Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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Many would agree that we are living in one of humanity’s most permissive times. Sex seems to be available anywhere, anytime. These developments can lead to the conclusion that we are all having all the sex we want today. In fact, though, a number of international studies have shown in recent years that our mobile phone and pornography consumption in particular, as well as women’s empowerment, have led to a decrease rather than an increase in sexuality. In her entertaining book, Juliane Burghardt analyses and evaluates the situation in our bedrooms.
The book "I Love You..." is part of the trilogy..., "I love you, till death..." and "I love you, as long as my heart beats”, autobiographical love novels which include chapters from life in a couple of the writer Julien Tănase and his wife, Magdi, with whom he has been in a relationship for 30 years, all against the background of the events that Romania has gone through in recent decades, after the Revolution of '89. A trilogy about the endurance over time of a young couple in love, who have gone through events that are out of touch with reality in Romania where sleeping with a gun under the pillow, the fear of having their child kidnapped, and even the "wars" waged against the corruption of magistrates, politicians and the information systems of a civil society gripped by the widespread corruption in Romania, including the lawsuit invented by the DNA (National Anticorruption Directorate) to stop his work as a journalist and finally won by the writer, makes the autobiography of writer Julien Tănase a fascinating one that leaves you with a bitter taste in your mouth and a big question mark; ... "such things have happened and continue to happen in Romania"?... The writer Julien Tănase: "A friend in the Italian Police told me, and I quote him: "... if you had done in Italy what you did for your country, today a street would bear your name! But you had been dead!"
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Penises are clever guys, sensitive and touchy. At least that’s what Michael Sztenc says. And as a sex and couples’ therapist who has worked on male sexuality for over 25 years, he should know. With practical exercises that have been tried and tested for years, he helps the men who come to him with their problems to develop a sense for their bodies and their own eroticism.
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Sun Li, the protagonist of the novel, is a bestseller writer and his wife Xizi is the head of a university library. Their son Sun Yichi has been rebellious and unruly since childhood, remaining distant from his mother. Afraid of the exhaustion of his creativity, the middle-aged Sun Li begins to question the meaning of his writings. He thus suffers from serious insomnia and anxiety. Just at this time, his wife Xizi begins to have her own amorous secrets. Sun Li also finds himself unable to leave Li Qiao, director of New Evening Paper. These affairs have pushed their seemingly peaceful family life to the verge of collapse. The love calendar refers to the calendar that belongs only to Sun Li and his wife Xizi for their love. But such turbulent life experience has caused them to temporarily betray their love calendar … They eventually begin again the first year of their love calendar. Through the depiction of the love, marriage, and family life of Sun Li and Xizi, the novel becomes a retrospection of the spiritual tendency, emotional development and love pattern of the Chinese over the past 20 to 30 years. It also vividly outlines the changes of social mores in China over the past years in a figurative way. Even amorous entanglements are not devoid of elements of the officialdom, with honest and corrupt officials still on the scene. According to Wang Yuewen, this is an element of reality rather than of officialdom – “after all nobody can live in a vacuum space”.
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May the Loveforce Be With introduces a new lineage in energy healing, Kali-Ki ReikiTM, that was revealed to the author, Joni Dittrich, Ph.D. (Rajashree Maa), in a series of mystical encounters with the Divine Mother appearing as the goddess Kali Maa. The book brilliantly tells the stories of these encounters and presents the healing symbols that She revealed, explaining how these symbols can be used both for mind-body healing and spiritual awakening, or what Rajashree Maa calls "wisening." While traditional reiki systems also use symbols to transmit healing energy, the symbols introduced in Kali-Ki Reiki are seen as unique, three-dimensional, active, intelligent forms of light that tap into certain universal energy frequencies that are particularly attuned to the evolving conscious awareness as well as the personal and societal dilemmas of our current times. The fact that these symbols were revealed by Divine Mother to a woman in this era points to a need in today's world to re-establish our connection with the feminine forces of nature and spirit. The healing energy transmitted through these symbols is called Loveforce, which is considered to be the manifesting, creative, and healing power of the Limitless Love that is the Source of all that is.
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Spirituality is the Final Frontier for ScienceContrary to popular belief, not all scientists are materialists fervently discounting the spiritual. Science, Being, & Becoming is about the spiritual lives of scientists, their actual transpersonal, metaphysical and mystical experiences. The book's material is derived from intimate interviews with over 30 scientists as they describe the circumstances under which they had the experiences and how those experiences changed their consciousness, transformed their belief systems about the nature of the world, and changed their scientific work.
