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Inner Flower Child Books
We present to you a rhino that actually once circled the earth in the spaceship, an artist cat from Paris known by everyone, the adventures, and wanderlust of a tiny house, and love stories kissed by the sun... Curious? If you are looking for children's books with a universal message of hope and connectedness, we'd love the opportunity to meet with you. Inner Flower Child Books is a children's book publisher founded in California in 2012 by the creative team of author Susan Schaefer Bernardo (M.A. English Languages and Literature, Yale University) and illustrator Courtenay Fletcher (BFA Advertising/Graphic Design, Art Center College of Design). These artists and their team produce profound, touching, and humorously inspiring books that have become very successful in the US. With wittiness, humor, and intelligence — with rhymes at times — they create stories that promote children's language and social capabilities development. Partly because of that, Susan’s and Courtenay's picture books are used nationwide by schools, children's charities, therapists, and families across the United States to help children and youth heal from problems, large and small. At a time when the whole world is being hit by the trauma of a pandemic, books such as “Sun Kisses and Moon Hugs” bring children and young people a comforting message of love and connection. The colorfully illustrated and inspiring picture books contain generally assignable topics such as healing trauma, bringing people closer to living a sustainable life, and the power of creative expression — predestined to be successful worldwide. (Speaking of worldwide distribution: one of Susan’s and Courtenay's books, “The Rhino Who Swallowed The Storm” was sent to the International Space Station to orbit the planet — and was read aloud by astronaut Kate Rubins as part of the innovative “Story Time From Space” program and broadcasted! Apart from that, “The Rhino” was also promoted by former, then-incumbent First Lady Michelle Obama and present presidential candidate Joe Biden. For more information, please visit our website!). All Inner Flower Child Books titles are currently only published in the United States. Susan and Courtenay are therefore pleased to be able to offer publication and subsidiary rights on all other world markets for the first time. On our book fair landing page, you can find book trailers and details about our work: http://www.innerflowerchildbooks.com/buchmesse2020.html. We, the European representatives Anette and Leonie Waldeck, are happy to present the works of Inner Flower Child Books to you in the context of the Frankfurt book fair. Here we would like to meet in person or jump on an online video call to speak about publishing and foreign sub-rights options. Please contact us at +49 179 10 93 276 or via email buchmesse2020@innerflowerchild.com to ask questions or to make an appointment. Thank you for your time. Anette and Leonie Waldeck with international greetings from the US from Susan Bernardo and Courtenay Fletcher
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Promoted Content
June 2000Staat, Nation und Demokratie in Europa
by Stein Rokkan, Elisabeth Fix, Paul Flora
Im Mittelpunkt des Werks steht der Versuch, ein »Makromodell der politischen Entwicklung Europas« zu entwerfen. Das Ziel ist, die Vielgestalt Europas aus den unterschiedlichen historischen Prozessen der Staaten- und Nationenbildung und der Demokratisierung zu erklären. Flora fügt veröffentlichte und unveröffentlichte Schriften Rokkans zu einem konsistenten Ganzen zusammen und präsentiert mit dieser Ausgabe einen der wichtigsten Beiträge zum Verständnis des heutigen Europa und seiner zukünftigen Entwicklungsmöglichkeiten.
