasn’t Daddy until Ria popped out of his pocket. Or so he says. Giggi and Daddy is a light-hearted tale which through an innocent clash of narratives between a father and his daughter explores the evolving definition of what it means to be the ‘Best Dad in the World’. Richa Jha takes the reader on a jolly fun ride of tall tales and a fancy imagination, and an adorable Daddy-daughter duo. Mithila Ananth’s blend of simple uncomplicated lines and textured backdrops that ooze perfect comic timing make this book a hilarious visual treat.
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This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
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By situating Iran within the neoliberal global capitalism and resulting geopolitics, this book traces the patterns of capital accumulation and transformations in class and state formation emanating from it. It shows that Iranian neoliberalisation has brought about two capital fractions, namely the internationally-oriented capital fraction and the military-bonyad complex. It substantiates that the co-existence of these competing class fractions with different accumulation strategies has generated hybrid neoliberalism. The book further demonstrates how this new class formation has reorganised the function and operation of state institutions and transformed state ideology. By documenting the ways in which Iranian neoliberalisation has reshaped the subaltern classes and formed Iran's volatile foreign policy, it also provides a novel account of major events and processes in contemporary Iran, such as the post-2017 wave of uprisings, the nuclear programme and international sanctions.
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Sham is a precocious schoolboy who dreams about making sense of the world he inhabits. Shaman, his friend and alter-ego prods him along. They walk together exploring the gullies and outskirts of their suburban hill village. They passionately glean whatever information is available to them through books or people. They make patterns out of this information and scheme to gain control over their reality. The villagers become characters in their scheme and start revealing the cracks in their reality. As fragments of science, philosophy, fairy-tales, folk-legends and history start seeping into their everyday existence, Sham and Shan find themselves deep in an unmanageable world of their own fantasies.
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Die Wahrnehmung Irans wird derzeit von den Tiraden Ahmadinejads und dem Nuklearprogramm dominiert. Das Klischee von verblendeten Mullahs verstellt dabei den Blick auf ein Land, dem zentrale Bedeutung für den Nahen und Mittleren Osten zukommt. Dagegen skizziert Volker Perthes die differenzierten strategischen Positionen, die Radikale und Realisten innerhalb der iranischen Eliten einnehmen. Europäischen Politikern empfiehlt er eine Politik, die das wechselseitige Vertrauen fördert und die Sicherheitsinteressen Irans wie seiner Nachbarn ernstnimmt. Damit liefert er einen fundierten Beitrag zu einer der wichtigsten politischen Herausforderungen der Gegenwart.
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Fattaneh Haj Seyed Javadi, geboren 1945 in Schiraz, lebt in Isfahan. Sie studierte an den Hochschulen für Literatur und Fremdsprachen in Teheran und Isfahan und arbeitete mehrere Jahre als Lehrerin. Anfang der 1990er Jahre übersetzte sie Jeffrey Arthurs Werk Kain und Abel ins Persische. Javadi ist verheiratet und hat zwei Töchter. Nach dem auch in deutscher Übersetzung sehr erfolgreichen Roman Der Morgen der Trunkenheit (1995, Insel 2000) wurde ihr zweites Buch In der Abgeschiedenheit des Schlafs (2002) ebenfalls zu einem Bestseller im Iran.
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This book intends to explain the development of the knowledge of Mek Mulung, a dance drama that is based in Wang Tepus, Jitra Kedah using archival evidence and ethnographic research. Since its earliest known documentation through in the writings of Walter William Skeat published in 1900, very little of Mek Mulung was described comprehensively. This book describes Mek Mulung in five chapters. It begins with its overview, describing the beholders of the tradition, the performance style, new creative ideas and heritage revival activities integrated towards the idea of the performance. Readers of the book can also experience the music of Mek Mulung by listening to musical examples as well as interacting with the dance and movements through an augmented reality mobile phone application which accompanies the book. The integrated multi-sensory experience of this book aims to enrich and help readers to appreciate Mek Mulung as a heritage performance.
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— An extraordinary story of migration — Contemporary history of the 70s and backgrounds to India, Afghanistan, Iran, Turkey, Bulgaria, the former Yugoslavia, the GDR and the Federal Republic of Germany He was the son of the Sikh priest, a successful 400-meter runner and, eventually, a migrant. In 1979, Bagicha Singh turned his back on his homeland and set off with a head full of dreams on the long, turbulent overland journey from India to Germany. It was the year the Soviet Union invaded Afghanistan and the Islamic Revolution raged in Iran. A year whose aftermath continues to shape the world to this day. More than 40 years later, his daughter tells the story of Bagicha's adventurous journey. The result is a touching document on origin, contemporary history, and the meaning of migration.
