Bestari Buana Murni is a publisher that has established partnerships with several countries, proven by always holding IIBF (International Indonesia Book Fair) and has 12 branches spread in Sumatra, Java and Makassar. We publish books from toddlers - adults, and from the Islamic to the general.
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In Ana Fuente's view of everyday life, something is devastating that subtly advances in her writing. It is, perhaps, her choice to narrate small family moments that fragment and modify the course of those lives. In these twelve stories, the author rehearses ways of approaching grief in the face of the loss of dreams, of hopes, of what is loved. There is a narrative force to tell us stories that speak not only of what is fractured but of what secretly moves us every day despite everything.
This book has the mission to provide elements for anyone who wishes to give a solid foundation to a narrative that is set in the world of crime. It is for writers, film and television scriptwriters, journalists, and students of Criminal Law and Forensic Sciences who wish to incorporate this knowledge into their work.
In Hola, te sigo esperando (Hello, I'm still waiting for you), we witness the ups and downs of destiny: a man waits at home for a woman who is late in arriving, but chance plays a dirty trick of not coinciding, of perhaps never meeting.
I wrote this book because the SARS-Cov-2 virus that caused the COVID-19 disease was very bad for us, it is impressive how something so small can cause so much damage to humanity and leave some people who escaped the disease with sequels, in the wise words of someone who suffered from the infection says that "those who do not get depressed, become diabetic, have their kidneys ameliorate or leave them dumb for a long time". Well, compared to this virus, his buddies turn out to be innocent popcorn.
Until the appearance of this work, the Cachú photographers were just shooting stars in the history of photography of the Mexican Revolution. Narrated in acts like a play, it tells the story of the photographic archive as a family jewel treasured by their descendants, who, aware of its historical value, share with us the history of their ancestors.
Description Considered one of the most outstanding writers in the Spanish language, Elena Garro (1916-1998) was a prolific author who left in her archive several unpublished plays, short stories, novels, film plots, as well as essays, articles and annotations for future projects. Now, Ediciones del Lirio, in co-publication with the Benemérita Universidad Autónoma de Puebla (BUAP), has brought together various never-before-published materials by the Mexican author, to gather them in the Cuadernos de Elena collection. In this first volume, Relatos recogidos, readers will be able to read three stories that were found in Garro's archive and that today see the light for the first time: "Nunca mates a nadie, siempre hay dos ojos que te ven", "Martín" and "Katrin y María", which are set in an urban environment, where intra-family relationships show their complexities that go from happiness to violence and from there to frenzy, without losing the tension with the geopolitical context of the moment. In these texts we can recognize characters and situations similar to those narrated by Elena Garro in other texts.Elena Garro narrated in other of her books, but also stories that will reveal a new face of the author of Los recuerdos del porvenir. Sinopsis Considerada una de las escritoras más sobresalientes en habla hispana, Elena Garro (1916-1998) fue una autora prolífica quien dejó en su archivo diversas obras inéditas de teatro, relatos, novelas, argumentos cinematográficos, así como ensayos, artículos y anotaciones para futuros proyectos. Ahora, Ediciones del Lirio, en coedición con la Benemérita Universidad Autónoma de Puebla (BUAP), han recabado diversos materiales nunca antes publicados de la autora mexicana, para reunirlos en la colección Cuadernos de Elena. En este primer tomo, Relatos recogidos, los lectores podrán leer tres historias que se encontraron en el archivo de Garro y que hoy ven la luz por primera vez: se trata de “Nunca mates a nadie, siempre hay dos ojos que te ven”, “Martín” y“Katrin y María”, las cuales se sitúan en un ambiente urbano, en donde las relaciones intrafamiliares muestran sus complejidades que van de la felicidad a la violencia y de ahí al frenesí, sin perder la tensión con el contexto geopolítico del momento. En estos textos se podrán reconocer personajes y situaciones parecidas a las queElena Garro narró en otros de sus libros, pero también historias que revelarán un nuevo rostro de la autora de Los recuerdos del porvenir.
The work is the result of a call addressed to the community of the School of Plastic and Audiovisual Arts of the Benemérita Universidad Autónoma de Puebla, in the year 2021, in which students and teachers were invited to share their experience since the beginning of the confinement within the framework of the sanitary contingency; this through a plastic work, a text, or both, so that different expressions about how life has been modified since the existence of the coronavirus were combined.