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June 1989Lieblose Legenden
Mit Zeichnungen von Paul Flora
by Wolfgang Hildesheimer, Paul Flora, Wolfgang Hildesheimer
Wolfgang Hildesheimer wurde am 9. Dezember 1916 als Sohn jüdischer Eltern in Hamburg geboren und starb am 21. August 1991 in Poschiavo in der Schweiz. 1933 emigrierte er über England nach Palästina, wo er eine Schreinerlehre absolvierte. 1937 begann er an der Central School of Arts and Crafts (London) Malerei, Textilentwurf und Bühnenbildnerei zu studieren und nahm von London aus am Sommerkurs für Bühnenbild bei Emil Pirchan in Salzburg teil. Anfang 1939 gestaltete er in London am Tavistock Little Theatre sein erstes Bühnenbild. Nach dem Ausbruch des Zweiten Weltkriegs kehrte er nach Palästina zurück, arbeitete als Information Officer, war Englisch-Lehrer am British Institute und leitete zusammen mit einem Freund einige Zeit die Werbeagentur »HW«. Er beteiligte sich an Kunstausstellungen und veröffentlichte einige Gedichte, Essays und Kritiken. 1946 kehrte er nach London zurück, um Bühnenbildner zu werden, wurde aber für die Nürnberger Prozesse engagiert. Im Januar 1947 reiste er nach Nürnberg, dolmetschte für die amerikanische Besatzungsmacht und beteiligte sich wieder an Kunstausstellungen. 1949 zog er nach Ambach am Starnberger See, um als freier Maler und Grafiker zu arbeiten, schrieb im Januar 1950 aber eine Geschichte für Kinder – der Beginn seiner literarischen Karriere. Bereits 1951 wurde er zur Gruppe 47 eingeladen, 1955 erhielt er den Hörspielpreis der Kriegsblinden und im selben Jahr wurde zudem sein erstes Theaterstück von Gustav Gründgens uraufgeführt; ebenfalls in diesem Jahr begann er auch wieder zu malen. Nachdem er 1953 nach München gezogen war, übersiedelte er 1957 nach Poschiavo und widmete sich einer neuen Art von Theaterstücken, deren Besonderheiten er 1960 mit der Rede Über das absurde Theater fundierte. Anlässlich der Internationalen Theaterwoche der Studentenbühnen in Erlangen gehalten, sorgte diese für Aufsehen. Sein Prosabuch Tynset wurde 1966 mit dem Georg-Büchner-Preis und dem Bremer Literaturpreis ausgezeichnet. Sein Bestseller Mozart (1977) beeinflusste das Theaterstück und den Film Amadeus. Seit 1961 beteiligte er sich wieder an Ausstellungen, seit 1965 wurde sein bildkünstlerisches Werk in rund fünfzig Einzelausstellungen gezeigt. 1980 hielt Hildesheimer die Eröffnungsrede der Salzburger Festspiele Was sagt Musik aus. Neben seinen literarischen Werken verfertigte Hildesheimer auch Collagen, die er in mehreren Bänden sammelte. Spektakulär war 1984 seine Ankündigung, angesichts der drohenden Umweltkatastrophe nicht mehr zu schreiben, sondern zur bildenden Kunst zurückzukehren. Wolfgang Hildesheimer wurde am 9. Dezember 1916 als Sohn jüdischer Eltern in Hamburg geboren und starb am 21. August 1991 in Poschiavo in der Schweiz. 1933 emigrierte er über England nach Palästina, wo er eine Schreinerlehre absolvierte. 1937 begann er an der Central School of Arts and Crafts (London) Malerei, Textilentwurf und Bühnenbildnerei zu studieren und nahm von London aus am Sommerkurs für Bühnenbild bei Emil Pirchan in Salzburg teil. Anfang 1939 gestaltete er in London am Tavistock Little Theatre sein erstes Bühnenbild. Nach dem Ausbruch des Zweiten Weltkriegs kehrte er nach Palästina zurück, arbeitete als Information Officer, war Englisch-Lehrer am British Institute und leitete zusammen mit einem Freund einige Zeit die Werbeagentur »HW«. Er beteiligte sich an Kunstausstellungen und veröffentlichte einige Gedichte, Essays und Kritiken. 1946 kehrte er nach London zurück, um Bühnenbildner zu werden, wurde aber für die Nürnberger Prozesse engagiert. Im Januar 1947 reiste er nach Nürnberg, dolmetschte für die amerikanische Besatzungsmacht und beteiligte sich wieder an Kunstausstellungen. 1949 zog er nach Ambach am Starnberger See, um als freier Maler und Grafiker zu arbeiten, schrieb im Januar 1950 aber eine Geschichte für Kinder – der Beginn seiner literarischen Karriere. Bereits 1951 wurde er zur Gruppe 47 eingeladen, 1955 erhielt er den Hörspielpreis der Kriegsblinden und im selben Jahr wurde zudem sein erstes Theaterstück von Gustav Gründgens uraufgeführt; ebenfalls in diesem Jahr begann er auch wieder zu malen. Nachdem er 1953 nach München gezogen war, übersiedelte er 1957 nach Poschiavo und widmete sich einer neuen Art von Theaterstücken, deren Besonderheiten er 1960 mit der Rede Über das absurde Theater fundierte. Anlässlich der Internationalen Theaterwoche der Studentenbühnen in Erlangen gehalten, sorgte diese für Aufsehen. Sein Prosabuch Tynset wurde 1966 mit dem Georg-Büchner-Preis und dem Bremer Literaturpreis ausgezeichnet. Sein Bestseller Mozart (1977) beeinflusste das Theaterstück und den Film Amadeus. Seit 1961 beteiligte er sich wieder an Ausstellungen, seit 1965 wurde sein bildkünstlerisches Werk in rund fünfzig Einzelausstellungen gezeigt. 1980 hielt Hildesheimer die Eröffnungsrede der Salzburger Festspiele Was sagt Musik aus. Neben seinen literarischen Werken verfertigte Hildesheimer auch Collagen, die er in mehreren Bänden sammelte. Spektakulär war 1984 seine Ankündigung, angesichts der drohenden Umweltkatastrophe nicht mehr zu schreiben, sondern zur bildenden Kunst zurückzukehren.
