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      • Mary Abouchaar

        Every story describes a wish that Tyler makes, the steps he takes to obtain it, and the reason why he gladly grants it to a dear one. In "Tyler's Promised Gift" Tyler works hard to obey his mother's commands in anticipation of receiving his promised 'little red car". At his birthday party he offers the car to a younger, sad, and crying guest. In "Tyler's Baby Sister" Tyler tries to get his mother to focus her attention again on him instead of on his baby sister, Tia. Tyler finally realizes that helping his mother to give more care to Tia gave him the most satisfaction. In "Tyler's Acting Practice" Tyler spends hours perfecting his aim when using a slingshot. When he was finally ready to play the part of David in the school play "David and Goliath", he noticed that his friend Joel, who was new to the school this year, was being bullied and excluded from all games because he was missing the net whenever he tried to shoot a basketball. Heroically, Tyler offers the role of David to Joel when he learns that Joel excels at aiming pebbles with his slingshot. His plan to reverse the students' disrespect towards Joel succeeded when everyone in the school auditorium cheered Joel for his perfect aim at the helmet of Goliath. In "Tyler's Lunchbox Treat", Tyler could hardly wait for lunch break to bite into the krispy marshmallow treat his mother had baked for him.  When Tyler discovers that the sandwich of his lunch companion was missing, and that he couldn't share his peanut butter sandwich with him because his companion was allergic to peanuts, Tyler gives him his krispy marshmallow square. Tyler always feels like a winner at the end, and not at all a loser. Children and parents are happy to arrive at the ending of each story.

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      • Silke Heiss (Give Your Writing The Edge)

        We are a one-woman charity, hoping to transform into a self-sustaining business, devoted to reminding readers of themselves.

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      • Trusted Partner
        Beyond Writing
        Biography & True Stories
        January 2014

        Beyond Writing

        by Ibrahim Abdelmeguid

        One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing.   Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer.   He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office.   The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers.   He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance.   Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.

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        Gothic writing 1750–1820
        Literature & Literary Studies
        June 2017

        Gothic writing 1750–1820

        by Robert Miles

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        Body Work
        Biography & True Stories
        March 2022

        Body Work

        The Radical Power of Personal Narrative

        by Melissa Febos,

        In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.

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        Body Work
        Biography & True Stories
        March 2022

        Body Work

        The Radical Power of Personal Narrative

        by Melissa Febos,

        In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.

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      • Trusted Partner
        Body Work
        Biography & True Stories
        March 2022

        Body Work

        The Radical Power of Personal Narrative

        by Melissa Febos,

        In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.

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      • Trusted Partner
        What to write about
        Prose: non-fiction
        January 2022

        What to write about

        by Andrii Sodomora

        Book "What to write about" is like a specific "visual adaptation" of alive figurative thoughts in their origin about different things, inspired by the moment - from the fleeting movements of a human soul in the world, or microworld, to the macrocosm landscapes. The echo of the European, especially antique, literature, the style of writing, which is close to spoken language, makes the book a vivid illustration of the key antique phrase - "Vivere est cogitare" or "To live is to think".

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        Surrealist women's writing
        Literature & Literary Studies
        January 2023

        Surrealist women's writing

        by Anna Watz

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      • Trusted Partner
        Flor Loynaz. Poesía (Flor Loynaz. Poetry)

        Flor Loynaz. Poesía (Flor Loynaz. Poetry)

        by Flor Loynaz

        Poetry Book of Flor Loynaz, sister of Dulce María Loynaz and a very important figure of the literature of the beginning of the 20th century.

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        Romantic women's life writing
        Literature & Literary Studies
        September 2023

        Romantic women's life writing

        by Susan Civale

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        Poetry for historians
        Humanities & Social Sciences
        April 2018

        Poetry for historians

        by Carolyn Steedman

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        Botany, sexuality and women's writing, 1760–1830
        Literature & Literary Studies
        October 2017

        Botany, sexuality and women's writing, 1760–1830

        From modest shoot to forward plant

        by Sam George

        In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.

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      • Trusted Partner
        The Boy Who Saw the Color of Air
        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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      • Trusted Partner
        30 Stories about Hunan Culture
        Humanities & Social Sciences
        December 2018

        30 Stories about Hunan Culture

        by Wu Jinming

        In this book, Hunan culture is displayed through 30 stories. Each story is like a picture vividly outlining the long-standing and profound nature of Hunan culture that keeps pace with the times. First, through Eight "paintings", the ancient civilization of Hunan is described, and it points out as the source of Chinese culture and of Hunan culture. Then,18 "pictures" are chosen to describe the development and evolution of Hunan culture since the period of slave society. Finally, it focuses on describing the significant influence of Hunan culture, which is reflected in 4 "pictures". The book allows readers to understand the evolution of Hunan culture and experience the core of the culture through stories, so as to strengthen cultural self-confidence.

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      • Trusted Partner
        On the uses of history in recent Irish writing
        Literature & Literary Studies
        March 2007

        On the uses of history in recent Irish writing

        by Bernhard Klein

        This book offers a critical reassessment of the uses of history in contemporary Irish literature and culture. It argues that in much recent Irish writing, history is approached not as the proverbial 'nightmare' from which Joyce's Stephen Dedalus tried to awake, but as a rich, imaginative resource. Drawing on recent debates in Irish literary and cultural criticism, On the uses of history in recent Irish writing explores the varied, creative, and often critically challenging forms of rewriting Ireland's troubled past in contemporary prose, drama and poetry. Individual chapters focus on literary treatments of the Tudor reconquest, the Famine, the Northern Irish Troubles and other key events in Irish history, highlighting in a series of close readings the unique forms of historical thought enabled by different literary forms and genres. Canonical works by authors such as Seamus Heaney, Derek Mahon, Tom Paulin, Brian Friel, Stewart Parker and Frank McGuinness are considered alongside lesser known writers and texts, placing each in their wider social, cultural and historical contexts. ;

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      • Trusted Partner
        Italian women writing
        Literature & Literary Studies
        February 1994

        Italian women writing

        by Sharon Wood

        How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;

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        The second volume of "five six excellent writing"
        April 2019

        The second volume of "five six excellent writing"

        by Tang Xian

        The second volume is about practicing and writing Chinese characters composed of strokes such as horizontal fold, horizontal fold hook, vertical hook and vertical fold.

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        Reading, writing and the influence of Harold Bloom
        Literature: history & criticism
        March 2010

        Reading, writing and the influence of Harold Bloom

        by Alan Rawes and Jonathon Shears

        Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.

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        A Woman's Body Is A Country

        A Woman's Body Is A Country

        by Dami Ajayi

        Dami Ajayi journeys into emotional borders that reveal the burdens of transitions, offering us lyrical poetry that reinvents perspectives. Here is the poetry of the quotidian, a philosophic and profound interrogation, and relationships, of words, of bodies and their burdens, of times and time. There is poetry here, and it breathes.

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