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Publishers of sci-fi, fantasy, adventure, historical, mystery, horror, suspense, crime, drama and modern fiction.
View Rights PortalPublishers of sci-fi, fantasy, adventure, historical, mystery, horror, suspense, crime, drama and modern fiction.
View Rights PortalRochester and the pursuit of pleasure provides a reading of Rochester's poems, dramatic works, and letters in a biographical context. In doing so, it sheds light on a central vexed issue in Rochester criticism, the relationship of the poet to his speaker. It also reveals that Rochester's work clusters about a central theme, the pursuit of pleasure, a pursuit motivated by a courtship of purity that grew out of Rochester's Christian and God-fearing upbringing. This rhetoric of courtship, in turn, reveals the unity of Rochester's work as the courtier and his various personae try to persuade his audiences, secular and divine, of his worth.
Construction, development projects, slum improvement -- rewarding work for Peace Corps volunteer Earl Kessler. But when residents of a Colombian town wiped out by flood took the future into their own hands, his life intersected with that of Alfonso Perez Correa, and he learned lessons in local participation and empowerment that have helped bring success in meeting community needs all over the world.
— Analysis of how we view Europe's North and how this image emerged — An outsider's perspective on Nordic societies and their self image — Serves as an introduction into Northern European culture and society Our image of Northern Europe has been shaped by projections and desires in the long history of encounters: berserkers and war atrocities, bad weather, beautiful nature, stable political systems, social welfare, equality and prosperity, peacefulness, low corruption, hygge and Bullerby – all this is part of the Nordic narrative. But what about the religious, linguistic and ethnic homogeneity, what about the muchvaunted Nordic cooperation? How do politics "work" in the North? Why are Northern Europeans the happiest people?
Überrascht blicken wir auf das Werk eines jungen Autors des sechzehnten Jahrhunderts, den die englische Literaturgeschichte nicht kennt oder als Marginalie behandelt. Seine Gedichte besitzen Strahlkraft, Intelligenz und Entschiedenheit. Der Dichter – Edward de Vere, Earl of Oxford (1550–1604) – verbirgt seinen Namen von Anfang an hinter dem Schleier diverser Pseudonyme: Meritum petere grave, Fortunatus Infoelix, Ferenda Natura, Spraeta tamen vivunt, My lucke is losse, Phaeton. Ab 1593 (im Herbst dieses Jahres erscheint unter dem Namen William Shakespeare ein Versepos, »Venus and Adonis«) ist es dann nur noch eines: William Shakespeare. Diese hundert Gedichte eines rollenkundigen Spötters und sprachspielverliebten Dialektikers, die fast ausnahmslos um das Mit- und Gegeneinander von Liebe und Zurückweisung, Sehnsucht und Widerwillen, Leidenschaft und Bezähmung kreisen, sind eine Neuerscheinung in der Welt der Literatur. Sie gewinnen ihren Wert nicht durch die Zuschreibung an William Shakespeare. Umgekehrt: Ihre Qualität stützt die These, dass Edward de Vere ab 1593 unter dem Pseudonym William Shakespeare publizierte.
Als Buch im Buch, versteckt in einer anonym publizierten literarischen Anthologie des Jahres 1573, erschien die erste englische Novelle, The Adventures of Master F. I., deren virtuose Dialoge zwischen Verspieltheit und Strenge, höfischem Frost und seelischem Fieber oszillieren. Im Raffinement der Darstellung, in der virtuosen Beiläufigkeit und poetischen Dichte sind die Aventiuren unvergleichlich. Das bald vom Markt verschwundene Buch erschien zwei Jahre später in »gereinigter« Version unter dem Namen des Soldatendichters George Gascoigne. In der historisch-philologischen Analyse des Nachworts entwickelt Kurt Kreiler eine Indizienkette, die auf die Autorschaft eines großen anderen schließen läßt. Danach heißt der Verfasser der Aventiuren Edward de Vere, Earl of Oxford (1550 bis 1604), der von seinen Zeitgenossen als der »Beste im Fach Komödie« gerühmt wurde und in unserer Zeit als Anwärter auf die Autorschaft Shakespeares gilt. Der Übersetzung wurde die erste Ausgabe von 1573 zugrunde gelegt. Fortunatus Infoelix, ein galanter Ritter des 16. Jahrhunderts, weilt zu Gast in einem Schloß und verliebt sich in die Schwiegertochter des Hausherrn. Lady Elynor reizt den amourösen Belagerer durch die Doppeldeutigkeit ihres Widerstands. Die Zeremonien der Liebesverschwörung werden jäh unterbrochen, als eine zweite Frau den glücklichen Unglücklichen zum Tanz verführt. Wenn sie sich anderntags Master Infoelix als verständnisvolle Freundin andient, so nur deshalb, um sein »Liebesexperiment« geschickt zu steuern …
Investigating areas as diverse as travel literature, fiction, dialect, the stage, radio, and television, feature film, music and sport, this fascinating book assesses the attitudes and portrayal of the North of England within the national culture and how this has impacted upon attitudes to the region and its place within notions of 'Englishness'. ;
Human rights and détente inextricably intertwined during Carter's years. By promoting human rights in the USSR, Carter sought to build a domestic consensus for détente; through bipolar dialogue, he tried to advance human rights in the USSR. But, human rights contributed to the erosion of détente without achieving a lasting domestic consensus.
