We are a one-stop platform to read, write, self-publish and sell ebooks in any of the Indian languages. Our mission is to empower the author's community with the digital tools and techniques, and we take care of the online presence of professionals in the publishing landscape, be they authors, publishers, editors, designers, publicists, etc.
View Rights Portal
We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.
View Rights Portal
This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;
Trusted Partner
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
Trusted Partner
Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris. Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.
Trusted Partner
Since the release of his first feature in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004. This book is the first full-length study in English of Amenábar's shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema.
Trusted Partner
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
Trusted Partner
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
Trusted Partner
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures. ;
Trusted Partner
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Buñuel and Polanski. The Deneuve star persona has attained such iconic status that it now symbolises the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies. ;
Trusted Partner
The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors.
Trusted Partner
This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;
Trusted Partner
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol's career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright's controversial prioritisation of speech over image, the book juxtaposes Pagnol's sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini. ;
Trusted Partner
This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of thirty-five years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and the younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state.
Trusted Partner
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;
Trusted Partner
"Fearless Parenting" porte sur l'autorité parentale dans les temps modernes et sur son rôle essentiel dans l'éducation d’enfants autonomes, compatissants et vertueux et la prévention des troubles du comportement et, parfois, de graves troubles psychiatriques.La dernière génération a connu un contrecoup dans la discipline des enfants. Or, en tant que parents, nous devons discuter avec nos enfants de leur comportement. Nous évitons d'être durs avec eux de peur qu'ils nous privent de leur amour ou pire - qu'ils s'effondrent. Par conséquent, les familles d'aujourd'hui font face à de graves troubles du comportement à un âge plus précoce et les parents baissent les bras en signe d’abandon. Le thème principal et l'objectif de ce livre consistent à prouver que la création et l'application de limites raisonnables et appropriées, liées à l'instruction et à l'éducation, pourraient remédier aux relations parents/enfants et, à proprement parler, sauver la vie des enfants.Ce livre est unique dans la mesure où il présente de façon directe, simple et cependant profonde des études de cas réels et des situations fréquemment rencontrées, ainsi que des cas graves de toxicomanie, de délinquance et de troubles psychiques. Le traitement de tous ces cas présente une réaction positive à l'autorité et aux limites adaptées à la situation et au comportement spécifiques. Cet ouvrage contient de nombreuses références à la vie professionnelle pour le lecteur confirmé et s'inspire d'anciens philosophes et penseurs religieux.À propos des auteursShulamit Blank, docteure en médecine, est pédiatre et psychiatre spécialisée dans les troubles du comportement des enfants et des adolescents.En Israël, le Dr Blank est fondatrice et, depuis 1993, directrice générale d'un centre communautaire d’enseignement et de traitement des enfants et adolescents atteints de graves troubles psychiatriques et du comportement. C’est dans ce centre qu’elle parvient à appliquer ses méthodes en limitant l'hospitalisation et l'incarcération psychiatriques et en minimisant l'utilisation de médicaments psychiatriques grâce à une éducation et un enseignement adaptés aux problèmes spécifiques de l'enfant, que ce soient le TDAH, les troubles d'étude, etc.Orli Fuchs-Shabtai, est psychologue clinicienne. Elle a travaillé comme psychothérapeute pour adultes et dirige actuellement un programme national de prévention de la violence infantile.Les auteurs s'efforcent de suivre la sagesse antique de l'aphorisme biblique : « Instruis l'enfant selon la voie qu'il doit suivre; Et quand il sera vieux, il ne s'en détournera pas » (Proverbes 22:6).
Trusted Partner
La Dolce Vita - la Cuisine Régionale Italienne par Gaio Sciloni Gaio Sciloni, célèbre écrivain né en Italie, a offert au lecteur israélien bon nombre d’excellentes traductions des oeuvres d’auteurs et de poètes italiens classiques. Il a consacré plusieurs années d’études à la préparation d’un guide culturel et culinaire, intitulé la Dolce Vita qui fera le bonheur de tous les amoureux de l’Italie. La Dolce Vita n’est pas seulement un livre de cuisine ordinaire, mais plutôt une revue systématique de l’Italie, du Nord au Sud, chaque région étant caractérisée par son paysage, ses traditions et son folklore, et par dessus tout, par sa micro-culture culinaire. Gaio Sciloni, suivant en cela les idées du célèbre auteur italien Pellegrino Artusi, croit lui aussi que la culture locale est inséparable de la cuisine locale. En fait Sciloni ne s’est pas contenté de puiser dans sa très vaste culture dans le domaine de la gastronomie italienne, mais il a étudié un large éventail de sources éthniques. La Dolce Vita a eu le privilège d’être préfacée par le Prof. Franco Massaia, Conseiller Principal du Ministère Italien des Affaires Etrangères pour les Relations Culturelles Internationales dans la région Méditerranée. Les Editions Tamar ont publié une version en hébreu de la Dolce Vita, dans une élégante édition bichrome de 256 pages en format 24x17cm, et celle-ci a connu un très grand succès. Une second édition a d’ailleurs déja été publiée. Le livre est rehaussé d’illustrations, fondées sur des représentations du folklore culinaire régional à travers l’Art italien ancien. Si la possibilité de publier une édition en français de cet ouvrage ou un projet de co-édition vous intéresse, veuillez nous contacter. C'est avec plaisir que nous vous ferons parvenir une documentation supplémentaire.
