OB STARE is a Spanish publisher specialized in conscious maternity, early childhood education and development that supports knowledge and freedom of choice. We publish inspirational books for a new way of looking, including empowerment, gender equality, self-love and sexual diversity.
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Humanity has been acting and playing roles from time immemorial. The book explores theatre as an elusive, floating art and outlines the evolving dynamics between the actors, director, costume designer, composer and the public. How did the relationship between actor and spectator change with time? This is an illustrated history of theatre from Ancient Greece till the present. Opera and ballet, puppet shows and street theatre, Noh and kabuki theatre, Shakespeare, Stanislavsky and Meyerhold.
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First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
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This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
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This work reassesses women's relationship to performance in early modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations of race, class, gender, space and performance to bear on the female courtly body in dance, staging, scenery, costume and make-up in the Jacobean court. The study establishes a tradition of early seventeenth-century female performance which constitutes a trajectory for the emergence of the professional Restoration female actor. Anna of Denmark, wife of James VI of Scotland/James I, was a great patron of Ben Johnson, among others. ;
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This eBook describes some of the iconic, expendable upper-stage rocket vehicles that American aerospace engineers and program managers have used to accomplish this important task. Readers will learn about the Agena and Centaur upper-stage rocket vehicles and the inertial upper stage (IUS) system. Selected missions enabled by each of these marvelous families of propulsion machines highlight their collective contributions to the security of the United States, as well as the comprehensive exploration of the solar system from the Sun and Mercury to beyond Neptune and Pluto.
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Many early modern plays use poison, most famously Hamlet, where the murder of Old Hamlet showcases the range of issues poison mobilises. Its orchard setting is one of a number of sinister uses of plants which comment on both the loss of horticultural knowledge resulting from the Dissolution of the Monasteries and also the many new arrivals in English gardens through travel, trade, and attempts at colonisation. The fact that Old Hamlet was asleep reflects unease about soporifics troubling the distinction between sleep and death; pouring poison into the ear smuggles in the contemporary fear of informers; and it is difficult to prove. This book explores poisoning in early modern plays, the legal and epistemological issues it raises, and the cultural work it performs, which includes questions related to race, religion, nationality, gender, and humans' relationship to the environment.
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Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
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Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.
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The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
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Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
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Tilapias are an increasingly important farmed fish for human consumption. Hailed as an important source of protein for growing populations, production is set to double within the next ten years and expand beyond traditional areas of production in Africa and Asia. With a practical focus, this book is aimed at tilapia farmers and producers, describing best practice production methods, egg management, new technologies, nutrition, business practices, marketing, equipment maintenance, accounting and logistics.
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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Ukraine: from Ancient Times to the Present is an express guide to the past of our country from historians Maria Takhtaulova and Sergiy Zhukov. The book can be divided into two parts. The first part contains brief information on significant historic events (settlement of the first people, the formation of Kyivan Rus, the Cossacks, etc.); the second gives a general idea of the cultural achievements of Ukrainians (language, architecture, traditions, and much more). A simple presentation of information and many illustrations make the book ideal for familiarizing children with the history and culture of Ukraine, as well as contribute to the interest in this science.
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More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an improved, accessible and throughly up-to-date edition. Starting with the authoritative Revels Plays edition of 1964, John Russell Brown has augmented the notes and collations, and casts new light on Webster's dramatic dialogue and on the stage action. An entirely new introduction encompasses a stage history from its well-documented early performances right through to recent productions in the twenty first century. The bibliography has also been expanded. Students, actors, directors, academics and theatre-goers will find here a reappraisal of Webster's artistry in the greatest age of English theatre. ;
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In François Truffaut's opinion The Innocents was 'the best English film after Hitchcock goes to America'. Tennessee Williams said of The Great Gatsby: 'a film whose artistry even surpassed the original novel'. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton's creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story 'The Enchantment' - as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.