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June 2009Meine Reise nach Peru
Fahrten einer Paria
by Flora Tristan, Flora Tristan, Mario Vargas Llosa, Elke Wehr, Friedrich Wolfzettel, Friedrich Wolfzettel
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March 2001The Isle of Rügen
In englischer Sprache
by Ewe, Herbert / Foto(s) von Böttcher, Ulf; Übersetzt von Plant, Patrick
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March 2001
Potsdam
Dt. /Engl. /Franz.
by Siegmund, Bernd / Illustriert von Böttcher, Ulf; Übersetzt von Plant, Patrick; Übersetzt von Froidevaux, Verena
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1988Brüder im Alpenglühn
Das grosse Versöhnungsbuch für Bayern und Österreicher
by Burger, Hannes; Riehl-Heyse, Herbert; Fischer, Ernst / Illustriert von Benedek, Gabor; Illustriert von Blaumeiser, Josef; Illustriert von Flora, Paul; Illustriert von Gottscheber, Pepsch; Illustriert von Haitzinger, Horst; Illustriert von Hanitzsch, Dieter; Illustriert von Ironimus; Illustriert von Lang, Ernst M; Illustriert von Murschetz, Luis
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May 2023Fungal Plant Pathogens
by Charles R Lane, Paul Beales, Kelvin J D Hughes
Covering the key techniques used when working with fungal plant pathogens, this practical manual deals with recognition of disease symptoms, detection and identification of fungi and methods to characterise them well as curation, quarantine and quality assurance. This new edition includes updates with respect to: Greater awareness and concern internationally about plant health and biosecurity Molecular biology - next generation sequencing and in field detection Improved opportunities for surveillance and detection in substrates, such as remote sensing Changes in taxonomy and reference to more current fungal plant pathogens New chapters on tree health, and public awareness, outreach and communications Fungal Plant Pathogens 2nd edition provides a valuable guide to investigating fungal plant diseases and interpreting laboratory findings for postgraduate and advanced undergraduate students, extension plant pathologists, consultants and advisers in agriculture and horticulture and the food supply chain.
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Science & MathematicsApril 2024
Demand-led Plant Breeding
From Principles to Practice in Emerging Markets
by Vivienne M Anthony, Cathy Barker
This companion to "The Business of Plant Breeding: Market-led Approaches to Plant Variety Design in Africa contains experiences from postgraduate educators training the next generation of African plant breeders and professional breeders that are implementing best practices in Demand-Led Breeding (DLB) in their current crop improvement programmes. It is written by highly experienced plant breeders representing several universities, national plant breeding programmes, regional and international agricultural research institutes in Africa, together with expert breeders from Australia and developers from private seed companies. It includes specifically points of learning from real implementation situations from crop breeding programmes in NARS and IARCs in Africa, Australia and internationally. It shares experiences on improving tropical crops, strengthening understanding on how to overcome challenges in designing new crops to increase smallholder farmer adoption and advocating best practices. It also presents five case studies on tropical crops, and discusses the need for an enabling policy environment and the changes needed for Africa to achieve its ambition for food security and Africa's vision 2063.
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Science & MathematicsNovember 2020
Techniques for Work with Plant and Soil Nematodes
by Roland N Perry, David J Hunt, Sergei A Subbotin
Techniques for Work with Plant and Soil Nematodes is an up-to-date, comprehensive book covering the practicalities of working with and studying soil and plant nematodes. Written by an international team of experts, this book is highly illustrated and provides thorough coverage of methods whilst allowing for relevant information to be located quickly. It includes the fundamental traditional techniques and new methodologies, covering: sampling; extraction; estimating numbers; handling, fixing, staining, mounting; culturing techniques; figure preparation, measurement and image processing; electron microscopy techniques; behavioural and physiological assays; and cytogenetic, biochemical and molecular biology techniques. This book is an essential resource for anyone involved in plant nematology needing to refer to a readily available methodology standard, including students of nematology and parasitology, university lecturers and researchers, diagnostic laboratories, and quarantine and advisory service personnel. It provides a much needed compendium of the spectrum of information needed to work with these microscopic organisms.