Trusted Partner
La Terreur des Bombes – La peur urbaine universelle par le Pr. H. Granot et le Dr. J. Levinson Dans leur étude innovante et si importante, les auteurs insistent sur la façon dont les organismes locaux peuvent répondre et surtout mitiger les effets des pires actes de terreur auxquels doivent faire face les autorités urbaines. Ils allient théorie et pratique, citant des incidents à travers le monde (y compris les attaques meurtrières du World Trade Center à New York et du Pentagone le 11 septembre 2001), tout en mettant l’accent sur l’expérience particulière d’Israël dans ce domaine. Etant donné l’augmentation certaine de la menace d’actes terroristes et l’importance croissante de la gestion de l’état d’urgence, la Terreur des Bombes procure une information sérieuse pour les officiels et les personnes devant répondre à des situations d’urgence et cherchant à comprendre l’une des menaces les plus dangereuses de la vie moderne. Une édition japonaise de ce titre a été publiée à la fin de l'année 2005 par Namiki Shobo. L'édition en anglais pour l'Amérique du Nord a été publiée en avril 2009 par DEKEL en collaboration avec le KEY Publishing House Inc., Toronto, Canada.
Trusted Partner
Krav Maga : Les bases du Self-défense par le Grand-Maître Imi Sdé-Or (Lichtenfeld) et le Chef Instructeur Eyal Yanilov Voici deux volumes dans cette série de best-sellers Krav Maga, fondée sur le système renommé de combat à mains nues israélien : ces volumes se concentrent sur la façon de se défendre contre un assaillant non-armé, par exemple contre toutes sortes de coups de poing, coups de pied, saisies, maintiens, etc. Le Krav Maga, développé par le Grand-Maître Imi Sdé-Or (Lichtenfeld) depuis les années 1930, était autrefois une méthode de combat à mains nues strictement réservée aux agents de sécurité et aux membres du MOSSAD ou des unités d’élite de l’armée israélienne. La méthode a été adaptée pour les civils, de sorte que quiconque, quelque soit son âge ou son sexe, ou même sa capacité physique, peut l'utiliser efficacement. Sur la base des réactions naturelles du corps humain, la discipline est facile à apprendre et à exécuter, et pratique à utiliser. Le Krav Maga est rapidement devenu populaire et a obtenu la reconnaissance des experts du monde entier. Aux Etats-Unis, en Amérique du Sud, en Europe, en Australie et en Extrême-Orient, cette méthode unique d’autodéfense est déjà enseignée et utilisée par les forces de l’ordre, et aussi par de nombreux citoyens ordinaires. Ecrit par Imi Sdé-Or et son disciple distingué Eyal Yanilov dans le cadre de la Série du Fondateur, Krav Maga : Les bases du Self-défense présente, en deux volumes, les grands principes et les méthodes d'entraînement au combat non-armé. Conçu dans un format accessible, étape par étape, le livre traite des principes de base, de la sécurité à l'entraînement, de l'échauffement, de l’assouplissement et la flexibilité jusqu’aux principes d'attaques, de posture et de positions de départ. Les auteurs proposent des stratégies pour chaque scénario imaginable : la défense à coups de poing et à coups de pied, comment se libérer d’un étranglement, d’une prise de tête et d’une prise nelson, de saisies, de coups de poing, de projections, et plus encore. Cet ouvrage, soulignant également les fondements psychologiques de la discipline, complète son utilité en consacrant des sections à l'entraînement mental, aux points vulnérables, aux cas de multiples agresseurs et les problèmes d'auto-défense particuliers aux femmes. A propos des auteurs Eyal Yanilov a commence à s’entraîner en Krav Maga avec le Grand-Maître Imi Sdé-Or quand il avait 15 ans. Yanilov fur la première personne qui ait commencé à former des instructeurs de Krav Maga hors d’Israël, et il a entraîné des unités spéciales, des militaires et des civils dans plus de 18 pays. Le Grand-Maître Imi Sdé-Or, qui a inventé le Krav Maga, est décédé à 88 ans en 1998. Une édition en anglais pour l’Amérique du Nord devrait paraître en 2011. Chaque volume comprend 240 pages, avec plus de 800 photos et illustrations en noir et blanc ; 16.5 x 24
Trusted Partner
Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris. Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.
Trusted Partner