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Seit ihrer Geburt lebt Pearl im Auto, sie vorne, ihre Ausreißer-Mutter auf der Rückbank. Vierzehn Jahre stehen die beiden jetzt schon am Rande eines Trailerparks irgendwo in Florida. Draußen vor der Windschutzscheibe ist die Welt den Waffen verfallen: Kinder wachsen mit Pistolen statt Haustieren auf, Schießübungen immer und überall, mal Alligatoren, mal den Fluss, mal Polizisten im Visier, und sonntags sitzt man beim Gottesdienst mit der geschulterten Schrotflinte in der ersten Reihe. Doch im Ford Mercury wirken andere Kräfte, hier lernt Pearl das Träumen. Bis ein schöner Mann und seine Pistolen alles verändern … Gun Love handelt vom Zauber zwischen Mutter und Tochter inmitten des Irrsinns. In strahlenden Bildern erzählt Jennifer Clement eine Geschichte, in der Liebe und Hass, Fantasie und Wirklichkeit haltlos ineinanderfallen. Das literarische Stimmungsbild einer ganzen Nation.
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Seit ihrer Geburt lebt Pearl im Auto, sie vorne, ihre Ausreißer-Mutter auf der Rückbank. Vierzehn Jahre stehen die beiden jetzt schon am Rande eines Trailerparks irgendwo in Florida. Draußen vor der Windschutzscheibe ist die Welt den Waffen verfallen: Kinder wachsen mit Pistolen statt Haustieren auf, Schießübungen immer und überall, mal Alligatoren, mal den Fluss, mal Polizisten im Visier, und sonntags sitzt man beim Gottesdienst mit der geschulterten Schrotflinte in der ersten Reihe. Doch im Ford Mercury wirken andere Kräfte, hier lernt Pearl das Träumen. Bis ein schöner Mann und seine Pistolen alles verändern … Gun Love handelt vom Zauber zwischen Mutter und Tochter inmitten des Irrsinns. In strahlenden Bildern erzählt Jennifer Clement eine Geschichte, in der Liebe und Hass, Fantasie und Wirklichkeit haltlos ineinander fallen. Das literarische Stimmungsbild einer ganzen Nation.
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This book marks an important new intervention into a vibrant area of scholarship, creating a dialogue between the histories of imperialism and of women and gender. By engaging critically with both traditional British imperial history and colonial discourse analysis, the essays demonstrate how feminist historians can play a central role in creating new histories of British imperialism. Chronologically, the focus is on the late eighteenth to early twentieth centuries, while geographically the essays range from the Caribbean to Australia and span India, Africa, Ireland and Britain itself. Topics explored include the question of female agency in imperial contexts, the relationships between feminism and nationalism, and questions of sexuality, masculinity and imperial power.
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Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
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In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.
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Based on award-winning research, Love and revolution brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists - discussing real-life examples of the loving-caring relations that underpin many contemporary struggles. Such a (r)evolutionary love is discovered to be a common embodied experience among the activists contributing to this collective vision, manifested as a radical solidarity, as political direct action, as long-term processes of struggle, and as a deeply relational more-than-human ethics. This book provides an essential resource for all those interested in building a free society grounded in solidarity and care, and offers a timely contribution to contemporary movement discourse.
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She’s had enough of men, but he can’t get enough of her... Away. Just get out of here. That's all Aubree thinks about when she gets kicked out of college after a party. She buys an incredibly old car, throws the few things she owns into the trunk and flees to her best friend Ivy in New Hampshire. There, all she wants is to pull the blanket over her head and think of nothing else. Not about that night. Not about the party. And most of all, not that picture that's been circulating on the Internet ever since. But it doesn't work. Because instead of her friend, she meets Noah, Ivy's stepbrother. With his impulsive but surprisingly sensitive nature, Noah evokes feelings in her that she doesn't need right now. And which, nevertheless, sweep her away like a storm... Second volume of a romantic and exciting dilogy with 20 lavishly illustrated hand-lettered pages by Carolin Magunia. Including a playlist that can be found on Spotify and contains songs which match perfectly with the story! It was always you (Vol. 1) entered the Spiegel bestseller list immediately after its publication. Both titles can be read separately. For all fans of Mona Kasten, Laura Kneidl and Kelly Moran! 30.000 copies of vol. 1 + 2 were sold since June 2020!