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June 2024Plant Nematology
by Roland N Perry, Maurice Moens, John T Jones
Plant-parasitic nematodes are a major threat to crop production in all countries, and identification of nematodes and knowledge of their biology is of paramount importance. Providing a broad introduction to nematodes as plant parasites, this book begins by describing nematodes by genera, and then builds on this foundation to detail nematode biology and pest management, including resistance, and biological and chemical control. This 3rd edition is updated to address advances in our knowledge of plant-parasitic nematodes, particularly concerning the molecular aspects of host-parasite relationships, including the application of genomics to nematode biology. Changes in control and management strategies are also covered. The influence of climate change on plant-parasitic nematodes is addressed in a new chapter on ecology. Primarily aimed at students (MSc and PhD), this book is also invaluable for researchers and lecturers in nematology, plant pathology and parasitology, advisory and quarantine services, and crop protection scientists.
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Geography & the EnvironmentOctober 2020Plant Invasions
The Role of Biotic Interactions
by Anna Traveset, David M Richardson
Despite many books on plant invasions, none has focused on the role of species interactions. This book is a comprehensive overview of how plant invasions are mediated by varied species interactions and how such invasions influence this important component of biodiversity which involves the interactions (the 'glue') among a community's species. Besides highlighting relevant findings, the book digs deeply into new methodologies to understand species interactions in plant invasions and how this can improve management of invaded communities. The book covers: - Main theories/hypotheses in plant invasion ecology that invoke species interactions - Plant invasions promoted by mutualistic interactions and release from enemies - Antagonistic interactions preventing or hindering plant invasions - Consequences of plant invasions on native species interactions and ecosystem functioning - The interaction network approach to understanding plant invasions - Importance of considering species interactions in managing plant invasions Future avenues of research are highlighted in a final chapter. Table of contents Part I: Background Chapter 1: Plant invasions: the role of biotic interactions – An overview Chapter 2: The role of biotic interactions in invasion ecology: theories and hypotheses Part II: Positive and negative interactions in the soil Chapter 3: Soil biota and non-native plant invasions Part III: Mutualistic interactions that promote plant invasions Chapter 4: Pollination interactions promoting plant invasions- Chapter 5: Seed dispersal interactions promoting plant invasions Chapter 6: Ungulates as dispersal vectors of non-native plants Chapter 7: The role of plant-plant facilitation in non-native plant invasions Chapter 8: How direct and indirect non-native interactions can promote plant invasions, lead to invasional meltdown, and inform management decisions Part IV: Antagonistic interactions that hinder plant invasions Chapter 9: Biotic resistance to plant invasions Chapter 10: EICA 2.0: A general model of enemy release and defence in plant and animal invasions Chapter 11: The role of pathogens in plant invasions Chapter 12: Direct and indirect effects of herbivores influencing plant invasions Part V: Consequences of plant invasions for biotic interactions among native species Chapter 13: Impacts of non-native plants on plant-pollinator interactions Chapter 14: The effect of non-native plant invasions on seed dispersal of native plants Chapter 15: Allelopathic disruptions of biotic interactions due to non-native plants Chapter 16: Competition between native and non-native plants Chapter 17: Indirect biotic interactions between non-native plants and native plants and animals Part VI: Novel techniques and experimental approaches in the study of plant invasions Chapter 18: How a network approach has advanced the field of plant invasion ecology Chapter 19: Molecular ecology of plant-microbial interactions during invasions: progress and challenges Part VII: Biotic interactions and the management of ecosystems invaded by non-native plants Chapter 20: How can progress in the understanding of antagonistic interactions be applied to improve biological control of plant invasions? Chapter 21: Restoration of pollination interactions in communities invaded by non-native plants Chapter 22: Restoration of seed dispersal interactions in communities invaded by non-native plants Chapter 23: Multiple feedbacks due to biotic interactions across trophic levels can lead to persistent novel conditions that hinder restoration
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Half the Quilt(Picture Book Edition)
by Xiaoxiang Film Group Co., Yang Fei
Half of the Quilt(Picture Book Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
