Cari lettori…! Noi Cacciatori dei sigilli perduti non vediamo l'ora di raccontarvi la nostra speciale storia; un concentrato di amicizia, suspense, adrenalina e molto altro… Siete pronti a conoscerci ea partire con noi in questa epica avventura?
A series of beautifully illustrated gift books for a age group 9-99. Every title takes the reader in a special journey at the discovery of FOOD, MUSIC, FASHION and TIME from curious and unusual perspectives. In the series: LALALA - Music ZIP - Fashion YUM - Food GONG - Time
Mummy has a baby in her tummy... She says it’s a girl and her name’s Amelia. At first she won’t be able to walk while I can already go wherever I want. Let’s hope Amelia is as nice as my dog Ugo, who’s really a funny chap… However, when I think about it, that does not sound too good…
Daniel is an introverted boy who struggles to find friends in the village where he went to live after the disappearance of his parents. Finally one day, a new classmate seems to notice him. The problem, however, is that apparently he is the only one who can see her, thus making him look like a weirdo - more than usual.The girl is a ghost called Diana and she is quite grumpy. In fact, it looks like it annoys her a lot that Daniel can see her. She has a job to do, and he can only get in the way. In those same days, an even stranger event -if possible- happens in the school. In the new-year-of-school photo of a class in their own corridor, 13 children appear, but they were only 12 in front of the photographer! They are all shocked, and Professor Trevis most of them all. There is another ghost in the school, but not like Diana. He is different. He is a wandering soul, a dangerous spirit. Diana was sent to investigate, to find out why he reappeared, to help him get back to where he came from. Unfortunately, Daniel will have to help her… First book in Daniel Ghost Series.
Wrong is the story of a journey: Davide and Elisa, both 15, are on the run, looking for a place to be themselves. It’s also the story of a friendship and the search for a common language to express all those emotions that the two just can’t deal with.Davide is the invisible boy. He doesn’t like or dislike anything specific, girls and boys frighten him equally, he doesn’t fit in with any particular group, and he doesn’t know how to approach his own desires.Elisa’s family has just moved to the city from a small town so that her kid brother can get the therapy he needs. She doesn’t know anyone yet. What she knows is that her half-wit brother, will not help her make new friends.Through text and images, the story snowballs towards the meeting between Davide and Elisa, and between two different ways to go wrong and be wrong - and to do it together.
Paul Auster meets Stephen King in this poetic yet disturbing investigation into the darkest corners of human nature. After the coral, ambitious Le case del malcontento, Sasha Naspini comes back with a tightly plotted narrative that keeps you at the edge of your seat from page one to the very end, while drawing with sharp sensibility broken characters who fight against all odds to put their pieces back together in unexpected new shapes. Laura disappears on the 12th of August 1999, at eight years old. She is found 14 years later in a bunker. She’s 22 now. Luca is having dinner with his father, just another evening, always the same for the last thirty years. Someone knocks at the door: it’s the police. What happens if one day you find out the person who raised you is a monster? Ossigeno is the story of those who stay after everything and everyone else have gone. The arrest of the monster is the beginning of a new life, one that seemed impossible to imagine – there are no cages anymore, but the characters are nevertheless stuck in their own minds, made of memories and scars they can’t forget. Luca’s father was his bridge to reality, he was his moral compass, someone to look up to. After the death of his mother, he had become his whole family. And throughout this whole time, he was monster. Where does this leave Luca? Is he a monster too, for sharing is father’s blood? Meanwhile, Laura is trying hard to live again. Her mother doesn’t know how to talk to her. Laura smiles, she acts normal. She likes to wander around the city – she likes to get lost in the crowd. But sometimes she feels the need to be surrounded by walls. She locks herself in a random bathroom. She could stay there for hours, until someone knocks. No one knows what she’s doing in there. Ossigeno is a matrioska. Characters close themselves in dark boxes – and a boy in Wyoming hides in a locket, not knowing he has always been captive inside someone else’s nightmare. Ossigeno is not a psychological thriller – it is not a crime novel. It is a story of dark roots and curious, eerie minds. Of secrets buried so deep that become seeds for madness. Of masks worn so tightly they become your own skin. But what’s underneath, no matter how hard you try, is still there. Hidden. Observing. Waiting to see what happens. Sasha Naspini’s previous novel, Le Case del malcontento, was sold in China, Korea, Greece and Turkey and is being considered by many publishers worldwide. Its passionate, extremely sophisticated story-telling and unforgettable characterization makes it a psychological masterpiece, an analysis on the complexity of human nature – I would say it’s the Italian Spoon River Anthology, and the title has also been compared to Lincoln in the Bardo by George Saunders. With a vernacular yet classical, literary language, and multiple points of view, Le Case is an epic rural tale with a universal echo. The novel plays with genres, mixing noir, psychological thriller, historical memoir and dark fairy-tale.
Tommaso is 16 years old, and hasn’t left the house for 18 months – in fact, he barely leaves his room. He is what psychologists refer to as hikikomori: literally “pulling inward, being confined”. One day, he suddenly abandoned basketball, school, and all his hobbies, and now spends his time watching old NBA matches and playing video games. There is one game in particular which determines the structure of his days, and has become his only means of socialisation. The game is called Us: a multiplayer game where teams of three players carry out 100 challenges per year, one each day. The team that completes the challenge first, while staying united as a group, wins. Tommaso’s avatar, whose head is a skull, is called Logan. His other team members are Rin: a girl who resembles a Japanese manga character, and Hud: a character straight out of a shooter game. These three do not know each other – according to the rules of the game, they are not allowed to discuss their private lives – but they soon become friends. Every day, Us provides them with a “historical” mission. They will fight either for the victims or for the perpetrators – for example, as part of the Colombian FARC, with the German Nazis, or in support of Mandela in South Africa. Every day, they must work out how to reach the end of the mission while surrounded by the horrors of the twentieth century. Every day, they will have someone to save and someone to kill. They will soon discover that history can be brutal, and that it’s not always possible to be the hero.
The October Revolution described through the incredulous eyes of a noble Moscow woman who sees her whole world collapsing in an instant. And her determination to try to save at least her family and her dignity in the midst of the disaster. Alessandra Jatta gives us an unusual perspective on some of the most dramatic moments in Russian history over the last century, revealing the thoughts and concerns of an entire social class at the moment of its decline. A true story, in which the use of photos, excerpts from diaries and documents belonging to the author’s direct ancestors adds value to a narrative that will leave you breathless.