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Engendering whiteness represents a comparative analysis of the complex interweaving of race, gender, social class and sexuality in defining the contours of white women's lives in Barbados and North Carolina during the era of slavery. Despite their gendered subordination, their social location within the dominant white group afforded all white women a range of privileges. Hence, their whiteness, as much as their gender, shaped these women's social identities and material realities. Crucially, as the biological reproducers of whiteness, and hence the symbolic and literal embodiment and bearers of the state of freedom, they were critical to the maintenance and reproduction of the cultural boundaries of 'whiteness', and consequently the subjects of patriarchal measures to limit and control their social and sexual freedoms. Engendering whiteness draws on a wide variety of sources including property deeds, wills, court transcripts, and interrogates the ways in which white women could be simultaneously socially positioned within plantation societies as both agents and as victims. It also reveals the strategies deployed by elite and poor white women in these societies to resist their gendered subordination, to challenge the ideological and social constraints that sought to restrict their lives to the private domestic sphere, to protect the limited rights afforded to them, to secure independent livelihoods, and to create meaningful existences. A fascinating study that with be welcomed by historians of imperialism as well as scholars of gender history and women's studies.
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Für wie viele Geschlechter sollte es Toiletten geben? Manche sehen in dieser Frage nur einen Karnevalskalauer, andere nutzen sie zur Inszenierung eines Kulturkampfes. Viele Menschen erinnert sie jedoch schlicht an tagtäglich erfahrene Demütigungen. Über Themen der Geschlechteridentität und der sexuellen Selbstbestimmung wurde in jüngster Zeit weltweit erbittert gestritten. Und während in einigen Ländern erhebliche Liberalisierungsfortschritte zu verzeichnen sind, schüren in anderen mächtige politische Akteure gezielt Stimmung gegen Lesben, Schwule und Transpersonen. Mark Gevisser zeichnet diese neue Konfliktlinie – die pinke Linie, wie er sie nennt – rund um den Globus nach. Er schildert, wie queere Paare und Familien für rechtliche Gleichstellung kämpfen und zu welchen Strategien Aktivist:innen greifen, um tradierte Geschlechtervorstellungen in ihren lokalen Kontexten zu überwinden. Er spricht mit von Diskriminierung Betroffenen in Kenia, Ägypten und den USA: Welche Probleme stellen sich ihnen im Alltag? Welche Pronomen verwenden sie für sich und warum? Welche Ziele verfolgen Dritte, die sich ihrer Sache annehmen? Einfühlsam, klug und in bestechender Prosa kombiniert Gevisser Reportage und Analyse und liefert ein ebenso faktenreiches wie bewegendes Standardwerk zu einem der prägenden Themen unserer Gegenwart.
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Desert Passions unfolds tales of wild, dramatic transformations that may occur to people in Sinai due to a mixture ofcravings, sexual arousal, spontaneity, love, rapture, hopes and dreams—conflicting forces that are often at odds with our current lifestyles. New motivations appear, behavioral patterns might shift or completely change, sex and romance easily flourish, often unrestrained by former inhibitions. This explains why seekers trying to find their way in this puzzled, crazy world travel to the Sinai Desert where secret passions, hidden sexual fantasies, and lust that have been long subdued suddenly emerge and rule. Since ancient times, the Sinai Desert has been a place for spiritual and mental metamorphosis, initiating its powerful impact on anyone who wanders there. When Western ideas and habits first met traditional, tribal Bedouins after the Six-Day War in 1967, it created a unique cultural divergence. Many Westerners, too, have been deeply influenced by the raw nature revealed to them. Robert Bettelheim was born in Vienna, but after his parents fled the Nazi Anschluss of Austria to China, he grew up in Shanghai Ghetto under Japanese rule during WWII. Bettelheim later served in the IDF as a paratrooper, and soon became an ardent scuba diver on the enchanting shores of the Sinai Desert. A musicology graduate and teacher, the author lives with his wife in Kibbutz Zikim, which is not infrequently under shell fire. He has six grandchildren. An English-language eBook edition was published in Summer 2018. 326 Pages, 15X22.5 cm.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