Drawing on recently released documents and private papers, this is the first book-length study to examine the intimate relationship between the Attlee government and Britain's intelligence and security services at the start of the Cold War. Often praised for the formation of the modern-day 'welfare state', Attlee's government also played a significant, if little understood, role in combating communism at home and overseas, often in the face of vocal, sustained opposition from its own backbenches. This book tells the story of Attlee's Cold War. From Whitehall vetting to secret operations in Eastern Europe and the fallout of Soviet atomic espionage on both sides of the Atlantic, it provides a fresh interpretation of the Attlee government, making it essential reading for anyone interested in the Labour Party, intelligence, security and Britain's foreign and defence policy at the start of the Cold War.
Have you ever wondered why we eat wheat, rice, potatoes and cassava? Why we routinely domesticate foodstuffs with the power to kill us, or why we chose almonds over acorns? Answering all these questions and more in a readable and friendly style, this book takes you on a journey through our history with crop plants. Arranged into recurrent themes in plant domestication, this book documents the history and biology of over 50 crops, including cereals, spices, legumes, fruits and cash crops such as chocolate, tobacco and rubber. In The Nature of Crops John Warren reveals: -Why the Egyptians worshipped onions; -Why red-flowering runner beans provide fewer beans than white-flowering; -The inherent dangers of being a pineapple worker; and -Why a bird will always beat you in a chilli pepper eating competition!
The nineteenth-century's steam railway epitomised modernity's relentlessly onrushing advance. In Railways and culture in Britain Ian Carter delves into the cultural impact of train technology, and how this was represented in British society. Why, for example, did Britain possess no great railway novel? The book's first half tests that assertion by comparing fiction and images by some canonical British figures (Turner, Dickens, Arnold Bennett) with selected French and Russian competitors: Tolstoy, Zola, Monet, Manet. The second half proposes that if high cultural work on the British steam railway is thin, then this does not mean that all British culture ignored this revolutionary artefact. Detailed discussions of comic fiction, crime fiction and cartoons reveal a popular fascination with railways tumbling from vast (and hitherto unexplored) stores of critically overlooked genres. A final chapter contemplates cultural correlations of the steam railway's eclipse. If this was the epitome of modernity, then does the triumph of diesel and electric trains, of cars and planes, signal a decisive shift to postmodernity? ;
The relationship between nature and man is the center of gravity in the novel "The North Barrier". Through the contest between the hunter Jinhu and the police station director Hu about "hunting" and "hunting ban", the novel tells the dilemma faced by the Sanlin District with a long hunting history under the promulgation of the new national policy, and explores many people and animals. , The emotional connection between people. The story kicked off with the incident of "hand over the gun". The "One Shot Biao" Golden Tiger "cut the meat" and hand over the gun under the call of the national policy, but still has a grudge against abandoning the sacred cause of hunting, especially the Director of the Public Security Bureau Hu When he vowed to become the "Hunter Terminator in the Three Forests", the resistance in his heart rose to the extreme. The gunshot incident, the police turmoil, and Jinhu's punishment have intensified the conflict between Jinhu and Director Hu. The two competed to defend their professional dignity.
Now back in print, this comprehensive collection of essays by Simon Adams brings to life the most enigmatic of Elizabethans--Robert Dudley, Earl of Leicester. Adams, famous for the unique depth and breadth of his research, has gathered here his most important essays looking at the Elizabethan Court, and the adventures and legacy of the Earl. Together with his edition of Leicester's accounts and his reconstruction of Leicester's papers, Adams has published much upon on Leicester's influence and activities. His work has reshaped our knowledge of Elizabeth and her Court, Parliament, and such subjects of recent debate as the power of the nobility and the noble affinity, the politics of faction and the role of patronage. Sixteen essays are found in this collection, organized into three groups: the Court, Leicester and his affinity, and Leicester and the regions. This volume will be essential reading for academics and students interested in the Elizabethan Court and in early modern British politics more generally. ;